Peter Goldie
Biographic Data
| ID | 493328 |
|---|---|
| NAME | Peter Goldie |
| GIVEN NAMES | Peter |
| FAMILY NAME | Goldie |
| SIGNATURE | GOLDIE P |
| AFFILIATIONS | King's College London |
| VERIFIED | No |
| TOTAL WORKS | 14 |
| TOTAL CITATIONS | 22 |
| AUTHOR COUNT | 13 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 2 |
The Mess Inside
"Peter Goldie explores the ways in which we think about our lives--our past, present, and future--in narrative terms. ... Goldie supports scepticism about the idea that there is such as thing as a narrative self, but argues that having a narrative sense of self, quite distinct from any metaphysical notion of selfhood, is at the heart of what it is to think of ourselves, and others, as having a narratable past, present, and future"--Jacket, p. [4]…
The Aesthetic MindPhilosophy and Psychology
This title breaks ground in bringing together empirical sciences and philosophy to enhance our understanding of art and the aesthetic. An eminent international team of experts explores the roles of emotion, imagination, empathy, and beauty in this realm of human experience, discussing visual and literary art, music and dance.
EmpathyPhilosophical and Psychological Perspectives
In this interdisciplinary investigation of empathy leading researchers from philosophy and psychology explore the its role in our capacity to understand other people and predict what they think, feel, and do; the part it plays in our ethical responses to others; and its importance to our appreciation of art and fiction.
The aesthetic mind
This title breaks ground in bringing together empirical sciences and philosophy to enhance our understanding of art and the aesthetic. An eminent international team of experts explores the roles of emotion, imagination, empathy, and beauty in this realm of human experience, discussing visual and literary art, music, and dance
Virtues of Art
The idea that there is an important place in philosophical aesthetics for virtues of art is not new, but it is now undergoing a serious re-examination. Why might this be? What are the principles behind virtue aesthetics? Are there any good arguments for the theory? (I will take virtue aesthetics to be the theory that there is a central place for virtues of art.) What problems does virtue aesthetics face? And what might the implications be of virt…
The Oxford Handbook of Philosophy of Emotion
PART 1: WHAT EMOTIONS ARE PART 2: THE HISTORY OF EMOTION PART 3: EMOTIONS AND PRACTICAL REASON PART 4: EMOTIONS AND THE SELF PART 5: EMOTION, VALUE, AND MORALITY PART 6: EMOTION, ART, AND AESTHETICS
Intellectual and Other Nonstandard Emotions
This handbook presents state-of-the-art contributions from the most notable writers on philosophy of emotion. Anyone working on the nature of emotion, its history, or its relation to reason self, value, or art, whether at the level of research or advanced study, will find the book an unrivalled resource and a fascinating read.
Teaching & Learning Guide for
Author's IntroductionThe emotions were a neglected topic in philosophy twenty or so years ago, but things have now changed. It is now appreciated how important it is to understand the emotions as an independent aspect of our mental economy - one that has to be properly taken into account in any worthwhile philosophising in ethics or moral psychology, in epistemology, in aesthetics, and generally in philosophical issues surrounding value and how t…
Emotion
After many years of neglect, philosophers are increasingly turning their attention to the emotions, and recently we have seen a number of different accounts of emotion. In this article, we will first consider what facts an account of emotion needs to accommodate if it is going to be acceptable. Having done that, we will then consider some of the leading accounts and see how they fare in accommodating the facts. Two things in particular will emerg…
Narrative and Consciousness
Narrative and Consciousness: Literature, Psychology, and the Brain. Edited by GARYD. FIREMAN, TEDE. MCVAYJR, and OWENJ. FLANAGAN. Oxford U.P. 2003. pp. xi + 252. £61 (hbk); £21.50 (pbk). WHAT do we think of interdisciplinary conferences? I suspect that most of us would reply that they are, in principle, a Good Thing. But when we move from principle to practice, two difficulties often arise: first, people often fail to grasp the motivations and th…
The life of the mind
On personality
Emotions, feelings and intentionality
The emotions
The Oxford Handbook of Philosophy of Emotion
PART 1: WHAT EMOTIONS ARE PART 2: THE HISTORY OF EMOTION PART 3: EMOTIONS AND PRACTICAL REASON PART 4: EMOTIONS AND THE SELF PART 5: EMOTION, VALUE, AND MORALITY PART 6: EMOTION, ART, AND AESTHETICS
Virtues of Art
The idea that there is an important place in philosophical aesthetics for virtues of art is not new, but it is now undergoing a serious re-examination. Why might this be? What are the principles behind virtue aesthetics? Are there any good arguments for the theory? (I will take virtue aesthetics to be the theory that there is a central place for virtues of art.) What problems does virtue aesthetics face? And what might the implications be of virt…
Emotion
