Eli Irawati
Biographic Data
| ID | 4976131 |
|---|---|
| NAME | Eli Irawati |
| GIVEN NAMES | Eli |
| FAMILY NAME | Irawati |
| SIGNATURE | IRAWATI E |
| AFFILIATIONS | Institut Seni Indonesia Yogyakarta |
| ORCID | 0000-0002-3179-1365 |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Design of “Munyer” as a Respons to Social Condition in New Normal
This study aimed to observe social background of “Munyer” masterpiece creation. This study was a qualitative study through library research, observation and interview to elaborate the composition. The finding showed that the design method consisted of initial stimulation, idea generation, exploration, improvisation, formation and presentation or performance. The result of this design was a new musical masterpiece with instruments, pattern and per…
Typological Analysis of Metalhead Community’s Logo as Visual Communication During Covid-19 Pandemic
Typology Analysis of Metalhead Community Logos as Visual Communication During the Covid-19 Pandemic. The Covid-19 pandemic brought many changes in terms of how to communicate within the community, namely Metalhead, both nationally and internationally by utilizing social media Facebook, Instagram, and so on through logos and graphic designs. The research problem is the tendency to use a logo which is the hallmark of the Metalhead group in terms of…
Komunikasi Musikal Suling Dewa dan Memang dalam Ritual Bepelas pada Upacara Erau di Kutai Kartanegara
Suling dewa dan memang merupakan salah satu bagian dari rangkaian ritual bepelas pada upacara erau. Kehadiran serta kedudukan penyajian tersebut memiliki maksud dan arti tersendiri yang belum diketahui oleh banyak orang. Tulisan ini bertujuan untuk memaparkan teks pada penyajian suling dewa dan memang yang meliputi, pelaku, syair, instrumen, lagu, tempat, dan penikmat, serta hubungan pada penyajian suling dewa dan memang yang dapat dilihat secara…
Transmission of Resilience Learning in the Context of Formal Education an Ethnomusicological Review
The existence and continuity of musical practice in the world, among others, is strongly influenced by transmission or inheritance. Therefore, local-traditional music in Indonesia that lives and develops in the midst of oral culture becomes important to study transmission. This study aims to determine the transmission process of learning in the Kalimantan Music class and find the right formula for delivering teaching materials. This research is q…
Transmisi, Musik Lokal-Tradisional, dan Musik Populer
Popular music, like popular culture, is considered to reflect the tastes of ordinary people or the masses, produced for and through the modern mass media. One of the characteristics that distinguish between local-traditional music with popular music is its transmission. This paper is intended as a preliminary attempt to show the transmission between the two musics, which is then expected to trigger ideas about the possibilities of musical transmi…
A Transmission of Kêlèntangan Music among the Dayak Bênuaq of East Kalimantan in Indonesia
Musical transmission is integral to the sustainability of musical traditions. Most literature on musical transmission focuses how songs are memorised rather than how instrumental pieces are transmitted. This study explores the transmission processes of the kêlèntangan, the instrumental pieces that accompany the Dayak Bênuaq rituals. The transmission processes comprise the conveyor, content and mechanism. There are three figures involved in this c…
Kreativitas dan Pemberdayaan Sumber Daya Manusia Sebagai Strategi Pemasaran Kesenian Tradisional di Indonesia
Pemberdayaan sumber daya manusia dalam kreativitas dan pemasaran memegang peranan penting ketika membahas praktik dan pengelolaan seni pertunjukan lokal-tradisional Indonesia. Pemberdayaan sumber daya manusia berlaku saat pengorganisasian atau produksi suatu seni pertunjukan sedangkan kreativitas yang menjadi salah satu tolak ukur menarik-tidaknya suatu karya seni dan akhirnya berpengaruh pada nilai jual karya itu. Aktivitas pemasaran akan memper…
Transmisi Kelentangan dalam Masyarakat Dayak Benuaq
Kelentangan merupakan praktik musikal masyarakat Dayak Benuaq yang masih berkembang hingga saat ini. Musik ini diwariskan dari generasi ke generasi. Artikel ini bertujuan untuk memaparkan aspek-aspek transmisi kelentangan meliputi konten, pelaku, dan mekanisme transmisi. Pelaku utama dari transmisi kelentangan ialah para pemusiknya, sedangkan kontennya yang utama adalah kelentangan itu sendiri sebagai praktik musikal. Kelentangan ditransmisikan h…
Makna Simbolik Pertunjukan Kelentangan dalam Upacara Belian Sentiu Suku Dayak Benuaq Desa Tanjung Isuy, Kutai Barat, Kalimantan Timur
Kelentangan is a kind of music used in a sequence of Belian Sentiu ceremony, oneof healing rites of Dayak Benuaq Society led by the pemeliatn. The ceremony can beheld when Kelentangan does also come. Kelentangan itself has two meanings, asan instrument or as an ensemble. The performance of Kelentangan in Belian Sentiuceremony is a representation of the myth about belief toward ghosts and the DayakBenuaq ancestor’s spirits. The performance of Kele…
Transmisi Kelentangan dalam Masyarakat Dayak Benuaq
