K E Goldschmitt

Biographic Data

ID4983259
NAMEK E Goldschmitt
GIVEN NAMESK E
FAMILY NAMEGoldschmitt
SIGNATUREGOLDSCHMITT K E
AFFILIATIONSWellesley College
ORCID0000-0003-0577-9052
VERIFIEDYes
TOTAL WORKS16
TOTAL CITATIONS5
AUTHOR COUNT16
EDITOR COUNT0
FIRST PUBLICATION YEAR2010
LATEST PUBLICATION YEAR2022
H-INDEX1

  • Introduction to the Special Issue on Listening In: Musical Digital Communities in Public and Private

    Open AccessKate Galloway, K E Goldschmitt et al.ARTICLEtwentieth-century music2022

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Anitta's ‘Girl from Rio’, Digital Fatigue, and Stereotype

    Open AccessK E GoldschmittARTICLEtwentieth-century music2022

    In May 2021, Brazilian pop-funk superstar Anitta released ‘Girl from Rio’. The song was based on the melodic foundation of the bossa nova song ‘The Girl from Ipanema’ that became a huge international hit at the end of the 1960s bossa nova craze. ‘Girl from Rio’ features trap beats on top of the familiar melody with a clear lyrical message that critiques international stereotypes of women from Brazil. When Anitta attempted to capture the US market…

  • The Long History of the 2017 Spotify “Fake Music” Scandal

    K E GoldschmittARTICLEAmerican Music2020

    Research Article| July 01 2020 The Long History of the 2017 Spotify "Fake Music" Scandal K. E. Goldschmitt K. E. Goldschmitt K. E. Goldschmitt is assistant professor of music at Wellesley College. Prior to Wellesley, Goldschmitt held research and teaching positions at the University of Cambridge, New College of Florida, and Colby College. They have published on Brazilian music, film music, the global media industries, circulation, and music techn…

  • Bossa Mundo: Brazilian Music in Transnational Media Industries

    K E GoldschmittBOOKBossa Mundo2019Cited by: 4

    Bossa Mundo' chronicles how Brazilian music has been central to Brazil's national brand in the United States and the United Kingdom since the late 1950s. Scholarly texts on Brazilian popular music generally focus on questions of music and national identity, and when they discuss the music's international popularity, they keep the artists, recordings, and live performances as the focus, ignoring the process of transnational mediation. This text fi…

  • She is Cuba: A Genealogy of the Mulata Body. By Melissa Blanco Borelli. Spirit Song: Afro-Brazilian Religious Music and Boundaries. By Marc Gidal

    Kariann Goldschmitt, K E GoldschmittARTICLEMusic and Letters2017

    When music scholars consider the lasting effects of the transatlantic slave trade in Latin America, racial logic often stands out as an organizing principle. Centuries of slave trade resulted in widespread syncretism between Catholicism and West African religious traditions. The related complexity expressed through music (especially polyrhythms) and dance in ritual takes on unique shapes in local culture and popular music. Thus, the logic goes, t…

  • Unfree Masters: Popular Music and the Politics of Work

    Kariann Goldschmitt, K E GoldschmittARTICLEEthnomusicology2017

    Book Review| January 01 2017 Unfree Masters: Popular Music and the Politics of Work Unfree Masters: Popular Music and the Politics of Work. Matt Stahl. 2012. Durham, NC: Duke University Press. x, 296 pp., notes, bibliography, index. Cloth, $89.95; paper, $24.95. Kariann Goldschmitt Kariann Goldschmitt Wellesley College Search for other works by this author on: This Site Google Ethnomusicology (2017) 61 (1): 144–148. https://doi.org/10.5406/ethnom…

  • Macarena

    K E GoldschmittCHAPTERThe new Grove dictionary of music…2014

  • Hybridity

    K E GoldschmittCHAPTERThe new Grove dictionary of music…2014

  • Menudo

    K E GoldschmittCHAPTERThe new Grove dictionary of music…2014

  • Charo

    K E GoldschmittCHAPTERThe new Grove dictionary of music…2013

  • Gilberto (de Oliveira), Bebel

    K E GoldschmittCHAPTERThe new Grove dictionary of music…2011

  • Gilberto [Weinert], Astrud

    K E GoldschmittCHAPTERThe new Grove dictionary of music…2011

  • Joga Bonito Pelo Mundo, Guerreiro”: Music, Transmedia Advertising, and Brasilidade in the 2006 World Cup

    Kariann Goldschmitt, K E GoldschmittARTICLEPopular Music & Society2011Cited by: 1References: 5

    The 2006 Nike ad campaign for the World Cup, "Joga Bonito," invoked international stereotypes of Brazilian popular culture that combined music with football. Through the lenses of media formats including online video sharing websites, televised ad campaigns, and recorded music, this investigation focuses on Curumin, a São Paulo-based artist whose music provided the soundtrack to two Nike commercials. Curumin embodies the lived complexities of con…

  • Doing the Bossa Nova: The Curious Life of a Social Dance in 1960s North America

    Bryan Mccann, K E Goldschmitt et al.ARTICLELuso-Brazilian Review2011References: 2

    Este artigo investiga a criação de um estilo de dança em pares, baseado no gênero musical brasileiro Bossa Nova, que virou moda nos Estados Unidos dos anos 1960. A dança foi pensada como um novo Twist e vista como fonte de lucro para a indústria fonográfica. Tal qual a maioria das danças que estavam na moda na época, a "Bossa Nova" também foi sucesso em outros países e houve críticas à comercialização do gênero musical. A autora argumenta que sua…

  • Deodato (de Almeida), Eumir

    K E GoldschmittCHAPTERThe new Grove dictionary of music…2010

  • Oye Como Va! Hybridity and Identity in Latino Popular Music

    Kariann Goldschmitt, K E GoldschmittARTICLEAmerican Music2010

    Book Review| October 01 2010 Oye Como Va! Hybridity and Identity in Latino Popular Music Oye Como Va! Hybridity and Identity in Latino Popular Music. By Deborah Pacini Hernandez. Philadelphia: Temple University Press, 2010. ISBN-13: 978-1-4399-0090-1. Softcover. Pp. xiii, 220. $24.95. Kariann Goldschmitt Kariann Goldschmitt Colby College Search for other works by this author on: This Site Google American Music (2010) 28 (3): 386–388. https://doi.…