Jasmine Nadua Trice
Biographic Data
| ID | 4985025 |
|---|---|
| NAME | Jasmine Nadua Trice |
| GIVEN NAMES | Jasmine Nadua |
| FAMILY NAME | Trice |
| SIGNATURE | TRICE J N |
| AFFILIATIONS | National University of Singapore |
| ORCID | 0000-0002-8590-7319 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 4 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 2 |
City of Screens
In City of Screens Jasmine Nadua Trice examines the politics of cinema circulation in early-2000s Manila. She traces Manila's cinema landscape by focusing on the primary locations of film exhibition and distribution: the pirated DVD district, mall multiplexes, art-house cinemas, the university film institute, and state-sponsored cinematheques. In the wake of digital media piracy and the decline of the local commercial film industry, the rising in…
Epistemologies of the Body in Colonial Manila's Film Culture
This article explores the contradictions that surrounded evocations of the clean, hygienic, healthy body in 1920s and 1930s Manila film culture, where moviegoing ephemera such as advertisements, exhibition artifacts, and popular media interfaced with other systems of knowledge implicated within the colonial project, such as bodily piety and public health. This juncture between consumer culture, cinema, and discourses of cleanliness places the cin…
Gendering National Histories and Regional Imaginaries
This essay analyzes three experimental short films made by Southeast Asian women filmmakers: Jai (Love, 2008), directed by Anocha Suwichakornpong of Thailand; Shotgun Tuding (2014), directed by Shireen Seno of the Philippines; and Eleven Men (2016), directed by Nguyễn Trinh Thi of Vietnam. Each deploys a critique of national historiography through specific formal strategies: constructing a recursive temporality (Jai), using anachronistic media (S…
Location shooting in “the Wild East”
This essay argues that risk has become a crucial part of Hollywood’s transnational media productions, revealing these productions’ links to various forms of masculinity. Entailing the deliberate confrontation of uncertainty, the concept of risk connotes rational decision-making, territorial exploration, economic investment, and, more implicitly, the kinds of masculinities associated with these practices. As such, risk becomes a means of understan…
The Quiapo cinémathèque
This article examines Quiapo, the pirated DVD district in Manila. It contextualizes the ways in which public discourse in Manila narrativizes the local practices of global cinema consumption taking place on Quiapo’s streets. Drawing from academic debates concerning the multiplicity of modernity, the article suggests that the self-reflexive accounts Manilenyos circulate in popular media, blogs and other arenas present a complex case of ‘creative a…
City of Screens
In City of Screens Jasmine Nadua Trice examines the politics of cinema circulation in early-2000s Manila. She traces Manila's cinema landscape by focusing on the primary locations of film exhibition and distribution: the pirated DVD district, mall multiplexes, art-house cinemas, the university film institute, and state-sponsored cinematheques. In the wake of digital media piracy and the decline of the local commercial film industry, the rising in…
The Quiapo cinémathèque
This article examines Quiapo, the pirated DVD district in Manila. It contextualizes the ways in which public discourse in Manila narrativizes the local practices of global cinema consumption taking place on Quiapo’s streets. Drawing from academic debates concerning the multiplicity of modernity, the article suggests that the self-reflexive accounts Manilenyos circulate in popular media, blogs and other arenas present a complex case of ‘creative a…
The Quiapo cinémathèque
This article examines Quiapo, the pirated DVD district in Manila. It contextualizes the ways in which public discourse in Manila narrativizes the local practices of global cinema consumption taking place on Quiapo’s streets. Drawing from academic debates concerning the multiplicity of modernity, the article suggests that the self-reflexive accounts Manilenyos circulate in popular media, blogs and other arenas present a complex case of ‘creative a…
Location shooting in “the Wild East”
This essay argues that risk has become a crucial part of Hollywood’s transnational media productions, revealing these productions’ links to various forms of masculinity. Entailing the deliberate confrontation of uncertainty, the concept of risk connotes rational decision-making, territorial exploration, economic investment, and, more implicitly, the kinds of masculinities associated with these practices. As such, risk becomes a means of understan…
Gendering National Histories and Regional Imaginaries
This essay analyzes three experimental short films made by Southeast Asian women filmmakers: Jai (Love, 2008), directed by Anocha Suwichakornpong of Thailand; Shotgun Tuding (2014), directed by Shireen Seno of the Philippines; and Eleven Men (2016), directed by Nguyễn Trinh Thi of Vietnam. Each deploys a critique of national historiography through specific formal strategies: constructing a recursive temporality (Jai), using anachronistic media (S…
Epistemologies of the Body in Colonial Manila's Film Culture
This article explores the contradictions that surrounded evocations of the clean, hygienic, healthy body in 1920s and 1930s Manila film culture, where moviegoing ephemera such as advertisements, exhibition artifacts, and popular media interfaced with other systems of knowledge implicated within the colonial project, such as bodily piety and public health. This juncture between consumer culture, cinema, and discourses of cleanliness places the cin…
City of Screens
In City of Screens Jasmine Nadua Trice examines the politics of cinema circulation in early-2000s Manila. She traces Manila's cinema landscape by focusing on the primary locations of film exhibition and distribution: the pirated DVD district, mall multiplexes, art-house cinemas, the university film institute, and state-sponsored cinematheques. In the wake of digital media piracy and the decline of the local commercial film industry, the rising in…
Aesthetics (4 works) · Art (4 works) · History (4 works) · Media studies (4 works) · Movie theater (4 works) · Philippine History and Culture (4 works) · Political science (4 works) · Sociology (4 works) · Art history (3 works) · Asian Culture and Media Studies (3 works)