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Tianhu Hao

Biographic Data

ID4991017
NAMETianhu Hao
GIVEN NAMESTianhu
FAMILY NAMEHao
SIGNATUREHAO T
AFFILIATIONSZhejiang University
ORCID0000-0002-7077-1818
VERIFIEDYes
TOTAL WORKS11
TOTAL CITATIONS0
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2026
H-INDEX0
  • On the Dating and Source of OED Quotations

    Tianhu Hao•ARTICLE•ANQ A Quarterly Journal of Short…•2026•References: 2

    I can find in the OED 27 quotations from James Shirley’s play The Schoole of Complement (1631). Oddly, while most of them supply the publication year of the first edition, namely 1631, three of the

  • Won from the Void and Formless Infinite”: The Mathematical Equation 0×∞=1 in Paradise Lost

    Yuxuan Li, Tianhu Hao•ARTICLE•ANQ A Quarterly Journal of Short…•2025

  • On the Publication of Mary Wroth’s Urania (1621)

    Tianhu Hao•ARTICLE•ANQ A Quarterly Journal of Short…•2024

  • Aubrey de Vere’s Political Passions in His Sonnet on Milton Annotated by Landor

    Tianhu Hao, Wendy Baker et al.•ARTICLE•Style•2023

    Walter Savage Landor (1775–1864) annotates one of Aubrey Thomas de Vere’s (1814–1902) sonnets as “Worthy of Milton.” By delving into a complex web of intertextuality, this article analyzes de Vere’s sonnet in the light of his literary criticism and from the perspective of Landor’s manuscript neglected note, interpreted via the useful link of William Wordsworth

  • A study of desires and emotions in Do Androids Dream of Electric Sheep

    Open Access•Yuying Wang, Tianhu Hao•ARTICLE•Neohelicon•2022

  • The Reading, Translation, and Rewriting of Shakespeare’s Sonnets in China

    Tianhu Hao•ARTICLE•Style•2022

    Shakespeare’s sonnets are widely loved and very popular in China, and major poet-translators such as Tu An and Liang Zongdai devoted a lifetime to their task of translation. The translation of the Bard’s sonnets involves cross-cultural understanding. In terms of poetic style, Shakespeare’s sonnets may be rendered in two styles, either modern or classical. Both styles have their pros and cons, but the general tendency leans toward the modern. In t…

  • Shakespeare in China: The Case of Zhu Shenghao

    William Baker, Tianhu Hao•ARTICLE•ANQ A Quarterly Journal of Short…•2021

    Frequently performed and written about, Shakespeare’s works are loved in contemporary China. The man behind the most commonly used and most warmly received translation has a fascinating story. Work

  • Why Did Milton Land in China Earlier than Shakespeare

    Tianhu Hao•ARTICLE•Comparative Literature Studies•2020

    As far as we know, Milton was first introduced into China in 1832, and Shakespeare in 1839–1840. Why did Milton land in China earlier than Shakespeare? Their different routes of cultural migration into China are largely conditioned by sociohistorical forces. With keener interest in Milton for his identity as a religious poet, the Western missionaries in China cherished Milton's educational value, but were not so interested in literature per se or…

  • Wrap in Shadow’s Light”: Spenser and the Art of the Miniature

    Tianhu Hao•ARTICLE•ANQ A Quarterly Journal of Short…•2019

    In England, the sonnet form flourished in 1580–1610 (Spiller 1), which nearly coincided with the maturity of miniature painting, or limning, whose foremost Elizabethan practitioner was Nicholas Hil

  • Scientific Prometheanism and the Boundaries of Knowledge: Whither Goes AI

    Open Access•Tianhu Hao, Hao Tian-hu•ARTICLE•European Review•2018•References: 1

    This article discusses John Milton’s Paradise Lost , Mary Shelley’s Frankenstein , and the contemporary film Ex Machina as a coherent group concerning the boundaries of knowledge and the perils of scientific Prometheanism. The development of AI (Artificial Intelligence) should be delimited and contained, if not curtailed or banned, and scientists ought to proceed in a responsible and cautious manner. An obsessive or excessive pursuit of knowledge…

  • John Milton's Idea of Kingship and its Comparison With Confucianism

    Tianhu Hao, Hao Tian-hu•ARTICLE•Comparative Literature Studies•2017•References: 2

    Scattered throughout the author's prose and poetical works, kingship is a core concept in John Milton's political and literary practices. According to Milton, a king must first be a “wise and virtuous man” (Paradise Regained), and the Son is the perfect model of kingship. The possession of virtue and a “paradise within” (Paradise Lost) would enable everyone to be kingly. Tyrants like Charles I may be lawfully deposed or even beheaded by their sub…

No prominent works on this page.

