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I Nyoman Kariasa

Biographic Data

ID4978585
NAMEI Nyoman Kariasa
GIVEN NAMESI Nyoman
FAMILY NAMEKariasa
SIGNATUREKARIASA I N
AFFILIATIONSInstitut Seni Indonesia Denpasar
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS0
AUTHOR COUNT10
EDITOR COUNT0
FIRST PUBLICATION YEAR2021
LATEST PUBLICATION YEAR2026
H-INDEX0
  • The implementation of the Megebeg-Gebegan performing art in Buleleng, North Bali

    Open Access•Ni Made Ruastiti, I Nyoman Kariasa et al.•ARTICLE•Social Sciences & Humanities Open•2026

    The Megebeg-Gebegan performing art in Traditional Village of Dharmajati Tukadmungga, Buleleng, North Bali is a cultural heritage that combines spiritual, symbolic, and social values through a procession to ward off misfortune, which ends with the tradition of pulling each other to fight over the sacrificial meat of the Pecaruan ceremony, which the local people call Megebeg-Gebegan . In modern dynamics and tourism pressures, preserving this cultur…

  • Music Creation Garbebu | Tabuh Kreasi Garbebu

    Open Access•I Made Gede Adi Praginatha Purnama, I Nyoman Kariasa•ARTICLE•GHURNITA Jurnal Seni Karawitan•2024

    Garbebu's work is a work of musical art that was inspired when the creator saw directly the life events that occurred, namely the incident when a woman was married and carrying a baby in her stomach and seeing how a mother feels and waits to be able to experience pregnancy and have a baby. In other words, this work is inspired by the human life cycle. The human life cycle occurs by combining spermatozoid cells (Kama Petak) with ovarian cells (Kam…

  • Development Of Karawitan Arts And Creation Of Welcome Dance In Madenan Village | Pembinaan Seni Karawitan Dan Penciptaan Iringan Tari Penyambutan Di Desa Madenan

    Open Access•Navio Gede Navio Raykin, I Nyoman Kariasa•ARTICLE•GHURNITA Jurnal Seni Karawitan•2024

    This article contains about Freedom to Learn on an Independent Campus in the Thematic Real Work Lecture (KKNT) program which was held in Madenan Village, Tejakula District, Buleleng Regency. The purpose of this KKNT is to develop Madenan Village through karawitan art and provide experience to the author in applying theoretical knowledge and developing the practice of learning and creating karawitan art in the community. The entire work program is…

  • Ngerambat Gending

    Open Access•Pande Kadek Ega Sasdicka, I Nyoman Kariasa•ARTICLE•GHURNITA Jurnal Seni Karawitan•2023

    There is still a gap of vocal use separators in various Balinese karawitan compositions that develop lately, such as; Sandya gita, Gegitaan and Gegerongan. Karawitan composition "Ngerambat Gending '' presents a new perspective, that is combining the connection between instrumental and consistently. Indirectly without the instrument this artwork cannot be crystallized as well as the opposite without the vocal this work also cannot be realized. The…

  • Gamelan Gong Beruk in the ritual of Ngusaba Desa in Pemaksan Bangle Temple, at Abang Districts Karangasem

    Open Access•I Gede Yudarta, I Ketut Garwa et al.•ARTICLE•Linguistics and Culture Review•2023

    The aims of this study to reveal the religiosity of the gamelan Gong Beruk it found in the Bangle Traditional Village, Bunutan Village Abang Districts, Karangasem Regency. This Gamelan is a traditional music ensamble it is very unique and the only one in Bali. As the Bangle peolpe’s culture creations, this gamelan has an important function to accompany the prosession and implementation of ngusaba desa ceremony in the Pemaksan Bangle Temple. There…

  • The creative process of creating dance accompaniment gendhing Murdanata Dedarining Aringgit

    Open Access•I Nyoman Kariasa, Wardizal Wardizal et al.•ARTICLE•Dewa Ruci Jurnal Pengkajian dan…•2023

    The Gendhing accompaniment for Murdanata Dedarining Aringgit is a newly composed musical piece designed to accompany the Murdanata Dedarining Aringgit dance, which serves as the mascot dance of Nagasepaha village in Buleleng Regency, Bali. Data for creating this piece were gathered through literature studies, observations, interviews, and discography (recordings). The primary question guiding this creation was: 'What is the creative process invol…

  • Introduction to Contemporary Music “Ngegong” | Pengantar Musik Kontemporer “Ngegong”

    Open Access•I Nyoman Kariasa, I Kadek Tunas Sanjaya•ARTICLE•GHURNITA Jurnal Seni Karawitan•2023

