Kate Taylor-Jones
Biographic Data
| ID | 4988084 |
|---|---|
| NAME | Kate Taylor-Jones |
| GIVEN NAMES | Kate |
| FAMILY NAME | Taylor-Jones |
| SIGNATURE | TAYLOR-JONES K |
| AFFILIATIONS | University of Southern California |
| ORCID | 0000-0002-4335-3119 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 2 |
| FIRST PUBLICATION YEAR | 1958 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Chapter 14 The Pan-Asian ‘Miss Granny’ Phenomenon
East Asian Journal of Popular Culture
Japan Now North festival report
Time and Place Are Nonsense: The Films of Seijun Suzuki by Tom Vick
Reviewed by: Time and Place Are Nonsense: The Films of Seijun Suzuki by Tom Vick Kate E. Taylor-Jones (bio) Time and Place Are Nonsense: The Films of Seijun Suzuki. By Tom Vick. Freer Gallery of Art and Arthur M. Sackler Gallery, Washington, 2015. 191 pages. $30.00, paper. For cinephiles, Suzuki Seijun holds a special place in most people's hearts. Films such as Branded to Kill (Koroshi no rakuin, 1967), Tokyo Drifter (Tōkyōnagaremono, 1966), and…
Prostitution and Sex Work in Global Cinema: New Takes on Fallen Women
Divine Work, Japanese Colonial Cinema and its Legacy
For many East Asian nations, cinema and Japanese Imperialism arrived within a few years of each other. Exploring topics such as landscape, gender, modernity and military recruitment, this study details how the respective national cinemas of Japan's territories struggled under, but also engaged with, the Japanese Imperial structures. Japan was ostensibly committed to an ethos of pan-Asianism and this study explores how this sense of the transnatio…
International Cinema and the Girl
From the precocious charms of Shirley Temple to the box-office behemoth Frozen and its two young female leads, Anna and Elsa, the girl has long been a figure of fascination for cinema. The symbol of (
International Cinema and the Girl: Local Issues, Transnational Contexts
Girlhood in a Warzone: African Child Soldiers in Film
The Global Cinema series publishes innovative scholarship on the transnational themes, industries, economies, and aesthetic elements that increasingly connect cinemas around the world. It promotes theoretically transformative and politically challenging projects that rethink film studies from cross-cultural, comparative perspectives, bringing into focus forms of cinematic production that resist nationalist or hegemonic frameworks. Rather than aim…
The Renin Content of Partially Corticectomized Rabbit Kidneys
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The Renin Content of Partially Corticectomized Rabbit Kidneys
International Cinema and the Girl
From the precocious charms of Shirley Temple to the box-office behemoth Frozen and its two young female leads, Anna and Elsa, the girl has long been a figure of fascination for cinema. The symbol of (
International Cinema and the Girl: Local Issues, Transnational Contexts
Girlhood in a Warzone: African Child Soldiers in Film
The Global Cinema series publishes innovative scholarship on the transnational themes, industries, economies, and aesthetic elements that increasingly connect cinemas around the world. It promotes theoretically transformative and politically challenging projects that rethink film studies from cross-cultural, comparative perspectives, bringing into focus forms of cinematic production that resist nationalist or hegemonic frameworks. Rather than aim…
Prostitution and Sex Work in Global Cinema: New Takes on Fallen Women
Divine Work, Japanese Colonial Cinema and its Legacy
For many East Asian nations, cinema and Japanese Imperialism arrived within a few years of each other. Exploring topics such as landscape, gender, modernity and military recruitment, this study details how the respective national cinemas of Japan's territories struggled under, but also engaged with, the Japanese Imperial structures. Japan was ostensibly committed to an ethos of pan-Asianism and this study explores how this sense of the transnatio…
East Asian Journal of Popular Culture
Japan Now North festival report
Time and Place Are Nonsense: The Films of Seijun Suzuki by Tom Vick
Reviewed by: Time and Place Are Nonsense: The Films of Seijun Suzuki by Tom Vick Kate E. Taylor-Jones (bio) Time and Place Are Nonsense: The Films of Seijun Suzuki. By Tom Vick. Freer Gallery of Art and Arthur M. Sackler Gallery, Washington, 2015. 191 pages. $30.00, paper. For cinephiles, Suzuki Seijun holds a special place in most people's hearts. Films such as Branded to Kill (Koroshi no rakuin, 1967), Tokyo Drifter (Tōkyōnagaremono, 1966), and…
Chapter 14 The Pan-Asian ‘Miss Granny’ Phenomenon
History (6 works) · Art (4 works) · Art history (4 works) · Geography (4 works) · Movie theater (4 works) · Sociology (4 works) · Asian Culture and Media Studies (3 works) · Law (3 works) · Political science (3 works) · Psychology (3 works)