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Carolyn Tate

Biographic Data

ID4974783
NAMECarolyn Tate
GIVEN NAMESCarolyn
FAMILY NAMETate
SIGNATURETATE C
AFFILIATIONSTexas Tech University
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS5
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR1983
LATEST PUBLICATION YEAR2013
H-INDEX1
  • Summer Solstice Ceremonies Performed by Bird Jaguar III de Yaxchilan, Chiapas, Mexico

    Open Access•Carolyn Tate•ARTICLE•Estudios de Cultura Maya•2013•Cited by: 1

    The sculptural styles of different Maya cities, while conforming to the canon of figural representation that is uniquely Maya, can also easily be identified as those of a particular city. Similarly, epigraphers begin to recognize that each city, while operating from the same cultural and linguistic premises, gave precedence to specific types of events in its historial record. Tikal, for example, in addition to accessions, recorded mostly Period E…

  • Landscape and a Visual Narrative of Creation and Origin at the Olmec Ceremonial Center of La Venta

    Carolyn E Tate, Carolyn Tate•CHAPTER•Pre-Columbian Landscapes of…•2008

  • Yaxchilan

    Carolyn Tate•CHAPTER•2003

  • San Lorenzo Tenochtitlan

    Carolyn Tate, Trenton D Barnes•CHAPTER•2003

  • La Venta

    Carolyn Tate, Trenton D Barnes•CHAPTER•2003

  • Patrons of Shamanic Power

    Open Access•Carolyn E Tate, Carolyn Tate•ARTICLE•Ancient Mesoamerica•1999•Cited by: 4

    This article takes two new approaches to the “enigmas” of La Venta. First, it examines the form of the site in relation to the region from which the La Ventans procured their stone: primarily, the Isthmus of Tehuantepec. La Venta's north–south axis pointed to the nearest high mountain south of the site. The bar-and-four-dots design on the Mosaic Pavements corresponded to the duality of the female earth and its four-directional maize plants crosse…

  • Yaxchilan

    Patricia K Anderson, Carolyn E Tate et al.•ARTICLE•Ethnohistory•1994

  • The Sculpture of Palenque. Volume I

    Carolyn Tate, Merle Greene Robertson•ARTICLE•African Arts•1984

  • The Maya Book of the Dead

    Carolyn Tate•REVIEW•African Arts•1984

  • Old Gods and Young Heroes

    Carolyn Tate, Michael D Coe•ARTICLE•African Arts•1983

  • Indian Clothing before Cortes

    Carolyn Tate, Patricia Rieff Anawalt•ARTICLE•African Arts•1983

  • Patrons of Shamanic Power

    Open Access•Carolyn E Tate, Carolyn Tate•ARTICLE•Ancient Mesoamerica•1999•Cited by: 4

    This article takes two new approaches to the “enigmas” of La Venta. First, it examines the form of the site in relation to the region from which the La Ventans procured their stone: primarily, the Isthmus of Tehuantepec. La Venta's north–south axis pointed to the nearest high mountain south of the site. The bar-and-four-dots design on the Mosaic Pavements corresponded to the duality of the female earth and its four-directional maize plants crosse…

  • Summer Solstice Ceremonies Performed by Bird Jaguar III de Yaxchilan, Chiapas, Mexico

    Open Access•Carolyn Tate•ARTICLE•Estudios de Cultura Maya•2013•Cited by: 1

    The sculptural styles of different Maya cities, while conforming to the canon of figural representation that is uniquely Maya, can also easily be identified as those of a particular city. Similarly, epigraphers begin to recognize that each city, while operating from the same cultural and linguistic premises, gave precedence to specific types of events in its historial record. Tikal, for example, in addition to accessions, recorded mostly Period E…

  • Old Gods and Young Heroes

    Carolyn Tate, Michael D Coe•ARTICLE•African Arts•1983

  • Indian Clothing before Cortes

    Carolyn Tate, Patricia Rieff Anawalt•ARTICLE•African Arts•1983

  • The Sculpture of Palenque. Volume I

    Carolyn Tate, Merle Greene Robertson•ARTICLE•African Arts•1984

  • The Maya Book of the Dead

    Carolyn Tate•REVIEW•African Arts•1984

  • Yaxchilan

    Patricia K Anderson, Carolyn E Tate et al.•ARTICLE•Ethnohistory•1994

  • Patrons of Shamanic Power

    Open Access•Carolyn E Tate, Carolyn Tate•ARTICLE•Ancient Mesoamerica•1999•Cited by: 4

    This article takes two new approaches to the “enigmas” of La Venta. First, it examines the form of the site in relation to the region from which the La Ventans procured their stone: primarily, the Isthmus of Tehuantepec. La Venta's north–south axis pointed to the nearest high mountain south of the site. The bar-and-four-dots design on the Mosaic Pavements corresponded to the duality of the female earth and its four-directional maize plants crosse…

  • Yaxchilan

    Carolyn Tate•CHAPTER•2003

  • San Lorenzo Tenochtitlan

    Carolyn Tate, Trenton D Barnes•CHAPTER•2003

  • La Venta

    Carolyn Tate, Trenton D Barnes•CHAPTER•2003

  • Landscape and a Visual Narrative of Creation and Origin at the Olmec Ceremonial Center of La Venta

    Carolyn E Tate, Carolyn Tate•CHAPTER•Pre-Columbian Landscapes of…•2008

  • Summer Solstice Ceremonies Performed by Bird Jaguar III de Yaxchilan, Chiapas, Mexico

    Open Access•Carolyn Tate•ARTICLE•Estudios de Cultura Maya•2013•Cited by: 1

    The sculptural styles of different Maya cities, while conforming to the canon of figural representation that is uniquely Maya, can also easily be identified as those of a particular city. Similarly, epigraphers begin to recognize that each city, while operating from the same cultural and linguistic premises, gave precedence to specific types of events in its historial record. Tikal, for example, in addition to accessions, recorded mostly Period E…

Archaeology (8 works) · Art (8 works) · History (8 works) · Latin American history and culture (7 works) · Ancient history (6 works) · Geography (6 works) · Archaeology and ancient environmental studies (4 works) · Maya (4 works) · Visual arts (4 works) · Archaeology and Natural History (2 works)

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