  • John Milton's Idea of Kingship and its Comparison With Confucianism

    Tianhu Hao, Hao Tian-hu•ARTICLE•Comparative Literature Studies•2017•References: 2

    Scattered throughout the author's prose and poetical works, kingship is a core concept in John Milton's political and literary practices. According to Milton, a king must first be a “wise and virtuous man” (Paradise Regained), and the Son is the perfect model of kingship. The possession of virtue and a “paradise within” (Paradise Lost) would enable everyone to be kingly. Tyrants like Charles I may be lawfully deposed or even beheaded by their sub…

  • Scientific Prometheanism and the Boundaries of Knowledge: Whither Goes AI

    Open Access•Tianhu Hao, Hao Tian-hu•ARTICLE•European Review•2018•References: 1

    This article discusses John Milton’s Paradise Lost , Mary Shelley’s Frankenstein , and the contemporary film Ex Machina as a coherent group concerning the boundaries of knowledge and the perils of scientific Prometheanism. The development of AI (Artificial Intelligence) should be delimited and contained, if not curtailed or banned, and scientists ought to proceed in a responsible and cautious manner. An obsessive or excessive pursuit of knowledge…

  • Wrap in Shadow’s Light”: Spenser and the Art of the Miniature

    Tianhu Hao•ARTICLE•ANQ A Quarterly Journal of Short…•2019

    In England, the sonnet form flourished in 1580–1610 (Spiller 1), which nearly coincided with the maturity of miniature painting, or limning, whose foremost Elizabethan practitioner was Nicholas Hil

  • Why Did Milton Land in China Earlier than Shakespeare

    Tianhu Hao•ARTICLE•Comparative Literature Studies•2020

    As far as we know, Milton was first introduced into China in 1832, and Shakespeare in 1839–1840. Why did Milton land in China earlier than Shakespeare? Their different routes of cultural migration into China are largely conditioned by sociohistorical forces. With keener interest in Milton for his identity as a religious poet, the Western missionaries in China cherished Milton's educational value, but were not so interested in literature per se or…

  • Shakespeare in China: The Case of Zhu Shenghao

    William Baker, Tianhu Hao•ARTICLE•ANQ A Quarterly Journal of Short…•2021

    Frequently performed and written about, Shakespeare’s works are loved in contemporary China. The man behind the most commonly used and most warmly received translation has a fascinating story. Work

  • A study of desires and emotions in Do Androids Dream of Electric Sheep

    Open Access•Yuying Wang, Tianhu Hao•ARTICLE•Neohelicon•2022

  • The Reading, Translation, and Rewriting of Shakespeare’s Sonnets in China

    Tianhu Hao•ARTICLE•Style•2022

    Shakespeare’s sonnets are widely loved and very popular in China, and major poet-translators such as Tu An and Liang Zongdai devoted a lifetime to their task of translation. The translation of the Bard’s sonnets involves cross-cultural understanding. In terms of poetic style, Shakespeare’s sonnets may be rendered in two styles, either modern or classical. Both styles have their pros and cons, but the general tendency leans toward the modern. In t…

  • Aubrey de Vere’s Political Passions in His Sonnet on Milton Annotated by Landor

    Tianhu Hao, Wendy Baker et al.•ARTICLE•Style•2023

    Walter Savage Landor (1775–1864) annotates one of Aubrey Thomas de Vere’s (1814–1902) sonnets as “Worthy of Milton.” By delving into a complex web of intertextuality, this article analyzes de Vere’s sonnet in the light of his literary criticism and from the perspective of Landor’s manuscript neglected note, interpreted via the useful link of William Wordsworth

  • On the Publication of Mary Wroth’s Urania (1621)

    Tianhu Hao•ARTICLE•ANQ A Quarterly Journal of Short…•2024

  • Won from the Void and Formless Infinite”: The Mathematical Equation 0×∞=1 in Paradise Lost

    Yuxuan Li, Tianhu Hao•ARTICLE•ANQ A Quarterly Journal of Short…•2025

  • On the Dating and Source of OED Quotations

    Tianhu Hao•ARTICLE•ANQ A Quarterly Journal of Short…•2026•References: 2

    I can find in the OED 27 quotations from James Shirley’s play The Schoole of Complement (1631). Oddly, while most of them supply the publication year of the first edition, namely 1631, three of the

Art (9 works) · Philosophy (6 works) · Literature (5 works) · Aesthetics (4 works) · History (4 works) · Law (4 works) · Art history (3 works) · China (3 works) · Law (3 works) · Paradise (3 works)

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