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Wenna Zeng

Biographic Data

ID4971840
NAMEWenna Zeng
GIVEN NAMESWenna
FAMILY NAMEZeng
SIGNATUREZENG W
AFFILIATIONSShenzhen University
ORCID0000-0003-1082-9931
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS22
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2020
H-INDEX2
  • Heroism as Narrative Strategy

    Open Access•Wenna Zeng, Kara Chan•ARTICLE•Television & New Media•2020•References: 3

    Entertaining animated television programs often carry significant educational and national discourses that are rarely given much scholarly attention. This article examines the Chinese children’s animation program Boonie Bears and explores its narrative strategies in portraying heroism. By employing content analyses, in-depth interviews, and focus groups, the article discusses how producers construct animation heroes according to the ideological f…

  • Popular nationalism

    Open Access•Wenna Zeng, Chris Sparks•ARTICLE•International Communication Gazette•2019•Cited by: 11•References: 23

    This article analyses the coverage of the current US–China trade war in the Global Times. Some scholars argue that official nationalism, which stress the unity of the Chinese people, is challenged by popular nationalism, which privileges the dominant Han ethnicity, and that official nationalism is forced to make concessions to popular nationalism. If this is true, then one would expect to find evidence in the coverage of international issues in a…

  • Production and politics in Chinese television

    Open Access•Wenna Zeng, Chris Sparks•ARTICLE•Media Culture & Society•2018•Cited by: 11•References: 13

    Political pressure and censorship are unavoidable conditions for producing an entertainment show in Chinese TV. The relationships between a production team and the government are, however, extremely complex. Based on participant observation in a TV channel and in-depth interviews with related television professionals, this article analyses the tensions between production and politics in Chinese television. The article argues that a centralized an…

  • Localization as negotiation

    Wenna Zeng, Chris Sparks•ARTICLE•International Journal of Digital…•2017

    This article analyses the localization, as Hurry Up, Brother, of the Korean celebrity reality game show format Running Man by the Chinese broadcaster Zhejiang Satellite TV. Based upon field work involving participant observation and interviews with Chinese and Korean production personnel, the article explores the complex forces involved in realizing the final, highly successful, project. It is argued that localization involves the interplay of co…

  • Popular nationalism

    Open Access•Wenna Zeng, Chris Sparks•ARTICLE•International Communication Gazette•2019•Cited by: 11•References: 23

    This article analyses the coverage of the current US–China trade war in the Global Times. Some scholars argue that official nationalism, which stress the unity of the Chinese people, is challenged by popular nationalism, which privileges the dominant Han ethnicity, and that official nationalism is forced to make concessions to popular nationalism. If this is true, then one would expect to find evidence in the coverage of international issues in a…

  • Production and politics in Chinese television

    Open Access•Wenna Zeng, Chris Sparks•ARTICLE•Media Culture & Society•2018•Cited by: 11•References: 13

    Political pressure and censorship are unavoidable conditions for producing an entertainment show in Chinese TV. The relationships between a production team and the government are, however, extremely complex. Based on participant observation in a TV channel and in-depth interviews with related television professionals, this article analyses the tensions between production and politics in Chinese television. The article argues that a centralized an…

  • Localization as negotiation

    Wenna Zeng, Chris Sparks•ARTICLE•International Journal of Digital…•2017

    This article analyses the localization, as Hurry Up, Brother, of the Korean celebrity reality game show format Running Man by the Chinese broadcaster Zhejiang Satellite TV. Based upon field work involving participant observation and interviews with Chinese and Korean production personnel, the article explores the complex forces involved in realizing the final, highly successful, project. It is argued that localization involves the interplay of co…

  • Production and politics in Chinese television

    Open Access•Wenna Zeng, Chris Sparks•ARTICLE•Media Culture & Society•2018•Cited by: 11•References: 13

    Political pressure and censorship are unavoidable conditions for producing an entertainment show in Chinese TV. The relationships between a production team and the government are, however, extremely complex. Based on participant observation in a TV channel and in-depth interviews with related television professionals, this article analyses the tensions between production and politics in Chinese television. The article argues that a centralized an…

  • Popular nationalism

    Open Access•Wenna Zeng, Chris Sparks•ARTICLE•International Communication Gazette•2019•Cited by: 11•References: 23

    This article analyses the coverage of the current US–China trade war in the Global Times. Some scholars argue that official nationalism, which stress the unity of the Chinese people, is challenged by popular nationalism, which privileges the dominant Han ethnicity, and that official nationalism is forced to make concessions to popular nationalism. If this is true, then one would expect to find evidence in the coverage of international issues in a…

  • Heroism as Narrative Strategy

    Open Access•Wenna Zeng, Kara Chan•ARTICLE•Television & New Media•2020•References: 3

    Entertaining animated television programs often carry significant educational and national discourses that are rarely given much scholarly attention. This article examines the Chinese children’s animation program Boonie Bears and explores its narrative strategies in portraying heroism. By employing content analyses, in-depth interviews, and focus groups, the article discusses how producers construct animation heroes according to the ideological f…

Law (4 works) · Law (4 works) · Political science (4 works) · Politics (4 works) · Asian Culture and Media Studies (3 works) · Computer Science (3 works) · Economics (3 works) · Sociology (3 works) · Business (2 works) · China (2 works)

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