Tim Bergfelder
Biographic Data
| ID | 4981501 |
|---|---|
| NAME | Tim Bergfelder |
| GIVEN NAMES | Tim |
| FAMILY NAME | Bergfelder |
| SIGNATURE | BERGFELDER T |
| AFFILIATIONS | University of Southampton |
| ORCID | 0000-0001-6585-6123 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 28 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 2 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 3 |
Stars and Stardom in Brazilian Cinema
Despite the recent explosion of scholarly interest in “star studies,” Brazilian film has received comparatively little attention. As this volume demonstrates, however, the richness of Brazilian stardom extends well beyond the ubiquitous Carmen Miranda. Among the studies assembled here are fascinating explorations of figures such as Eliane Lage (the star attraction of Sao Paulo’s Vera Cruz studios), cult horror movie auteur Coffin Joe, and Lazaro …
Popular European Cinema in the 2000s
The twenty-first century has witnessed a reinvigorated championing of auteurism in European cinema, centred on directors – many of them established veterans from previous decades – such as Pedro Costa, the Dardenne brothers, Michael Haneke, Cristian Mungiu, Christian Petzold, Alexander Sokurov, Béla Tarr and Lars von Trier. This renewed orientation towards art cinema practices (e.g. ‘slow’ cinema, new forms of cinematic realism) and particular ch…
Introduction
Told for the most part in a deceptive flashback, the Hollywood classic Mildred Pierce (Michael Curtiz, 1945) charts the obsessive relationship between the entrepreneurial, divorced working mother Mildred (Joan Crawford) and her spoilt and snobbish daughter Veda (Ann Blyth), which develops into a murderous love triangle after the manipulative playboy Monte1 (Zachary Scott) enters their lives. Although in its heyday it was often dismissed by critic…
Screening War
Re-examines German cinema's representation of the Germans as victims during the Second World War and its aftermath.
European Network for Cinema and Media Studies Conference. Budapest, 19-22 June 2008
Film Architecture and the Transnational Imagination
Journeys into the Haptic: Film and Architecture Travelling to/through the Cinema of the s We would like to thank several people for their role in instigating and supporting this project.First
European Cinema. Face to Face with Hollywood
Journal Article European Cinema. Face to Face with Hollywood Get access Thomas Elsaesser, European Cinema. Face to Face with Hollywood. Amsterdam: Amsterdam University Press, 2005, 563pp. Tim Bergfelder Tim Bergfelder Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 47, Issue 3, Autumn 2006, Pages 373–378, https://doi.org/10.1093/screen/hjl028 Published: 01 October 2006
National, transnational or supranational cinema? Rethinking European film studies
This article discusses critical parameters and historical perceptions that have dominated the academic study of European cinema since the 1990s. The main argument is that what has been frequently ignored is the supranational dimension of the term ‘European’. Thus, while the field of European film studies has witnessed a number of significant shifts in emphasis (most pertinently the refocusing from art cinema towards popular film genres), the core…
National, transnational or supranational cinema? Rethinking European film studies
This article discusses critical parameters and historical perceptions that have dominated the academic study of European cinema since the 1990s. The main argument is that what has been frequently ignored is the supranational dimension of the term ‘European’. Thus, while the field of European film studies has witnessed a number of significant shifts in emphasis (most pertinently the refocusing from art cinema towards popular film genres), the core…
European Cinema. Face to Face with Hollywood
Journal Article European Cinema. Face to Face with Hollywood Get access Thomas Elsaesser, European Cinema. Face to Face with Hollywood. Amsterdam: Amsterdam University Press, 2005, 563pp. Tim Bergfelder Tim Bergfelder Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 47, Issue 3, Autumn 2006, Pages 373–378, https://doi.org/10.1093/screen/hjl028 Published: 01 October 2006
Film Architecture and the Transnational Imagination
Journeys into the Haptic: Film and Architecture Travelling to/through the Cinema of the s We would like to thank several people for their role in instigating and supporting this project.First
National, transnational or supranational cinema? Rethinking European film studies
This article discusses critical parameters and historical perceptions that have dominated the academic study of European cinema since the 1990s. The main argument is that what has been frequently ignored is the supranational dimension of the term ‘European’. Thus, while the field of European film studies has witnessed a number of significant shifts in emphasis (most pertinently the refocusing from art cinema towards popular film genres), the core…
European Cinema. Face to Face with Hollywood
Journal Article European Cinema. Face to Face with Hollywood Get access Thomas Elsaesser, European Cinema. Face to Face with Hollywood. Amsterdam: Amsterdam University Press, 2005, 563pp. Tim Bergfelder Tim Bergfelder Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 47, Issue 3, Autumn 2006, Pages 373–378, https://doi.org/10.1093/screen/hjl028 Published: 01 October 2006
Film Architecture and the Transnational Imagination
Journeys into the Haptic: Film and Architecture Travelling to/through the Cinema of the s We would like to thank several people for their role in instigating and supporting this project.First
European Network for Cinema and Media Studies Conference. Budapest, 19-22 June 2008
Screening War
Re-examines German cinema's representation of the Germans as victims during the Second World War and its aftermath.
Introduction
Told for the most part in a deceptive flashback, the Hollywood classic Mildred Pierce (Michael Curtiz, 1945) charts the obsessive relationship between the entrepreneurial, divorced working mother Mildred (Joan Crawford) and her spoilt and snobbish daughter Veda (Ann Blyth), which develops into a murderous love triangle after the manipulative playboy Monte1 (Zachary Scott) enters their lives. Although in its heyday it was often dismissed by critic…
Popular European Cinema in the 2000s
The twenty-first century has witnessed a reinvigorated championing of auteurism in European cinema, centred on directors – many of them established veterans from previous decades – such as Pedro Costa, the Dardenne brothers, Michael Haneke, Cristian Mungiu, Christian Petzold, Alexander Sokurov, Béla Tarr and Lars von Trier. This renewed orientation towards art cinema practices (e.g. ‘slow’ cinema, new forms of cinematic realism) and particular ch…
Stars and Stardom in Brazilian Cinema
Despite the recent explosion of scholarly interest in “star studies,” Brazilian film has received comparatively little attention. As this volume demonstrates, however, the richness of Brazilian stardom extends well beyond the ubiquitous Carmen Miranda. Among the studies assembled here are fascinating explorations of figures such as Eliane Lage (the star attraction of Sao Paulo’s Vera Cruz studios), cult horror movie auteur Coffin Joe, and Lazaro …
Art (6 works) · Art history (6 works) · Cinema and Media Studies (5 works) · European history and politics (5 works) · Movie theater (5 works) · Italian Fascism and Post-war Society (3 works) · Motion pictures (3 works) · Sociology (3 works) · Film industry (2 works) · Film studies (2 works)