Leonora Saavedra
Biographic Data
| ID | 4984218 |
|---|---|
| NAME | Leonora Saavedra |
| GIVEN NAMES | Leonora |
| FAMILY NAME | Saavedra |
| SIGNATURE | SAAVEDRA L |
| AFFILIATIONS | University of California, Riverside |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
José Vasconcelos’s Neoplatonist Politics of Music
The mystical aura surrounding José Vasconcelos’s theory of mestizaje is derived from Neoplatonist philosophy, with God replacing Plotinus’s One. In the Neoplatonic cosmos of the cosmic race, music’s special connection with the divinity was to be instrumental in redeeming “enlightened” mestizos and Indigenous people. Thus, they would assume the historical role of becoming the Hispanic-based, mixed-race, universal culture that was destined to count…
Chávez, Carlos (USA)
Revueltas, Silvestre
Marxismo y socialismo mexicano en Redes, de Paul Strand y Carlos Chávez, con música de Silvestre Revueltas
Redes (1934-1935), película mexicana ideada y filmada por el fotógrafo modernista Paul Strand, es reconocida como obra fundamental –panfletaria para algunos– del cine mexicano. Entre músicos se le conoce por la música que para la banda sonora compuso Silvestre Revueltas. Redes fue producida de acuerdo a lineamientos educativos generados en la SEP por Narciso Bassols (1931-1934), secretario, y Carlos Chávez, director del Departamento de Bellas Art…
Carlos Chávez and the Myth of the Aztec Renaissance
Carlos Chavez and His World
Carlos Chávez (1899–1978) is the central figure in Mexican music of the twentieth century and among the most eminent of all Latin American modernist composers. An enfant terrible in his own country, Chávez was an integral part of the emerging music scene in the United States in the 1920s. His highly individual style—diatonic, dissonant, contrapuntal—addressed both modernity and Mexico's indigenous past. Chávez was also a governmental arts adminis…
Carlos Chavez and His World
Carlos Chávez (1899–1978) is the central figure in Mexican music of the twentieth century and among the most eminent of all Latin American modernist composers. An enfant terrible in his own country, Chávez was an integral part of the emerging music scene in the United States in the 1920s. His highly individual style—diatonic, dissonant, contrapuntal—addressed both modernity and Mexico's indigenous past. Chávez was also a governmental arts adminis…
Carlos Chávez and the Myth of the Aztec Renaissance
Carlos Chavez and His World
Carlos Chávez (1899–1978) is the central figure in Mexican music of the twentieth century and among the most eminent of all Latin American modernist composers. An enfant terrible in his own country, Chávez was an integral part of the emerging music scene in the United States in the 1920s. His highly individual style—diatonic, dissonant, contrapuntal—addressed both modernity and Mexico's indigenous past. Chávez was also a governmental arts adminis…
Marxismo y socialismo mexicano en Redes, de Paul Strand y Carlos Chávez, con música de Silvestre Revueltas
Redes (1934-1935), película mexicana ideada y filmada por el fotógrafo modernista Paul Strand, es reconocida como obra fundamental –panfletaria para algunos– del cine mexicano. Entre músicos se le conoce por la música que para la banda sonora compuso Silvestre Revueltas. Redes fue producida de acuerdo a lineamientos educativos generados en la SEP por Narciso Bassols (1931-1934), secretario, y Carlos Chávez, director del Departamento de Bellas Art…
Revueltas, Silvestre
Chávez, Carlos (USA)
José Vasconcelos’s Neoplatonist Politics of Music
The mystical aura surrounding José Vasconcelos’s theory of mestizaje is derived from Neoplatonist philosophy, with God replacing Plotinus’s One. In the Neoplatonic cosmos of the cosmic race, music’s special connection with the divinity was to be instrumental in redeeming “enlightened” mestizos and Indigenous people. Thus, they would assume the historical role of becoming the Hispanic-based, mixed-race, universal culture that was destined to count…
Art (4 works) · Humanities (3 works) · Art history (2 works) · Law (2 works) · Philosophy (2 works) · Philosophy (2 works) · Political science (2 works) · Politics (2 works) · 20th century (1 work) · Archaeology (1 work)