    “Ngegong'' is a work of contemporary musical composition that uses eight types of gong instruments used in various types of Balinese gamelan barungan as a medium of expression. The eight gong instruments in question are, gong lanang and wadon (in gong kebyar), gong tanggung (in gamelan bebarongan), gong bor ber (gong bheri), gong pulu (geguntangan), also gong ageng and gong alit (in gamelan selonding ensemble). The composer wants to embody his im…

  • The New Approach of Kotekan | Kotekan Pendekatan Baru

    Open Access•I Gede Ngurah Divo Sentana, I Nyoman Kariasa•ARTICLE•GHURNITA Jurnal Seni Karawitan•2022

    Explaination about the exist of music motif part a.k.a motif materials unity, made by a music composing technique its build a music form, its outcome from the composer’s decision to compose or make a music composition with a concepting reference accord to values and materials its composer takes from learn and understand process are the elements that explaining in this article. Things its take from learn and understand process eventually give the …

  • Music Composition Ngiyang | Komposisi Musik Ngiyang

    Open Access•I Gede Mekel Ekalawaya, I Nyoman Kariasa et al.•ARTICLE•GHURNITA Jurnal Seni Karawitan•2022

    Ngiyang merupakan penggabungan dari dua kata yang menjadi satu yaitu ngibur dan melayangan. Tujuan dari garapan ini, yaitu ingin mendalami lebih jauh terhadap komposisi karya tabuh kreasi baru gong kebyar yang sudah penata rancang dan bagaimana cara penata dapat menumbuhkan sesuatu hal baru didalam bentuk garapan ini sebagai eksperimen yang penata lakukan. Karya seni karawitan Ngiyang ini tercipta melalui metode yang dijalani dengan proses kreati…

  • Karya Karawitan Baru Manikam Nusantara

    Open Access•I Nyoman Kariasa, I Wayan Diana Putra•ARTICLE•Mudra Jurnal Seni Budaya•2021

    Cintailah warisan, pelajari dan kembangkan yang baru”, merupakan kredo Vincent McDermoth yang dijadikan arah pola pikir penciptaan karya karawitan baru. Gamelan Semaradhana sebagai sebagai sebuah orkes tradisi karawitan Bali dengan spesifikasinya dipelajari dan dipahami secara seksama serta mendalam. Setelah dipahami maka dalam lingkup kreatif, penata memikirkan sebuah tawaran baru dengan menggarapnya dengan pikiran dan arah baru pula. Keaneka-ra…

No prominent works on this page.

  • Karya Karawitan Baru Manikam Nusantara

    Open Access•I Nyoman Kariasa, I Wayan Diana Putra•ARTICLE•Mudra Jurnal Seni Budaya•2021

    Cintailah warisan, pelajari dan kembangkan yang baru”, merupakan kredo Vincent McDermoth yang dijadikan arah pola pikir penciptaan karya karawitan baru. Gamelan Semaradhana sebagai sebagai sebuah orkes tradisi karawitan Bali dengan spesifikasinya dipelajari dan dipahami secara seksama serta mendalam. Setelah dipahami maka dalam lingkup kreatif, penata memikirkan sebuah tawaran baru dengan menggarapnya dengan pikiran dan arah baru pula. Keaneka-ra…

  • The New Approach of Kotekan | Kotekan Pendekatan Baru

    Open Access•I Gede Ngurah Divo Sentana, I Nyoman Kariasa•ARTICLE•GHURNITA Jurnal Seni Karawitan•2022

    Explaination about the exist of music motif part a.k.a motif materials unity, made by a music composing technique its build a music form, its outcome from the composer’s decision to compose or make a music composition with a concepting reference accord to values and materials its composer takes from learn and understand process are the elements that explaining in this article. Things its take from learn and understand process eventually give the …

  • Music Composition Ngiyang | Komposisi Musik Ngiyang

    Open Access•I Gede Mekel Ekalawaya, I Nyoman Kariasa et al.•ARTICLE•GHURNITA Jurnal Seni Karawitan•2022

    Ngiyang merupakan penggabungan dari dua kata yang menjadi satu yaitu ngibur dan melayangan. Tujuan dari garapan ini, yaitu ingin mendalami lebih jauh terhadap komposisi karya tabuh kreasi baru gong kebyar yang sudah penata rancang dan bagaimana cara penata dapat menumbuhkan sesuatu hal baru didalam bentuk garapan ini sebagai eksperimen yang penata lakukan. Karya seni karawitan Ngiyang ini tercipta melalui metode yang dijalani dengan proses kreati…

  • Ngerambat Gending

    Open Access•Pande Kadek Ega Sasdicka, I Nyoman Kariasa•ARTICLE•GHURNITA Jurnal Seni Karawitan•2023

