Victor Ganap
Biographic Data
| ID | 4982768 |
|---|---|
| NAME | Victor Ganap |
| GIVEN NAMES | Victor |
| FAMILY NAME | Ganap |
| SIGNATURE | GANAP V |
| AFFILIATIONS | Institut Seni Indonesia Yogyakarta |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Hybrid Performance as The Behavior of Singing Folk Songs Chorally in Indonesia Choir Competition in 2019
The artistic contestation between choral culture and folk song is an important concern in the study of musicology. The problem that is of concern in this study focuses on singing behavior in singing hybrid vocal music. Choir singing behavior has standard vocal techniques, on the other hand the context of understanding folk songs includes natural singing expressions from an ethnicity without being overshadowed by good vocal techniques. The study a…
Ornamentasi Seni Baca Al-Qur’an dalam Musabaqoh Tilawatil Qur’an sebagai Bentuk Ekspresi Estetis Seni Suara
Ornamentasi atau hiasan merupakan suatu istilah musik yang memiliki arti penambahan beberapa nada atau notasi pada melodi, biasanya satu suku kata untuk beberapa nada yang disebut dengan istilah melisma. Ornamentasi atau hiasan nada sangat diperlukan dalam seni suara untuk memperindah suatu melodi. Ornamentasi melodi juga terdapat pada lantunan seni baca Al-Qur’an dengan gaya Qira’ah atau mujawwad. Seni baca Al-Qur’an tersebut melagukan secara pe…
Mangandung dalam Perkabungan Masyarakat Batak Toba
Menurut kepercayaan masyarakat Batak Toba kematian bukan sebuah totalitas tetapi sebuah perpisahan parsial. Ada kepercayaan bahwa kematian tidak pernah memisahkan manusia secara total, hal ini terungkap lewat ritual yang dilakukan saat anggota keluarga meninggal, konteks kematian dalam masyarakat Batak Toba adalah adat istiadat mereka. Salah satu ritual adat kematian adalah kebiasaan mangandungi jenazah.Mangandung adalah salah satu ritual kematia…
Andung-Andung Mate di Ranto
This study aims to understand the song of Mate di Ranto from a musicological perspective. The main data of this research is the song of Mate di Ranto by Poster Sihotang. The analysis was done by observing the melody and the lyrics of the song. Based on the research it is concluded that the song of Mate di Ranto is a song of Toba people with the genre of andung-andung, which is a melancholic nuance and has a meaning as an expression of sadness. Th…
Laras concept and its triggers
Laras is one unresolved aesthetic concept and gendhing garap models as the triggers have not been identified yet either. This paper is a case study which discusses a case of jineman garap Uler Kambang pélog lima, the first winner of Sindhèn Idol contest 2012, which is considered to have the most qualified performance to meet laras criteria. The purpose of this research is to figure out the laras concept construction and identify the gendhing gara…
Banyumasan Songs As Banyumas People’s Character Reflection
This study aims to identify a number of legendary Banyumasan songs. The fact that a large number of the songs exist and people sing the songs all the time shows that the songs have their own uniqueness. This study takes place in Banyumas regency. By doing performance study and composition, this study identifies the form and the structure of Banyumasan songs, and the moral value of Banyumasan music, especially the songs in Banyumasan music. The re…
Struktur, Fungsi, dan Makna Talempong Bundo dalam Upacara Maanta Padi Saratuih
Talempong bundo adalah istilah untuk permainan musik talempong oleh sekelompok musisiperempuan di Nagari Singkarak Minangkabau. Permainan musik ini hanya dipertunjukkan dalamupacara maanta padi saratuih, yaitu upacara persembahan hasil panen yang dilakukan oleh perempuanperempuandari pihak induak bako dalam rangkaian tradisi perkawinan anak pisangnya. Dalam upacaraini induak bako menjemput anak pisang, membawanya ke rumah bako, kemudian mengantar…
Pola Kellèghãn dan Teknik Vokal Kèjhungan Representasi Ekspresi Budaya Madura dan Pengalaman Estetiknya
Kèjhungan adalah gaya nyanyian Madura yang memiliki ciri-ciri kontur melodi dengandidominasi nada-nada tinggi, penuh dengan ketegangan suara (nyaring), ekspresif, dan terpola.Kèjhungan seringkali dianalogikan sebagai sebuah bentuk ekspresi “keluh-kesah” semata. Kelantangansuara, ketinggian nada, dan pengolahan melodi yang penuh melismatis mengesankan nyanyian iniseperti orang yang sedang berteriak, membentak, dan merintih-rintih. Penelitian ini d…
Campursari Karya Manthous
Manthous’s Campursari is a blend of Javanese gamelan pentatonic music with popular music in Indonesia which is based on Western diatonic music. The tones of gamelan and the frequencies of the tune are all transformed into diatonic tone frequency. However, the harmonization which is used is pentatonic harmony of Javanese gamelan. Manthous’s Campursari has succesfully become one of the major music industries since it is supported by three component…
