Michael H B Raditya

Biographic Data

ID4979192
NAMEMichael H B Raditya
GIVEN NAMESMichael H B
FAMILY NAMERaditya
SIGNATURERADITYA M H B
AFFILIATIONSUniversitas Gadjah Mada
ORCID0000-0002-1179-7639
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS0
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2024
H-INDEX0

  • Can We Dance While Seeing the Screen? Liveness in Three Dangdut Performances During the Covid-19 | Dapatkah kita berjoged sambil Menonton Layar

    Open AccessMichael H B RadityaARTICLESPAFA Journal2024

    This paper deals with the concept of liveness and digital performance during Covid-19 through Dangdut performance. This paper originated because after the spread of the Covid-19 virus in March 2020, Dangdut could not be performed in its regular stages and several performances cancelled. Covid-19 impacted many kinds of performances, but Dangdut is highlighted because the performance stimulates the audience to respond by dancing on the stage and gi…

  • Embedded Criticism Sebagai Cara Lain Menulis Kritik Seni Pertunjukan di Indonesia

    Open AccessMichael H B RadityaARTICLERESITAL JURNAL SENI PERTUNJUKAN2023

    Embedded criticism as another way to write performing arts criticism in Indonesia. This paper performs a re-examining of performing arts criticism in Indonesia, particularly about a critic-artist relationship. The modern tradition of criticism has built a hierarchy in the performing arts ecosystem. It happened in any tradition of criticism and has been living in Indonesia for more than 50 years. Instead of it has lived in print media, for instanc…

  • Technology Negotiation in Dangdut Koplo’s Ecosystem and Practices

    Open AccessMichael H B RadityaARTICLEJurnal Kawistara2022

    This article deals with the negotiation between the subgenre of Dangdut and technology. In this article, I articulate how agents of Dangdut Koplo use digital technology and how digital technology affects Dangdut Koplo’s ecosystem, cultural, and social practices. It is necessary to discuss Dangdut Koplo because it has several practices that are impacted by technology. Their practices elaborate on how society negotiated the use of technology. Dangd…

  • Sawer

    Open AccessMichael H B RadityaARTICLEParadigma Jurnal Kajian Budaya2022

    This article deals with the issues of sawer that have appeared over time, both in live and online performances. This topic is interesting because sawer is intertwined in the interaction and participation of two active subjects, namely the singer and her audience. In live performances, the exchange between singers and their audiences happens in the same space and time. On the other hand, accommodating sawer in online dangdut performances is a chal…

  • Rhoma Irama

    Open AccessMichael H B RadityaARTICLEJurnal Kajian Seni2021

    This article deals with the relationship between construction and reproduction in dangdut music, particularly Rhoma Irama. The impact of Rhoma Irama's dangdut construction stimulates the reproduction space of listeners with various creativity through the medium of the body. Power became the main capital in perpetuating construction and reproducing the figure of Rhoma Irama. I would like to discuss the 'fake' body or fake singer phenomena to read …

  • UrFear Huhu and The Multitude of Peer Gynts sebagai Tawaran Liveness pada Pertunjukan Virtual

    Open AccessMichael H B RadityaARTICLEJurnal Kajian Seni2021

    This article deals with the “liveness” debate of virtual performance. Liveness is the most discussed issue when various artists choose virtual performances for their work. One of the reasons for the largest number of medium migration from live shows to virtual shows is the Covid-19 pandemic, that throughout 2020. In this article, the issue of liveness is linked to the liveness debate from scholar performance studies, Peggy Phelan, Philip Auslande…

  • Negosiasi Kelokalan pada Pop Dawan Nusa Tenggara Timur di Era Internet

    Open AccessMichael H B RadityaARTICLEJurnal Kajian Seni2020

    Tulisan ini menyoal negosiasi masyarakat suku Dawan akan unsur lokal dan pengaruh global pada musik pop daerah mereka. Alih-alih tunduk pada globalisasi, musisi setempat justru melakukan negosiasi pada musik pop Dawan Tindakan ini dalam kerangka akademis disebut sebagai glokalisasi. Objek material di dalam penelitian ini adalah musisi pop yang mengunggah video musik mereka ke kanal YouTube. Lebih lanjut, kami memberikan fokus lebih pada bahasa, t…

  • Dangdut Koplo

    Open AccessMichael H B RadityaARTICLEStudi Budaya Nusantara2017References: 2

    Dangdut Koplo kini telah menjadi produk massal, yang terus terkomodifikasi oleh industri musik tanah air. Terlahir di pesisir pantai utara pulau Jawa –Pantura–, Dangdut Koplo telah berkembang sejak Dangdut televisi mengemuka. Hingga pada tahun 2003, fenomena Inul merebak, dan menggantikan posisi bintang Dangdut yang tenar saat itu, seperti: Rhoma Irama. Namun Rhoma Irama tidak menerimanya, pelbagai cara mencekal Inul dan Dangdut Koplo dilakukan. …