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James E Marlow

Biographic Data

ID4931614
NAMEJames E Marlow
GIVEN NAMESJames E
FAMILY NAMEMarlow
SIGNATUREMARLOW J E
AFFILIATIONSSoutheastern University
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS2
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR1982
LATEST PUBLICATION YEAR2001
H-INDEX1
  • The Last Gasp

    Open Access•James E Marlow•ARTICLE•Journal of Communication Inquiry•2001•Cited by: 1•References: 1

    Facing further censorship on advertising, cigarette companies exploited the billboard in the 1990s. Billboards pose problems of communication because of the short time for perception. All the companies founded their ads on the myth of freedom. Winston used purely verbal presentations, creating a persona that proclaimed its cigarettes free of additives and that talked back to big government. Merit used visual signifiers of color and clothing and d…

  • Pickwick's Writing

    James E Marlow•ARTICLE•ELH•1985

    Writing could well be considered imaginative matrix of The Posthumous Papers of Pickwick Club. In his search for congenial material for his first novel, Dickens, like Sterne before him, finds it partly in problematic of writing itself. The incompatibility between Dickens and first illustrator, Robert Seymour, who had initially proposed a Nimrod serial to publishers, was probably due partly to fact that Dickens's comic genius found its home in lan…

  • Popular Culture, Pugilism, and Pickwick

    Open Access•James E Marlow•ARTICLE•The Journal of Popular Culture•1982•Cited by: 1

  • The Last Gasp

    Open Access•James E Marlow•ARTICLE•Journal of Communication Inquiry•2001•Cited by: 1•References: 1

    Facing further censorship on advertising, cigarette companies exploited the billboard in the 1990s. Billboards pose problems of communication because of the short time for perception. All the companies founded their ads on the myth of freedom. Winston used purely verbal presentations, creating a persona that proclaimed its cigarettes free of additives and that talked back to big government. Merit used visual signifiers of color and clothing and d…

  • Popular Culture, Pugilism, and Pickwick

    Open Access•James E Marlow•ARTICLE•The Journal of Popular Culture•1982•Cited by: 1

  • Popular Culture, Pugilism, and Pickwick

    Open Access•James E Marlow•ARTICLE•The Journal of Popular Culture•1982•Cited by: 1

  • Pickwick's Writing

    James E Marlow•ARTICLE•ELH•1985

    Writing could well be considered imaginative matrix of The Posthumous Papers of Pickwick Club. In his search for congenial material for his first novel, Dickens, like Sterne before him, finds it partly in problematic of writing itself. The incompatibility between Dickens and first illustrator, Robert Seymour, who had initially proposed a Nimrod serial to publishers, was probably due partly to fact that Dickens's comic genius found its home in lan…

  • The Last Gasp

    Open Access•James E Marlow•ARTICLE•Journal of Communication Inquiry•2001•Cited by: 1•References: 1

    Facing further censorship on advertising, cigarette companies exploited the billboard in the 1990s. Billboards pose problems of communication because of the short time for perception. All the companies founded their ads on the myth of freedom. Winston used purely verbal presentations, creating a persona that proclaimed its cigarettes free of additives and that talked back to big government. Merit used visual signifiers of color and clothing and d…

Art (2 works) · History (2 works) · History (2 works) · Media studies (2 works) · Sociology (2 works) · Advertising (1 work) · Aesthetics (1 work) · American Political and Social Dynamics (1 work) · Business (1 work) · Censorship (1 work)

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