Pamela A Patton
Biographic Data
| ID | 4981176 |
|---|---|
| NAME | Pamela A Patton |
| GIVEN NAMES | Pamela A |
| FAMILY NAME | Patton |
| SIGNATURE | PATTON P A |
| AFFILIATIONS | Southern Methodist University |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 12 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1991 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 2 |
Is Spain “Different”? Self-Segregation, Exclusion, and the Future of Medieval Iberian Studies
What Did Medieval Slavery Look Like? Color, Race, and Unfreedom in Later Medieval Iberia
This article asks what medieval images can reveal about the realities of race and slavery in the kingdoms of Aragon and Castile during the thirteenth and early fourteenth centuries. It examines a group of elite manuscripts in which enslaved people consistently are depicted by means of a Black stereotype despite the relative rarity of sub-Saharan African slaves in those kingdoms at this time, positing that these images functioned not literally, bu…
Demons and Diversity in León
This article examines a wall painting of the temptation of Saint Martin in the so-called Panteón de los Reyes of San Isidoro in León, focusing on its unorthodox portrayal of Satan as an Ethiopianized, dark-skinned figure wearing a robe reflective of Fatimid textile traditions. Tracing the scene’s divergent sources within the complex network of images, texts, and ideas then circulating in León, it argues that the unusually configured image constit…
Envisioning Others
Envisioning Others offers a multidisciplinary view of the relationship between race and visual culture in the Spanish- and Portuguese-speaking world, from the kingdoms of Spain and Portugal to colonial Peru and Colombia, post-Independence Mexico, and the pre-Emancipation United States. Contributed by specialists in Latin American and Iberian art history, literature, history, and cultural studies, its ten chapters take a transnational view of what…
Arts
For historians of medieval Iberian art and architecture, María Rosa Menocal's most important legacy lies in her work's normalization of a culturally decentralized, multidisciplinary frame through which medieval visual objects became part of a broadly shared network of cultural production that was unrestricted by firm boundaries between particular polities or “faith groups.” While Menocal was not the first to advance such an approach, her persuasi…
Girona Creation Tapestry
Patrimonio artístico de Galicia y otros estudios . Angela Franco Mata , Eugenio Romero-Pose , John Williams , Serafín Moralejo Alvarez
Gilles Deleuze, Cinema 1
Journal Article Gilles Deleuze, Cinema 1: The Movement-Image; Gilles Deleuze, Cinema 2: The Time-Image Get access Gilles Deleuze, Cinema 1: The Movement-Image, translated by Hugh Tomlinson and Barbara Habberjam, London: Athlone Press/Minneapolis: University of Minnesota press, 1986, 250pp. Gilles Deleuze, Cinema 2: The Time-Image, translated by Hugh Tomlinson and Robert Galeta. London: Athlone Press/Minneapolis: University of Minnesota press, 198…
Envisioning Others
Envisioning Others offers a multidisciplinary view of the relationship between race and visual culture in the Spanish- and Portuguese-speaking world, from the kingdoms of Spain and Portugal to colonial Peru and Colombia, post-Independence Mexico, and the pre-Emancipation United States. Contributed by specialists in Latin American and Iberian art history, literature, history, and cultural studies, its ten chapters take a transnational view of what…
What Did Medieval Slavery Look Like? Color, Race, and Unfreedom in Later Medieval Iberia
This article asks what medieval images can reveal about the realities of race and slavery in the kingdoms of Aragon and Castile during the thirteenth and early fourteenth centuries. It examines a group of elite manuscripts in which enslaved people consistently are depicted by means of a Black stereotype despite the relative rarity of sub-Saharan African slaves in those kingdoms at this time, positing that these images functioned not literally, bu…
Demons and Diversity in León
This article examines a wall painting of the temptation of Saint Martin in the so-called Panteón de los Reyes of San Isidoro in León, focusing on its unorthodox portrayal of Satan as an Ethiopianized, dark-skinned figure wearing a robe reflective of Fatimid textile traditions. Tracing the scene’s divergent sources within the complex network of images, texts, and ideas then circulating in León, it argues that the unusually configured image constit…
Gilles Deleuze, Cinema 1
Journal Article Gilles Deleuze, Cinema 1: The Movement-Image; Gilles Deleuze, Cinema 2: The Time-Image Get access Gilles Deleuze, Cinema 1: The Movement-Image, translated by Hugh Tomlinson and Barbara Habberjam, London: Athlone Press/Minneapolis: University of Minnesota press, 1986, 250pp. Gilles Deleuze, Cinema 2: The Time-Image, translated by Hugh Tomlinson and Robert Galeta. London: Athlone Press/Minneapolis: University of Minnesota press, 198…
Patrimonio artístico de Galicia y otros estudios . Angela Franco Mata , Eugenio Romero-Pose , John Williams , Serafín Moralejo Alvarez
Girona Creation Tapestry
Arts
For historians of medieval Iberian art and architecture, María Rosa Menocal's most important legacy lies in her work's normalization of a culturally decentralized, multidisciplinary frame through which medieval visual objects became part of a broadly shared network of cultural production that was unrestricted by firm boundaries between particular polities or “faith groups.” While Menocal was not the first to advance such an approach, her persuasi…
Envisioning Others
Envisioning Others offers a multidisciplinary view of the relationship between race and visual culture in the Spanish- and Portuguese-speaking world, from the kingdoms of Spain and Portugal to colonial Peru and Colombia, post-Independence Mexico, and the pre-Emancipation United States. Contributed by specialists in Latin American and Iberian art history, literature, history, and cultural studies, its ten chapters take a transnational view of what…
Demons and Diversity in León
This article examines a wall painting of the temptation of Saint Martin in the so-called Panteón de los Reyes of San Isidoro in León, focusing on its unorthodox portrayal of Satan as an Ethiopianized, dark-skinned figure wearing a robe reflective of Fatimid textile traditions. Tracing the scene’s divergent sources within the complex network of images, texts, and ideas then circulating in León, it argues that the unusually configured image constit…
What Did Medieval Slavery Look Like? Color, Race, and Unfreedom in Later Medieval Iberia
This article asks what medieval images can reveal about the realities of race and slavery in the kingdoms of Aragon and Castile during the thirteenth and early fourteenth centuries. It examines a group of elite manuscripts in which enslaved people consistently are depicted by means of a Black stereotype despite the relative rarity of sub-Saharan African slaves in those kingdoms at this time, positing that these images functioned not literally, bu…
Is Spain “Different”? Self-Segregation, Exclusion, and the Future of Medieval Iberian Studies
Art (7 works) · History (5 works) · History (5 works) · Art history (4 works) · Philosophy (4 works) · Philosophy (4 works) · Sociology (4 works) · Anthropology (3 works) · Law (3 works) · Law (3 works)