    There is still a gap of vocal use separators in various Balinese karawitan compositions that develop lately, such as; Sandya gita, Gegitaan and Gegerongan. Karawitan composition "Ngerambat Gending '' presents a new perspective, that is combining the connection between instrumental and consistently. Indirectly without the instrument this artwork cannot be crystallized as well as the opposite without the vocal this work also cannot be realized. The…

  • Gamelan Gong Beruk in the ritual of Ngusaba Desa in Pemaksan Bangle Temple, at Abang Districts Karangasem

    Open Access•I Gede Yudarta, I Ketut Garwa et al.•ARTICLE•Linguistics and Culture Review•2023

    The aims of this study to reveal the religiosity of the gamelan Gong Beruk it found in the Bangle Traditional Village, Bunutan Village Abang Districts, Karangasem Regency. This Gamelan is a traditional music ensamble it is very unique and the only one in Bali. As the Bangle peolpe’s culture creations, this gamelan has an important function to accompany the prosession and implementation of ngusaba desa ceremony in the Pemaksan Bangle Temple. There…

  • The creative process of creating dance accompaniment gendhing Murdanata Dedarining Aringgit

    Open Access•I Nyoman Kariasa, Wardizal Wardizal et al.•ARTICLE•Dewa Ruci Jurnal Pengkajian dan…•2023

    The Gendhing accompaniment for Murdanata Dedarining Aringgit is a newly composed musical piece designed to accompany the Murdanata Dedarining Aringgit dance, which serves as the mascot dance of Nagasepaha village in Buleleng Regency, Bali. Data for creating this piece were gathered through literature studies, observations, interviews, and discography (recordings). The primary question guiding this creation was: 'What is the creative process invol…

  • Introduction to Contemporary Music “Ngegong” | Pengantar Musik Kontemporer “Ngegong”

    Open Access•I Nyoman Kariasa, I Kadek Tunas Sanjaya•ARTICLE•GHURNITA Jurnal Seni Karawitan•2023

    “Ngegong'' is a work of contemporary musical composition that uses eight types of gong instruments used in various types of Balinese gamelan barungan as a medium of expression. The eight gong instruments in question are, gong lanang and wadon (in gong kebyar), gong tanggung (in gamelan bebarongan), gong bor ber (gong bheri), gong pulu (geguntangan), also gong ageng and gong alit (in gamelan selonding ensemble). The composer wants to embody his im…

  • Music Creation Garbebu | Tabuh Kreasi Garbebu

    Open Access•I Made Gede Adi Praginatha Purnama, I Nyoman Kariasa•ARTICLE•GHURNITA Jurnal Seni Karawitan•2024

    Garbebu's work is a work of musical art that was inspired when the creator saw directly the life events that occurred, namely the incident when a woman was married and carrying a baby in her stomach and seeing how a mother feels and waits to be able to experience pregnancy and have a baby. In other words, this work is inspired by the human life cycle. The human life cycle occurs by combining spermatozoid cells (Kama Petak) with ovarian cells (Kam…

  • Development Of Karawitan Arts And Creation Of Welcome Dance In Madenan Village | Pembinaan Seni Karawitan Dan Penciptaan Iringan Tari Penyambutan Di Desa Madenan

    Open Access•Navio Gede Navio Raykin, I Nyoman Kariasa•ARTICLE•GHURNITA Jurnal Seni Karawitan•2024

    This article contains about Freedom to Learn on an Independent Campus in the Thematic Real Work Lecture (KKNT) program which was held in Madenan Village, Tejakula District, Buleleng Regency. The purpose of this KKNT is to develop Madenan Village through karawitan art and provide experience to the author in applying theoretical knowledge and developing the practice of learning and creating karawitan art in the community. The entire work program is…

  • The implementation of the Megebeg-Gebegan performing art in Buleleng, North Bali

    Open Access•Ni Made Ruastiti, I Nyoman Kariasa et al.•ARTICLE•Social Sciences & Humanities Open•2026

    The Megebeg-Gebegan performing art in Traditional Village of Dharmajati Tukadmungga, Buleleng, North Bali is a cultural heritage that combines spiritual, symbolic, and social values through a procession to ward off misfortune, which ends with the tradition of pulling each other to fight over the sacrificial meat of the Pecaruan ceremony, which the local people call Megebeg-Gebegan . In modern dynamics and tourism pressures, preserving this cultur…

Cultural and Artistic Studies (10 works) · Art (8 works) · Musical (5 works) · Visual arts (5 works) · Aesthetics (3 works) · Dance (3 works) · Literature (3 works) · Sociology (3 works) · Child Development and Education (2 works) · Computer Science (2 works)

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