Jamie Sexton
Biographic Data
| ID | 4986199 |
|---|---|
| NAME | Jamie Sexton |
| GIVEN NAMES | Jamie |
| FAMILY NAME | Sexton |
| SIGNATURE | SEXTON J |
| AFFILIATIONS | Northumbria University |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 20 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 2 |
‘Everything About Being Indie Is All Tied to Not Being Black’
In this article I explore the use of indie music within two African American independent films, Medicine for Melancholy (2008) and Pariah (2011). These two films are rare examples of African American films featuring an extensive employment of indie music, despite a huge growth in such music appearing within feature films over the past twenty years. I investigate some of the racial contours of indie music and examine how it is utilised within the …
Weird Britain in Exile
This article interrogates some of the themes that have been noted in the critical receptionof the musical movement that has been dubbed “hauntology.” In particular, it focuses on aspecifically British strain of hauntology—largely concentrating on the record label Ghost Box—and explores the network of associations referenced by the artists involved. Theauthor argues that Ghost Box and related artists reflect on issues such as collecting and herita…
Cult Cinema
Music, Sound and Multimedia
Sexton provides a unique study of how music and other sounds play a central part in our understandings and uses of a variety of communications media. It focuses on four areas of sound and music within broader multimedia forms and addresses the centrality of such aural concerns within our everyday experiences.
Music, Sound and Multimedia
Music, Sound and Multimedia
This new series aims to explore the area of "screen music". Volume topics will include multimedia music, music and television, Hollywood film music, and the music of Bollywood cinema.Music and other sound effects have been central to a whole host of media forms throughout the twentieth century, either as background, accompaniment, or main driving force. Such interactions will continue to mutate in new directions, with the widespread growth of dig…
Cult Cinema
Weird Britain in Exile
This article interrogates some of the themes that have been noted in the critical receptionof the musical movement that has been dubbed “hauntology.” In particular, it focuses on aspecifically British strain of hauntology—largely concentrating on the record label Ghost Box—and explores the network of associations referenced by the artists involved. Theauthor argues that Ghost Box and related artists reflect on issues such as collecting and herita…
Music, Sound and Multimedia
Music, Sound and Multimedia
This new series aims to explore the area of "screen music". Volume topics will include multimedia music, music and television, Hollywood film music, and the music of Bollywood cinema.Music and other sound effects have been central to a whole host of media forms throughout the twentieth century, either as background, accompaniment, or main driving force. Such interactions will continue to mutate in new directions, with the widespread growth of dig…
Music, Sound and Multimedia
Sexton provides a unique study of how music and other sounds play a central part in our understandings and uses of a variety of communications media. It focuses on four areas of sound and music within broader multimedia forms and addresses the centrality of such aural concerns within our everyday experiences.
Cult Cinema
Weird Britain in Exile
This article interrogates some of the themes that have been noted in the critical receptionof the musical movement that has been dubbed “hauntology.” In particular, it focuses on aspecifically British strain of hauntology—largely concentrating on the record label Ghost Box—and explores the network of associations referenced by the artists involved. Theauthor argues that Ghost Box and related artists reflect on issues such as collecting and herita…
‘Everything About Being Indie Is All Tied to Not Being Black’
In this article I explore the use of indie music within two African American independent films, Medicine for Melancholy (2008) and Pariah (2011). These two films are rare examples of African American films featuring an extensive employment of indie music, despite a huge growth in such music appearing within feature films over the past twenty years. I investigate some of the racial contours of indie music and examine how it is utilised within the …
Art (4 works) · Visual arts (3 works) · Acoustics (2 works) · Aufzeichnung (2 works) · Cinema and Media Studies (2 works) · Computer Science (2 works) · Computers (2 works) · Data processing (2 works) · Databehandling (2 works) · Datorer och databehandling (2 works)