Reiko Tomii
Biographic Data
| ID | 4982498 |
|---|---|
| NAME | Reiko Tomii |
| GIVEN NAMES | Reiko |
| FAMILY NAME | Tomii |
| SIGNATURE | TOMII R |
| AFFILIATIONS | Film Independent |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 5 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 2 |
Akasegawa Genpei
Hayashi, Tōru
The Making of an Icon
This essay explores the tension between the practitioner and the photographer in an act-based work by focusing on Hi Red Center’s legendary Cleaning Event of 1964. Needless to say, in act-based expression, or expression of kōi (act)—a preferred term that better reflects the Japanese discourse than “performance art” does—there always exists a tension between the practitioner who undertakes an act that fades into time and the photographer who makes…
Introduction
Collectivism is a lively phenomenon in a rapidly globalizing world of contemporary art today. Artists' groups proliferate in many regions of the world, calling into question the modern myth of originality and individualism. These collectives actively explore new possibilities of expression and operation, while aspiring to break down the conventional boundaries that have long conditioned the production of art and its distribution in society. The g…
Historicizing “Contemporary Art
Research Article| August 01 2004 Historicizing “Contemporary Art”: Some Discursive Practices in Gendai Bijutsu in Japan Reiko Tomii Reiko Tomii Search for other works by this author on: This Site Google positions (2004) 12 (3): 611–641. https://doi.org/10.1215/10679847-12-3-611 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Email Permissions Search Site Citation Reiko Tomii; Historicizing “Contemporary Art”: Some Discursive Practices i…
State v. (Anti-)Art
Research Article| February 01 2002 State v. (Anti-)Art: Model 1,000-Yen Note Incident by Akasegawa Genpei and Company Reiko Tomii Reiko Tomii Search for other works by this author on: This Site Google positions (2002) 10 (1): 141–172. https://doi.org/10.1215/10679847-10-1-141 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions C…
Historicizing “Contemporary Art
Research Article| August 01 2004 Historicizing “Contemporary Art”: Some Discursive Practices in Gendai Bijutsu in Japan Reiko Tomii Reiko Tomii Search for other works by this author on: This Site Google positions (2004) 12 (3): 611–641. https://doi.org/10.1215/10679847-12-3-611 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Email Permissions Search Site Citation Reiko Tomii; Historicizing “Contemporary Art”: Some Discursive Practices i…
Introduction
Collectivism is a lively phenomenon in a rapidly globalizing world of contemporary art today. Artists' groups proliferate in many regions of the world, calling into question the modern myth of originality and individualism. These collectives actively explore new possibilities of expression and operation, while aspiring to break down the conventional boundaries that have long conditioned the production of art and its distribution in society. The g…
State v. (Anti-)Art
Research Article| February 01 2002 State v. (Anti-)Art: Model 1,000-Yen Note Incident by Akasegawa Genpei and Company Reiko Tomii Reiko Tomii Search for other works by this author on: This Site Google positions (2002) 10 (1): 141–172. https://doi.org/10.1215/10679847-10-1-141 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions C…
Historicizing “Contemporary Art
Research Article| August 01 2004 Historicizing “Contemporary Art”: Some Discursive Practices in Gendai Bijutsu in Japan Reiko Tomii Reiko Tomii Search for other works by this author on: This Site Google positions (2004) 12 (3): 611–641. https://doi.org/10.1215/10679847-12-3-611 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Email Permissions Search Site Citation Reiko Tomii; Historicizing “Contemporary Art”: Some Discursive Practices i…
Introduction
Collectivism is a lively phenomenon in a rapidly globalizing world of contemporary art today. Artists' groups proliferate in many regions of the world, calling into question the modern myth of originality and individualism. These collectives actively explore new possibilities of expression and operation, while aspiring to break down the conventional boundaries that have long conditioned the production of art and its distribution in society. The g…
The Making of an Icon
This essay explores the tension between the practitioner and the photographer in an act-based work by focusing on Hi Red Center’s legendary Cleaning Event of 1964. Needless to say, in act-based expression, or expression of kōi (act)—a preferred term that better reflects the Japanese discourse than “performance art” does—there always exists a tension between the practitioner who undertakes an act that fades into time and the photographer who makes…
Akasegawa Genpei
Hayashi, Tōru
Art (2 works) · Art history (2 works) · Art, Politics, and Modernism (2 works) · Asian Culture and Media Studies (2 works) · Cinema and Media Studies (2 works) · Citation (2 works) · Computer Science (2 works) · Download (2 works) · Icon (2 works) · Information retrieval (2 works)