Kelentangan merupakan praktik musikal masyarakat Dayak Benuaq yang masih berkembang hingga saat ini. Musik ini diwariskan dari generasi ke generasi. Artikel ini bertujuan untuk memaparkan aspek-aspek transmisi kelentangan meliputi konten, pelaku, dan mekanisme transmisi. Pelaku utama dari transmisi kelentangan ialah para pemusiknya, sedangkan kontennya yang utama adalah kelentangan itu sendiri sebagai praktik musikal. Kelentangan ditransmisikan h…
Makna Simbolik Pertunjukan Kelentangan dalam Upacara Belian Sentiu Suku Dayak Benuaq Desa Tanjung Isuy, Kutai Barat, Kalimantan Timur
Kelentangan is a kind of music used in a sequence of Belian Sentiu ceremony, oneof healing rites of Dayak Benuaq Society led by the pemeliatn. The ceremony can beheld when Kelentangan does also come. Kelentangan itself has two meanings, asan instrument or as an ensemble. The performance of Kelentangan in Belian Sentiuceremony is a representation of the myth about belief toward ghosts and the DayakBenuaq ancestor’s spirits. The performance of Kele…
Transmisi Kelentangan dalam Masyarakat Dayak Benuaq
Kelentangan merupakan praktik musikal masyarakat Dayak Benuaq yang masih berkembang hingga saat ini. Musik ini diwariskan dari generasi ke generasi. Artikel ini bertujuan untuk memaparkan aspek-aspek transmisi kelentangan meliputi konten, pelaku, dan mekanisme transmisi. Pelaku utama dari transmisi kelentangan ialah para pemusiknya, sedangkan kontennya yang utama adalah kelentangan itu sendiri sebagai praktik musikal. Kelentangan ditransmisikan h…
Kreativitas dan Pemberdayaan Sumber Daya Manusia Sebagai Strategi Pemasaran Kesenian Tradisional di Indonesia
Pemberdayaan sumber daya manusia dalam kreativitas dan pemasaran memegang peranan penting ketika membahas praktik dan pengelolaan seni pertunjukan lokal-tradisional Indonesia. Pemberdayaan sumber daya manusia berlaku saat pengorganisasian atau produksi suatu seni pertunjukan sedangkan kreativitas yang menjadi salah satu tolak ukur menarik-tidaknya suatu karya seni dan akhirnya berpengaruh pada nilai jual karya itu. Aktivitas pemasaran akan memper…
A Transmission of Kêlèntangan Music among the Dayak Bênuaq of East Kalimantan in Indonesia
Musical transmission is integral to the sustainability of musical traditions. Most literature on musical transmission focuses how songs are memorised rather than how instrumental pieces are transmitted. This study explores the transmission processes of the kêlèntangan, the instrumental pieces that accompany the Dayak Bênuaq rituals. The transmission processes comprise the conveyor, content and mechanism. There are three figures involved in this c…
Transmisi, Musik Lokal-Tradisional, dan Musik Populer
Popular music, like popular culture, is considered to reflect the tastes of ordinary people or the masses, produced for and through the modern mass media. One of the characteristics that distinguish between local-traditional music with popular music is its transmission. This paper is intended as a preliminary attempt to show the transmission between the two musics, which is then expected to trigger ideas about the possibilities of musical transmi…
Komunikasi Musikal Suling Dewa dan Memang dalam Ritual Bepelas pada Upacara Erau di Kutai Kartanegara
Suling dewa dan memang merupakan salah satu bagian dari rangkaian ritual bepelas pada upacara erau. Kehadiran serta kedudukan penyajian tersebut memiliki maksud dan arti tersendiri yang belum diketahui oleh banyak orang. Tulisan ini bertujuan untuk memaparkan teks pada penyajian suling dewa dan memang yang meliputi, pelaku, syair, instrumen, lagu, tempat, dan penikmat, serta hubungan pada penyajian suling dewa dan memang yang dapat dilihat secara…
Transmission of Resilience Learning in the Context of Formal Education an Ethnomusicological Review
The existence and continuity of musical practice in the world, among others, is strongly influenced by transmission or inheritance. Therefore, local-traditional music in Indonesia that lives and develops in the midst of oral culture becomes important to study transmission. This study aims to determine the transmission process of learning in the Kalimantan Music class and find the right formula for delivering teaching materials. This research is q…
Typological Analysis of Metalhead Community’s Logo as Visual Communication During Covid-19 Pandemic
Typology Analysis of Metalhead Community Logos as Visual Communication During the Covid-19 Pandemic. The Covid-19 pandemic brought many changes in terms of how to communicate within the community, namely Metalhead, both nationally and internationally by utilizing social media Facebook, Instagram, and so on through logos and graphic designs. The research problem is the tendency to use a logo which is the hallmark of the Metalhead group in terms of…
Design of “Munyer” as a Respons to Social Condition in New Normal
This study aimed to observe social background of “Munyer” masterpiece creation. This study was a qualitative study through library research, observation and interview to elaborate the composition. The finding showed that the design method consisted of initial stimulation, idea generation, exploration, improvisation, formation and presentation or performance. The result of this design was a new musical masterpiece with instruments, pattern and per…
Art (9 works) · Cultural and Artistic Studies (8 works) · Computer Science (4 works) · Sociology (4 works) · Visual arts (4 works) · Humanities (3 works) · Musical (3 works) · Psychology (3 works) · Archaeology (2 works) · Child Development and Education (2 works)