Lono Lastoro Simatupang

Biographic Data

ID4979366
NAMELono Lastoro Simatupang
GIVEN NAMESLono Lastoro
FAMILY NAMESimatupang
SIGNATURESIMATUPANG L L
AFFILIATIONSUniversitas Gadjah Mada
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS0
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2024
H-INDEX0

  • Aesthetic hegemony of the new order

    Open AccessWahyu Novianto, Guntur Guntur et al.ARTICLEInternational Journal of Visual…2024

    This research studies the aesthetic hegemony of the New Order in Indonesia. Thus far, the understanding has been that aesthetic matters are not related to the capital and feudal assets that construct them. To the contrary, this research analyzes how these two assets played a strategic role in establishing the aesthetic hegemony of the New Order. The research is conducted in the qualitative tradition, through a content analysis with a critical par…

  • Tarling Music Industry Ecosystem in The Digitalization Arena

    Open AccessKhaerudin Imawan, Heddy Shri Ahimsa-Putra et al.ARTICLESociología y tecnociencia2023

    Tarlingmusic, which evolved from classical to modern, is deeply connected to the digital era. The changing music ecosystem is viewed not only historically, but also through the various change phenomena that occur. The ecological role of producer agents, managers, and singers in the digitalization arena, where tarlingmusic has historically faced two phases: classical (analog) and modern (digital). This study used a qualitative method with a case s…

  • Habitus, Ngêng, dan Estetika Bunyi Mlèsèt dan Nggandhul pada Karawitan

    Open AccessHanggar Budi Prasetya, Timbul Haryono et al.ARTICLEParadigma Jurnal Kajian Budaya2016

    The paper explains about mlèsèt and nggandhul phenomena in the Javanese Karawitan in the perspective of Piere Bourdieu’s sociology of arts. The datas were collected through interviews with pengrawit ,or gamelan players, and observation of gamelan played during the performance of Yogyakarta wayang . The research shows that mlèsèt and nggandhul aresound aesthetics for the listeners and habitus of the gamelan players. Therefore, a gamelan player sho…

  • Proses Kreatif Teater Garasi Yogyakarta Dalam Lakon Waktu Batu

    Open AccessNur Iswantara, C Soebakdi Soemanto et al.ARTICLERESITAL JURNAL SENI PERTUNJUKAN2013

    Tujuan penelitian ini memahami konsep dan proses kreatif Teater Garasi Yogyakarta (TGY). TGY merupakan salah satu kelompok teater kontemporer Indonesia yang cukup fenomenal. Puluhan karya TGY telah disajikan dihadapan penonton baik di tingkat lokal maupun nasional. Penelitian difokuskan pada faktor-faktor internal dan eksternal yang mempengaruhi situasi kondusif bagi pertumbuhan dan perkembangan kelompok TGY. Teori kreativitas, perbandingan seni,…

  • Kèjhungan

    Open AccessZulkarnain Mistortoify, Timbul Haryono et al.ARTICLERESITAL JURNAL SENI PERTUNJUKAN2013

    Kèjhungan in Rèmoh Tradition on West Madura. Kèjhungan or singing style comes from the activity of peoplesinging about their everyday lives in Madura’s society. When the kèjhungan has become an “established” singing style,therefore the meaning of the kèjhungan includes the ownership meaning that is inherited through oral traditions andlegitimized in the culture of the people of Madura. The research’s assumption explains that the existence of the …

  • Legenda Penciptaan Teater Boneka Tiongkok dan Persebarannya di Nusantara

    Open AccessHirwan Kuardhani, C Bakdi Soemanto et al.ARTICLERESITAL JURNAL SENI PERTUNJUKAN2013

    Wayang Cina berkembang pesat di Indonesia. Beberapa legenda Cina berkembang mengikuti berkembangnyawayang tersebut, misalnya: Legenda Madame Li, legenda Chen Ping, dan legenda Yan. Beberapa lagenda tersebutdibawa oleh imigran Cina ke wilayah Indonesia, seperti Marionette, yang dikenal sebagai wayang gantung , yangdikembangkan di sekitar Pontianak dan Singkawang. Marionette disajikan dalam dialek Hakka dan menyajikanlegenda Cina. Sementara boneka …