Daisy Yan Du
Biographic Data
| ID | 4981006 |
|---|---|
| NAME | Daisy Yan Du |
| GIVEN NAMES | Daisy Yan |
| FAMILY NAME | Du |
| SIGNATURE | DU D Y |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 13 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 2 |
A Theory of Suspended Animation
.
Animated Encounters
China's role in the history of world animation has been trivialized or largely forgotten. In Animated Encounters Daisy Yan Du addresses this omission in her study of Chinese animation and its engagement with international forces during its formative period, the 1940s-1970s. She introduces readers to transnational movements in early Chinese animation, tracing the involvement of Japanese, Soviet, American, Taiwanese, and China's ethnic minorities, …
The Dis/appearance of Animals in Animated Film during the Chinese Cultural Revolution, 1966–76
Conventional studies of the Chinese Cultural Revolution usually come from a human-centered perspective that focuses on politics, revolution, and class struggle dramatized in well-established artistic forms such as literature, live-action film, theater, and painting. This kind of approach is presence-centered by drawing attention to the most visible scenarios under the revolutionary limelight at that time. In contrast, this article calls attention…
Living under the Same Roof
It appears that feminism can never be free from ‘a passion for difference’, with differences between men and women as well as the differences among women being regarded as ‘the twin pillars of feminist difference discourse’ that were developed in tandem in the United States.1 According to Susan Stanford Friedman: ‘the initial stress on sexual or gender difference in the late 1960s and the 1970s gave way by the 1980s and 1990s to an emphasis on di…
Documenting Three Gorges Migrants
First envisioned by Sun Zhongshan in 1919 and later supported by Jiang Jieshi and Mao Zedong, the Three Gorges Dam—dubbed “the Great Wall across the Yangtze River”—has always been a controversial project among Chinese citizens. After the 1989 Tiananmen demonstration, Li Peng, the hardliner who quelled that movement, also stifled the dam’s opponents and finally managed to get the project approved by the National People’s Congress in 1992. The cons…
Living under the Same Roof
It appears that feminism can never be free from ‘a passion for difference’, with differences between men and women as well as the differences among women being regarded as ‘the twin pillars of feminist difference discourse’ that were developed in tandem in the United States.1 According to Susan Stanford Friedman: ‘the initial stress on sexual or gender difference in the late 1960s and the 1970s gave way by the 1980s and 1990s to an emphasis on di…
Animated Encounters
China's role in the history of world animation has been trivialized or largely forgotten. In Animated Encounters Daisy Yan Du addresses this omission in her study of Chinese animation and its engagement with international forces during its formative period, the 1940s-1970s. She introduces readers to transnational movements in early Chinese animation, tracing the involvement of Japanese, Soviet, American, Taiwanese, and China's ethnic minorities, …
Documenting Three Gorges Migrants
First envisioned by Sun Zhongshan in 1919 and later supported by Jiang Jieshi and Mao Zedong, the Three Gorges Dam—dubbed “the Great Wall across the Yangtze River”—has always been a controversial project among Chinese citizens. After the 1989 Tiananmen demonstration, Li Peng, the hardliner who quelled that movement, also stifled the dam’s opponents and finally managed to get the project approved by the National People’s Congress in 1992. The cons…
Documenting Three Gorges Migrants
First envisioned by Sun Zhongshan in 1919 and later supported by Jiang Jieshi and Mao Zedong, the Three Gorges Dam—dubbed “the Great Wall across the Yangtze River”—has always been a controversial project among Chinese citizens. After the 1989 Tiananmen demonstration, Li Peng, the hardliner who quelled that movement, also stifled the dam’s opponents and finally managed to get the project approved by the National People’s Congress in 1992. The cons…
Living under the Same Roof
It appears that feminism can never be free from ‘a passion for difference’, with differences between men and women as well as the differences among women being regarded as ‘the twin pillars of feminist difference discourse’ that were developed in tandem in the United States.1 According to Susan Stanford Friedman: ‘the initial stress on sexual or gender difference in the late 1960s and the 1970s gave way by the 1980s and 1990s to an emphasis on di…
The Dis/appearance of Animals in Animated Film during the Chinese Cultural Revolution, 1966–76
Conventional studies of the Chinese Cultural Revolution usually come from a human-centered perspective that focuses on politics, revolution, and class struggle dramatized in well-established artistic forms such as literature, live-action film, theater, and painting. This kind of approach is presence-centered by drawing attention to the most visible scenarios under the revolutionary limelight at that time. In contrast, this article calls attention…
Animated Encounters
China's role in the history of world animation has been trivialized or largely forgotten. In Animated Encounters Daisy Yan Du addresses this omission in her study of Chinese animation and its engagement with international forces during its formative period, the 1940s-1970s. She introduces readers to transnational movements in early Chinese animation, tracing the involvement of Japanese, Soviet, American, Taiwanese, and China's ethnic minorities, …
A Theory of Suspended Animation
.
Art (4 works) · Chinese history and philosophy (3 works) · Law (3 works) · Law (3 works) · Literature (3 works) · Political science (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Animation (2 works) · Asian Culture and Media Studies (2 works)