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Campursari Karya Manthous
Manthous’s Campursari is a blend of Javanese gamelan pentatonic music with popular music in Indonesia which is based on Western diatonic music. The tones of gamelan and the frequencies of the tune are all transformed into diatonic tone frequency. However, the harmonization which is used is pentatonic harmony of Javanese gamelan. Manthous’s Campursari has succesfully become one of the major music industries since it is supported by three component…
Struktur, Fungsi, dan Makna Talempong Bundo dalam Upacara Maanta Padi Saratuih
Talempong bundo adalah istilah untuk permainan musik talempong oleh sekelompok musisiperempuan di Nagari Singkarak Minangkabau. Permainan musik ini hanya dipertunjukkan dalamupacara maanta padi saratuih, yaitu upacara persembahan hasil panen yang dilakukan oleh perempuanperempuandari pihak induak bako dalam rangkaian tradisi perkawinan anak pisangnya. Dalam upacaraini induak bako menjemput anak pisang, membawanya ke rumah bako, kemudian mengantar…
Pola Kellèghãn dan Teknik Vokal Kèjhungan Representasi Ekspresi Budaya Madura dan Pengalaman Estetiknya
Kèjhungan adalah gaya nyanyian Madura yang memiliki ciri-ciri kontur melodi dengandidominasi nada-nada tinggi, penuh dengan ketegangan suara (nyaring), ekspresif, dan terpola.Kèjhungan seringkali dianalogikan sebagai sebuah bentuk ekspresi “keluh-kesah” semata. Kelantangansuara, ketinggian nada, dan pengolahan melodi yang penuh melismatis mengesankan nyanyian iniseperti orang yang sedang berteriak, membentak, dan merintih-rintih. Penelitian ini d…
Banyumasan Songs As Banyumas People’s Character Reflection
This study aims to identify a number of legendary Banyumasan songs. The fact that a large number of the songs exist and people sing the songs all the time shows that the songs have their own uniqueness. This study takes place in Banyumas regency. By doing performance study and composition, this study identifies the form and the structure of Banyumasan songs, and the moral value of Banyumasan music, especially the songs in Banyumasan music. The re…
Laras concept and its triggers
Laras is one unresolved aesthetic concept and gendhing garap models as the triggers have not been identified yet either. This paper is a case study which discusses a case of jineman garap Uler Kambang pélog lima, the first winner of Sindhèn Idol contest 2012, which is considered to have the most qualified performance to meet laras criteria. The purpose of this research is to figure out the laras concept construction and identify the gendhing gara…
Ornamentasi Seni Baca Al-Qur’an dalam Musabaqoh Tilawatil Qur’an sebagai Bentuk Ekspresi Estetis Seni Suara
Ornamentasi atau hiasan merupakan suatu istilah musik yang memiliki arti penambahan beberapa nada atau notasi pada melodi, biasanya satu suku kata untuk beberapa nada yang disebut dengan istilah melisma. Ornamentasi atau hiasan nada sangat diperlukan dalam seni suara untuk memperindah suatu melodi. Ornamentasi melodi juga terdapat pada lantunan seni baca Al-Qur’an dengan gaya Qira’ah atau mujawwad. Seni baca Al-Qur’an tersebut melagukan secara pe…
Mangandung dalam Perkabungan Masyarakat Batak Toba
Menurut kepercayaan masyarakat Batak Toba kematian bukan sebuah totalitas tetapi sebuah perpisahan parsial. Ada kepercayaan bahwa kematian tidak pernah memisahkan manusia secara total, hal ini terungkap lewat ritual yang dilakukan saat anggota keluarga meninggal, konteks kematian dalam masyarakat Batak Toba adalah adat istiadat mereka. Salah satu ritual adat kematian adalah kebiasaan mangandungi jenazah.Mangandung adalah salah satu ritual kematia…
Andung-Andung Mate di Ranto
This study aims to understand the song of Mate di Ranto from a musicological perspective. The main data of this research is the song of Mate di Ranto by Poster Sihotang. The analysis was done by observing the melody and the lyrics of the song. Based on the research it is concluded that the song of Mate di Ranto is a song of Toba people with the genre of andung-andung, which is a melancholic nuance and has a meaning as an expression of sadness. Th…
Hybrid Performance as The Behavior of Singing Folk Songs Chorally in Indonesia Choir Competition in 2019
The artistic contestation between choral culture and folk song is an important concern in the study of musicology. The problem that is of concern in this study focuses on singing behavior in singing hybrid vocal music. Choir singing behavior has standard vocal techniques, on the other hand the context of understanding folk songs includes natural singing expressions from an ethnicity without being overshadowed by good vocal techniques. The study a…
Art (8 works) · Cultural and Artistic Studies (8 works) · Humanities (5 works) · Visual arts (5 works) · Acoustics (3 works) · Cultural and Religious Practices in Indonesia (3 works) · History (3 works) · Psychology (3 works) · Singing (3 works) · Ceremony (2 works)