Stanleigh H Jones
Biographic Data
| ID | 4979189 |
|---|---|
| NAME | Stanleigh H Jones |
| GIVEN NAMES | Stanleigh H |
| FAMILY NAME | Jones |
| SIGNATURE | JONES S H |
| VERIFIED | No |
| TOTAL WORKS | 14 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 14 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1963 |
| LATEST PUBLICATION YEAR | 1996 |
| H-INDEX | 1 |
Yoshitsune and the Thousand Cherry Trees: A Masterpiece of the Eighteenth-Century Japanese Puppet Theater
The Imperial PalaceScene 2. The Hermitage at North Saga VillageScene 3. The Horikawa MansionScene 4. Kawagoe Taro Comes as EnvoyAct TwoScene 1. Before the Fushimi Inari ShrineScene 2. The TokaiyaAct ThreeScene 1. The Pasania TreeScene 2. The Death of KokingoScene 3. The Sushi ShopAct FourScene 1. Michiyuki: The Journey with the DrumScene 2. The Zao HallScene 3. The Conference at the Zao HallScene 4. The Mansion of Kawatsura HogenScene 5. The FoxA…
Avatars of Vengeance: Japanese Drama and the Soga Literary Tradition
Yoshitsune and the Thousand Cherry Trees: A Masterpiece of the Eighteenth-Century Japanese Puppet Theater
"Vengeance and Its Toll in "Numazu: An Eighteenth-Century Japanese Puppet Play
Numazu is the sixth act in a long ten-act play, written by Chikamatsu Hanji and a collaborator, Chikamatsu Kasaku, for the Japanese puppet theatre (known today as bunraku). The full play, Through Iga Pass with the okaido Board Game (Igagoe dochu sugoroku), was first performed at the Takemoto Ichiza Theatre in Osaka on the twenty-seventh day of the Fourth Month of 1783, according to Japan's old lunar calendar. The play's best-known act (Act VI) is…
Sugawara and the Secrets of Calligraphy
Circles of Fantasy: Convention in the Plays of Chikamatsu
Sugawara and the Secrets of Calligraphy
Moritsuna's Camp: An Eighteenth-Century Play from Japan's Puppet Theatre
Chikamatsu Hanji, , , Stanleigh H. Jones, Jr., Moritsuna's Camp: An Eighteenth-Century Play from Japan's Puppet Theatre, Asian Theatre Journal, Vol. 2, No. 2, Traditional Asian Play Issue: Part I (Autumn, 1985), pp. 99-138
The Traditional Theatre of Japan
Sukeroku's Double Identity: The Dramatic Structure of Edo Kabuki
The aim of this book is to show that seemingly illogical double identity of the townsman, Sukeroku, and the samurai, Soga Goro, in the play Sukeroku is a surviving element of what was once a complex and coherent structure based on a traditional performance calendar.\n To show how the calendar function and what Sukeroku's double identity signifies, the book is divided into two parts. Part One studies the structure of Edo kabuki. The first chapter,…
Puccini Among the Puppets: Madame Butterfly on the Japanese Puppet Stage
Experiment and Tradition. New Plays in the Bunraku Theatre
HE Japanese puppet theatre, or Bunraku as it is known today, claims a history of some three hundred years. Unlike puppet theatres in the West, for most of these three centuries Bunraku has been serious adult theatre, producing more dramatic masterpieces than has its better-known rival, Kabuki. Indeed, if Kabuki were deprived of its plays which were originally created for the puppet theatre, it would lose probably half its repertoire. In many ways…
Miracle at Yaguchi Ferry: A Japanese Puppet Play and Its Metamorphosis to Kabuki
The No Plays: Obasute and Kanehira
The No Plays: Obasute and Kanehira
Miracle at Yaguchi Ferry: A Japanese Puppet Play and Its Metamorphosis to Kabuki
Experiment and Tradition. New Plays in the Bunraku Theatre
HE Japanese puppet theatre, or Bunraku as it is known today, claims a history of some three hundred years. Unlike puppet theatres in the West, for most of these three centuries Bunraku has been serious adult theatre, producing more dramatic masterpieces than has its better-known rival, Kabuki. Indeed, if Kabuki were deprived of its plays which were originally created for the puppet theatre, it would lose probably half its repertoire. In many ways…
Puccini Among the Puppets: Madame Butterfly on the Japanese Puppet Stage
Moritsuna's Camp: An Eighteenth-Century Play from Japan's Puppet Theatre
Chikamatsu Hanji, , , Stanleigh H. Jones, Jr., Moritsuna's Camp: An Eighteenth-Century Play from Japan's Puppet Theatre, Asian Theatre Journal, Vol. 2, No. 2, Traditional Asian Play Issue: Part I (Autumn, 1985), pp. 99-138
The Traditional Theatre of Japan
Sukeroku's Double Identity: The Dramatic Structure of Edo Kabuki
The aim of this book is to show that seemingly illogical double identity of the townsman, Sukeroku, and the samurai, Soga Goro, in the play Sukeroku is a surviving element of what was once a complex and coherent structure based on a traditional performance calendar.\n To show how the calendar function and what Sukeroku's double identity signifies, the book is divided into two parts. Part One studies the structure of Edo kabuki. The first chapter,…
Sugawara and the Secrets of Calligraphy
Sugawara and the Secrets of Calligraphy
Circles of Fantasy: Convention in the Plays of Chikamatsu
"Vengeance and Its Toll in "Numazu: An Eighteenth-Century Japanese Puppet Play
Numazu is the sixth act in a long ten-act play, written by Chikamatsu Hanji and a collaborator, Chikamatsu Kasaku, for the Japanese puppet theatre (known today as bunraku). The full play, Through Iga Pass with the okaido Board Game (Igagoe dochu sugoroku), was first performed at the Takemoto Ichiza Theatre in Osaka on the twenty-seventh day of the Fourth Month of 1783, according to Japan's old lunar calendar. The play's best-known act (Act VI) is…
Yoshitsune and the Thousand Cherry Trees: A Masterpiece of the Eighteenth-Century Japanese Puppet Theater
Yoshitsune and the Thousand Cherry Trees: A Masterpiece of the Eighteenth-Century Japanese Puppet Theater
The Imperial PalaceScene 2. The Hermitage at North Saga VillageScene 3. The Horikawa MansionScene 4. Kawagoe Taro Comes as EnvoyAct TwoScene 1. Before the Fushimi Inari ShrineScene 2. The TokaiyaAct ThreeScene 1. The Pasania TreeScene 2. The Death of KokingoScene 3. The Sushi ShopAct FourScene 1. Michiyuki: The Journey with the DrumScene 2. The Zao HallScene 3. The Conference at the Zao HallScene 4. The Mansion of Kawatsura HogenScene 5. The FoxA…
Avatars of Vengeance: Japanese Drama and the Soga Literary Tradition
Art (12 works) · Japanese History and Culture (12 works) · Asian Culture and Media Studies (9 works) · History (9 works) · Visual arts (8 works) · History (6 works) · Literature (5 works) · Theatre and Performance Studies (4 works) · Aesthetics (2 works) · Art history (2 works)