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Dafni Tragaki

Biographic Data

ID4986501
NAMEDafni Tragaki
GIVEN NAMESDafni
FAMILY NAMETragaki
SIGNATURETRAGAKI D
AFFILIATIONSUniversity of Thessaly
ORCID0000-0002-9768-4116
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS0
WORKS AS AUTHOR6
WORKS AS EDITOR1
FIRST PUBLICATION YEAR2001
LATEST PUBLICATION YEAR2020
H-INDEX0
  • Experimental Ethnography

    Open Access•Dafni Tragaki•ARTICLE•Teaching Anthropology•2020•References: 10

    The article discusses the ways the method of videowalk is learned in the context of the seminar “Anthropology of the Senses” with a special emphasis on sound studies and how it is theoretically introduced as a performative, intersensorial and embodied ethnographic practice. It explores the potentialities offered by the recent convergences between anthropology and contemporary artistic (audiovisual) production inspired by the “ethnographic turn” i…

  • Greece

    Katy Romanou, Thomas J Mathiesen et al.•CHAPTER•The new Grove dictionary of music…•2019

  • Music and the political

    Open Access•Dafni Tragaki, Martin Stokes•ARTICLE•rast müzikoloji dergisi•2019

    Τhe following conversation is what was humorously called a “jammin’ article”, which was an attempt to improvise a mostly theoretical dialogue on a variety of themes broadly defining Martin Stokes’ oeuvre until today. It is a sort of “free improvisation” produced in the course of spontaneous and rather intimate dialogic writing, as it developed as a non-prescriptive and open-ended process: there was no preset structure or any sort of detailed disc…

  • Empire of Song

    Dafni Tragaki•EDITOR•BOOK•Empire of Song•2013

    The Eurovision Song Contest (ESC) is more than a musical event that ostensibly “unites European people” through music. It is a spectacle: a performative event that allegorically represents the idea of “Europe.” Since its beginning in the Cold War era, the contest has functioned as a symbolic realm for the performance of European selves and the negotiation of European identities. Through the ESC, Europe is experienced, felt, and imagined in singin…

  • Empire of song

    Dafni Tragaki•BOOK•Empire Of Song Europe And Nation…•2013

    The Eurovision Song Contest (ESC) is more than a musical event that ostensibly "unites European people" through music. It is a spectacle and performative event, one that allegorically represents the idea of "Europe." In "Empire of Song: Europe and Nation in the Eurovision Song Contest," contributors interpret the ESC as a musical "mediascape" and mega-event that has variously performed and performs the changing visions of the European project. Th…

  • Greece

    Sofia Kontossi, Dafni Tragaki•CHAPTER•The new Grove dictionary of music…•2001

  • Greece

    Ioannis Tsagkarakis, Manolis Seiragakis et al.•CHAPTER•The new Grove dictionary of music…•2001

No prominent works on this page.

  • Greece

    Sofia Kontossi, Dafni Tragaki•CHAPTER•The new Grove dictionary of music…•2001

  • Greece

    Ioannis Tsagkarakis, Manolis Seiragakis et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Empire of Song

    Dafni Tragaki•EDITOR•BOOK•Empire of Song•2013

    The Eurovision Song Contest (ESC) is more than a musical event that ostensibly “unites European people” through music. It is a spectacle: a performative event that allegorically represents the idea of “Europe.” Since its beginning in the Cold War era, the contest has functioned as a symbolic realm for the performance of European selves and the negotiation of European identities. Through the ESC, Europe is experienced, felt, and imagined in singin…

  • Empire of song

    Dafni Tragaki•BOOK•Empire Of Song Europe And Nation…•2013

    The Eurovision Song Contest (ESC) is more than a musical event that ostensibly "unites European people" through music. It is a spectacle and performative event, one that allegorically represents the idea of "Europe." In "Empire of Song: Europe and Nation in the Eurovision Song Contest," contributors interpret the ESC as a musical "mediascape" and mega-event that has variously performed and performs the changing visions of the European project. Th…

  • Greece

    Katy Romanou, Thomas J Mathiesen et al.•CHAPTER•The new Grove dictionary of music…•2019

  • Music and the political

    Open Access•Dafni Tragaki, Martin Stokes•ARTICLE•rast müzikoloji dergisi•2019

    Τhe following conversation is what was humorously called a “jammin’ article”, which was an attempt to improvise a mostly theoretical dialogue on a variety of themes broadly defining Martin Stokes’ oeuvre until today. It is a sort of “free improvisation” produced in the course of spontaneous and rather intimate dialogic writing, as it developed as a non-prescriptive and open-ended process: there was no preset structure or any sort of detailed disc…

  • Experimental Ethnography

    Open Access•Dafni Tragaki•ARTICLE•Teaching Anthropology•2020•References: 10

    The article discusses the ways the method of videowalk is learned in the context of the seminar “Anthropology of the Senses” with a special emphasis on sound studies and how it is theoretically introduced as a performative, intersensorial and embodied ethnographic practice. It explores the potentialities offered by the recent convergences between anthropology and contemporary artistic (audiovisual) production inspired by the “ethnographic turn” i…

Aesthetics (3 works) · Art (3 works) · History (3 works) · Music History and Culture (3 works) · Sociology (3 works) · Ancient history (2 works) · Anthropology (2 works) · Empire (2 works) · Ethnography (2 works) · History (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae