Nam Lee
Biographic Data
| ID | 4984750 |
|---|---|
| NAME | Nam Lee |
| GIVEN NAMES | Nam |
| FAMILY NAME | Lee |
| SIGNATURE | LEE N |
| AFFILIATIONS | Chapman University |
| ORCID | 0000-0001-5320-1672 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
The Films of Bong Joon Ho
As this timely book reveals, even as Bong Joon Ho has emerged as an internationally known director, his films still engage with distinctly Korean social and political contexts that may elude many Western viewers. The Films of Bong Joon Ho demonstrates how he hybridizes Hollywood conventions with local realities in order to create a cinema that foregrounds the absurd cultural anomie Koreans have experienced in tandem with their rapid economic deve…
Construction of the female self in South Korean feminist documentaries Family Project
This essay pays particular attention to the strong presence of women filmmakers in the history of South Korean documentary filmmaking, analyzing two feminist autoethnographic documentaries, Family Project: House of a Father (Paemilli peurojekteu: abeojiui jip, Jo Yun-gyeong, 2001) and The Two Lines (Du gaeui seon, Jimin, 2011), to highlight how these personal documentaries create new discursive spaces for feminist issues. These films exemplify th…
No prominent works on this page.
The Films of Bong Joon Ho
As this timely book reveals, even as Bong Joon Ho has emerged as an internationally known director, his films still engage with distinctly Korean social and political contexts that may elude many Western viewers. The Films of Bong Joon Ho demonstrates how he hybridizes Hollywood conventions with local realities in order to create a cinema that foregrounds the absurd cultural anomie Koreans have experienced in tandem with their rapid economic deve…
Construction of the female self in South Korean feminist documentaries Family Project
This essay pays particular attention to the strong presence of women filmmakers in the history of South Korean documentary filmmaking, analyzing two feminist autoethnographic documentaries, Family Project: House of a Father (Paemilli peurojekteu: abeojiui jip, Jo Yun-gyeong, 2001) and The Two Lines (Du gaeui seon, Jimin, 2011), to highlight how these personal documentaries create new discursive spaces for feminist issues. These films exemplify th…
Asian Culture and Media Studies (2 works) · Criticism and interpretation (1 works) · Gender Studies (1 works) · Gender Studies (1 works) · Gender, Feminism, and Media (1 works) · History (1 works) · Japanese History and Culture (1 works) · Literature (1 works) · Motion picture producers and directors (1 works) · Motion pictures (1 works)