After many years of neglect, philosophers are increasingly turning their attention to the emotions, and recently we have seen a number of different accounts of emotion. In this article, we will first consider what facts an account of emotion needs to accommodate if it is going to be acceptable. Having done that, we will then consider some of the leading accounts and see how they fare in accommodating the facts. Two things in particular will emerg…
Narrative and Consciousness
Narrative and Consciousness: Literature, Psychology, and the Brain. Edited by GARYD. FIREMAN, TEDE. MCVAYJR, and OWENJ. FLANAGAN. Oxford U.P. 2003. pp. xi + 252. £61 (hbk); £21.50 (pbk). WHAT do we think of interdisciplinary conferences? I suspect that most of us would reply that they are, in principle, a Good Thing. But when we move from principle to practice, two difficulties often arise: first, people often fail to grasp the motivations and th…
Emotions, feelings and intentionality
The emotions
The life of the mind
On personality
Narrative and Consciousness
Narrative and Consciousness: Literature, Psychology, and the Brain. Edited by GARYD. FIREMAN, TEDE. MCVAYJR, and OWENJ. FLANAGAN. Oxford U.P. 2003. pp. xi + 252. £61 (hbk); £21.50 (pbk). WHAT do we think of interdisciplinary conferences? I suspect that most of us would reply that they are, in principle, a Good Thing. But when we move from principle to practice, two difficulties often arise: first, people often fail to grasp the motivations and th…
Emotion
After many years of neglect, philosophers are increasingly turning their attention to the emotions, and recently we have seen a number of different accounts of emotion. In this article, we will first consider what facts an account of emotion needs to accommodate if it is going to be acceptable. Having done that, we will then consider some of the leading accounts and see how they fare in accommodating the facts. Two things in particular will emerg…
Teaching & Learning Guide for
Author's IntroductionThe emotions were a neglected topic in philosophy twenty or so years ago, but things have now changed. It is now appreciated how important it is to understand the emotions as an independent aspect of our mental economy - one that has to be properly taken into account in any worthwhile philosophising in ethics or moral psychology, in epistemology, in aesthetics, and generally in philosophical issues surrounding value and how t…
The Oxford Handbook of Philosophy of Emotion
PART 1: WHAT EMOTIONS ARE PART 2: THE HISTORY OF EMOTION PART 3: EMOTIONS AND PRACTICAL REASON PART 4: EMOTIONS AND THE SELF PART 5: EMOTION, VALUE, AND MORALITY PART 6: EMOTION, ART, AND AESTHETICS
Intellectual and Other Nonstandard Emotions
This handbook presents state-of-the-art contributions from the most notable writers on philosophy of emotion. Anyone working on the nature of emotion, its history, or its relation to reason self, value, or art, whether at the level of research or advanced study, will find the book an unrivalled resource and a fascinating read.
Virtues of Art
The idea that there is an important place in philosophical aesthetics for virtues of art is not new, but it is now undergoing a serious re-examination. Why might this be? What are the principles behind virtue aesthetics? Are there any good arguments for the theory? (I will take virtue aesthetics to be the theory that there is a central place for virtues of art.) What problems does virtue aesthetics face? And what might the implications be of virt…
The Aesthetic MindPhilosophy and Psychology
This title breaks ground in bringing together empirical sciences and philosophy to enhance our understanding of art and the aesthetic. An eminent international team of experts explores the roles of emotion, imagination, empathy, and beauty in this realm of human experience, discussing visual and literary art, music and dance.
EmpathyPhilosophical and Psychological Perspectives
In this interdisciplinary investigation of empathy leading researchers from philosophy and psychology explore the its role in our capacity to understand other people and predict what they think, feel, and do; the part it plays in our ethical responses to others; and its importance to our appreciation of art and fiction.
The aesthetic mind
This title breaks ground in bringing together empirical sciences and philosophy to enhance our understanding of art and the aesthetic. An eminent international team of experts explores the roles of emotion, imagination, empathy, and beauty in this realm of human experience, discussing visual and literary art, music, and dance
The Mess Inside
"Peter Goldie explores the ways in which we think about our lives--our past, present, and future--in narrative terms. ... Goldie supports scepticism about the idea that there is such as thing as a narrative self, but argues that having a narrative sense of self, quite distinct from any metaphysical notion of selfhood, is at the heart of what it is to think of ourselves, and others, as having a narratable past, present, and future"--Jacket, p. [4]…
Psychology (11 works) · Philosophy (10 works) · Epistemology (9 works) · Emotions and Moral Behavior (6 works) · Psychoanalysis (6 works) · Aesthetics (4 works) · Cognitive psychology (4 works) · Cognitive science (4 works) · Sociology (4 works) · Art (3 works)