Marta Perrotta
Biographic Data
| ID | 4971756 |
|---|---|
| NAME | Marta Perrotta |
| GIVEN NAMES | Marta |
| FAMILY NAME | Perrotta |
| SIGNATURE | PERROTTA M |
| AFFILIATIONS | Roma Tre University |
| ORCID | 0000-0002-6853-8101 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 15 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 2 |
Capítulo 13. La radio en Italia, entre pluralismo y concentración
La radio italiana nació en los años veinte del siglo pasado, y hasta los años setenta creció bajo el monopolio estatal con un operador público único integrado por tres canales generalistas. En 1976, una sentencia de la Corte Constitucional legalizó la transmisión radiofónica (y televisiva) vía ondas herzianas en el ámbito local, preanunciando una ley de reglamentación del sector, que sin embargo no llegó hasta 1990. Mientras tanto, ocupando frecu…
Master of Photography
Italy plays a peripheral role in the global market of ready-made shows, for historical reasons that pertain both to the marginality of the Italian language and to the scarcity of cultural and economic investments in the globalization of the products. This essay focuses on the analysis of Master of Photography, a docu-talent show produced since 2015 by the Italian indie B/Arts for the pan-European production hub that Sky Limited conceived to produ…
Stilvarianten – Ästhetische Differenzen und Gemeinsamkeiten in nationalen Adaptionen von Yo soy Betty, la fea
Global Ugly Betty
The global television landscape in the first decade of the twenty‐first century is a complex terrain of contradictory developments and trends. On the one hand, there are globally successful formats and series. On the other hand, each national TV landscape presents its own adaptations of successful programs from other countries. From 2002, the Colombian telenovela Yo soy Betty, la fea ( I Am Betty, the Ugly One ) has traveled around the world in d…
Traveling style
The global television landscape in the first decade of the 21st century is a complex terrain of contradictory developments and trends. Since the early years of television the United States has been the most important exporter of TV series, TV serials and game shows. But nowadays times have changed. Admittedly the USA is still the leading nation in selling TV fiction all over the world, but since the deregulation of the TV market in Western Europe…
Radioscreens. Radio and cinema in Italy, radio on Italian cinema
This article examines the relationship between radio and cinema, both from historic and aesthetic points of view. The aim of its first section is to consider the mutual impact of the two media and of their output on the specific terrain of Italian popular culture and media history. The second section outlines a range of approaches to the representation of the radio medium in Italian cinema. In particular, looking at Italian movies from the early …
On and off the air
This article examines the results of a research project we conducted on social uses of radio in the San Vittore prison, Milan, Italy. Our aim is to survey and understand the everyday practices of radio consumption by such a special audience as that of prison inmates. Although the use that’s being made of radio in prison is mature and aware, it is mostly neglected by the medium itself, for being considered a scarcely interesting share of the marke…
Traveling style
The global television landscape in the first decade of the 21st century is a complex terrain of contradictory developments and trends. Since the early years of television the United States has been the most important exporter of TV series, TV serials and game shows. But nowadays times have changed. Admittedly the USA is still the leading nation in selling TV fiction all over the world, but since the deregulation of the TV market in Western Europe…
On and off the air
This article examines the results of a research project we conducted on social uses of radio in the San Vittore prison, Milan, Italy. Our aim is to survey and understand the everyday practices of radio consumption by such a special audience as that of prison inmates. Although the use that’s being made of radio in prison is mature and aware, it is mostly neglected by the medium itself, for being considered a scarcely interesting share of the marke…
On and off the air
This article examines the results of a research project we conducted on social uses of radio in the San Vittore prison, Milan, Italy. Our aim is to survey and understand the everyday practices of radio consumption by such a special audience as that of prison inmates. Although the use that’s being made of radio in prison is mature and aware, it is mostly neglected by the medium itself, for being considered a scarcely interesting share of the marke…
Radioscreens. Radio and cinema in Italy, radio on Italian cinema
This article examines the relationship between radio and cinema, both from historic and aesthetic points of view. The aim of its first section is to consider the mutual impact of the two media and of their output on the specific terrain of Italian popular culture and media history. The second section outlines a range of approaches to the representation of the radio medium in Italian cinema. In particular, looking at Italian movies from the early …
Traveling style
The global television landscape in the first decade of the 21st century is a complex terrain of contradictory developments and trends. Since the early years of television the United States has been the most important exporter of TV series, TV serials and game shows. But nowadays times have changed. Admittedly the USA is still the leading nation in selling TV fiction all over the world, but since the deregulation of the TV market in Western Europe…
Global Ugly Betty
The global television landscape in the first decade of the twenty‐first century is a complex terrain of contradictory developments and trends. On the one hand, there are globally successful formats and series. On the other hand, each national TV landscape presents its own adaptations of successful programs from other countries. From 2002, the Colombian telenovela Yo soy Betty, la fea ( I Am Betty, the Ugly One ) has traveled around the world in d…
Stilvarianten – Ästhetische Differenzen und Gemeinsamkeiten in nationalen Adaptionen von Yo soy Betty, la fea
Master of Photography
Italy plays a peripheral role in the global market of ready-made shows, for historical reasons that pertain both to the marginality of the Italian language and to the scarcity of cultural and economic investments in the globalization of the products. This essay focuses on the analysis of Master of Photography, a docu-talent show produced since 2015 by the Italian indie B/Arts for the pan-European production hub that Sky Limited conceived to produ…
Capítulo 13. La radio en Italia, entre pluralismo y concentración
La radio italiana nació en los años veinte del siglo pasado, y hasta los años setenta creció bajo el monopolio estatal con un operador público único integrado por tres canales generalistas. En 1976, una sentencia de la Corte Constitucional legalizó la transmisión radiofónica (y televisiva) vía ondas herzianas en el ámbito local, preanunciando una ley de reglamentación del sector, que sin embargo no llegó hasta 1990. Mientras tanto, ocupando frecu…
Art (5 works) · Media studies (5 works) · Sociology (5 works) · Advertising (3 works) · Business (3 works) · Geography (3 works) · Media, Gender, and Advertising (3 works) · Political science (3 works) · Visual arts (3 works) · Asian Culture and Media Studies (2 works)