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Santanu Chakrabarti

Biographic Data

ID4929328
NAMESantanu Chakrabarti
GIVEN NAMESSantanu
FAMILY NAMEChakrabarti
SIGNATURECHAKRABARTI S
AFFILIATIONSRutgers, the State University of New Jersey
ORCID0000-0001-9824-246X
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS12
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2007
LATEST PUBLICATION YEAR2025
H-INDEX2
  • Inhibiting multidrug resistant Shigella flexneri using comparative genomics guided In vitro and In silico screening

    Open Access•Sarmishta Mukhopadhyay, Fernando Berton Zanchi et al.•ARTICLE•Journal of Ethnopharmacology•2025

  • How structure shapes content, or why the ‘Hindi turn’ of Star Plus became the ‘Hindu turn’

    Open Access•Santanu Chakrabarti•ARTICLE•Media Culture & Society•2014•Cited by: 2•References: 11

    Why was there in the year 2000 a significant shift in the representation of families on Indian soap operas, from middle-class nuclear families with independent working women to upper-class joint families with only homemakers; and from milieus in which the religion of the characters was incidental, to milieus in which the Hindu religion and the performance of it was of central importance? I argue that a confluence of three forces enabled these shi…

  • Prime time soap operas on Indian television

    Santanu Chakrabarti•ARTICLE•South Asian Popular Culture•2011•Cited by: 10

    Shoma Munshi, New Delhi: Routledge, 2010, 312 pp., Rs. 595 (hardback), ISBN 978-0-415-55377-3 Shoma Munshi's Prime Time Soap Operas on Indian Television deserves a warm welcome from all observers o

  • Introduction

    Subhas Ranjan Chakraborty, Santanu Chakrabarti et al.•ARTICLE•The International Journal of the…•2007

  • Prime time soap operas on Indian television

    Santanu Chakrabarti•ARTICLE•South Asian Popular Culture•2011•Cited by: 10

    Shoma Munshi, New Delhi: Routledge, 2010, 312 pp., Rs. 595 (hardback), ISBN 978-0-415-55377-3 Shoma Munshi's Prime Time Soap Operas on Indian Television deserves a warm welcome from all observers o

  • How structure shapes content, or why the ‘Hindi turn’ of Star Plus became the ‘Hindu turn’

    Open Access•Santanu Chakrabarti•ARTICLE•Media Culture & Society•2014•Cited by: 2•References: 11

    Why was there in the year 2000 a significant shift in the representation of families on Indian soap operas, from middle-class nuclear families with independent working women to upper-class joint families with only homemakers; and from milieus in which the religion of the characters was incidental, to milieus in which the Hindu religion and the performance of it was of central importance? I argue that a confluence of three forces enabled these shi…

  • Introduction

    Subhas Ranjan Chakraborty, Santanu Chakrabarti et al.•ARTICLE•The International Journal of the…•2007

  • Prime time soap operas on Indian television

    Santanu Chakrabarti•ARTICLE•South Asian Popular Culture•2011•Cited by: 10

    Shoma Munshi, New Delhi: Routledge, 2010, 312 pp., Rs. 595 (hardback), ISBN 978-0-415-55377-3 Shoma Munshi's Prime Time Soap Operas on Indian Television deserves a warm welcome from all observers o

  • How structure shapes content, or why the ‘Hindi turn’ of Star Plus became the ‘Hindu turn’

    Open Access•Santanu Chakrabarti•ARTICLE•Media Culture & Society•2014•Cited by: 2•References: 11

    Why was there in the year 2000 a significant shift in the representation of families on Indian soap operas, from middle-class nuclear families with independent working women to upper-class joint families with only homemakers; and from milieus in which the religion of the characters was incidental, to milieus in which the Hindu religion and the performance of it was of central importance? I argue that a confluence of three forces enabled these shi…

  • Inhibiting multidrug resistant Shigella flexneri using comparative genomics guided In vitro and In silico screening

    Open Access•Sarmishta Mukhopadhyay, Fernando Berton Zanchi et al.•ARTICLE•Journal of Ethnopharmacology•2025

Political science (3 works) · Art (2 works) · History (2 works) · History (2 works) · Law (2 works) · Law (2 works) · Media studies (2 works) · Politics (2 works) · Sociology (2 works) · South Asian Cinema and Culture (2 works)

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