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Andrew Beeby

Biographic Data

ID5006145
NAMEAndrew Beeby
GIVEN NAMESAndrew
FAMILY NAMEBeeby
SIGNATUREBEEBY A
AFFILIATIONSDepartment of Chemistry Durham University Durham UK
ORCID0000-0002-2134-4668
VERIFIEDYes
TOTAL WORKS2
TOTAL CITATIONS0
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2020
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Nineteenth‐Century Watercolour Reproductions of Old Masters in the Ruskin Teaching Collection, Ashmolean Museum, Oxford

    Open Access•Victoria Kemp, Andrew Beeby et al.•ARTICLE•Archaeometry•2026•References: 5

    This study presents the first comprehensive analysis of the pigments and techniques used by Charles Fairfax Murray (1849–1919), a leading expert in Italian Renaissance attribution, influential art collector and primary copyist for John Ruskin. Using a multidisciplinary approach combining MA‐XRF, single‐point XRF and XRD, FORS and advanced imaging techniques, this research identifies the materials Murray employed while replicating works by Italian…

  • The Admiral, the Virgin, and the Spectrometer

    Richard Gameson, Catherine Nicholson et al.•ARTICLE•Gesta•2020

    This article examines the nature and implications of the extensive Marian texts and imagery in the mid-fifteenth-century Parisian Coëtivy Hours (Dublin, Chester Beatty Library, MS W082), and reports the findings from scientific investigation of the inks and pigments that were used in the book

No prominent works on this page.

  • The Admiral, the Virgin, and the Spectrometer

    Richard Gameson, Catherine Nicholson et al.•ARTICLE•Gesta•2020

    This article examines the nature and implications of the extensive Marian texts and imagery in the mid-fifteenth-century Parisian Coëtivy Hours (Dublin, Chester Beatty Library, MS W082), and reports the findings from scientific investigation of the inks and pigments that were used in the book

  • Nineteenth‐Century Watercolour Reproductions of Old Masters in the Ruskin Teaching Collection, Ashmolean Museum, Oxford

    Open Access•Victoria Kemp, Andrew Beeby et al.•ARTICLE•Archaeometry•2026•References: 5

    This study presents the first comprehensive analysis of the pigments and techniques used by Charles Fairfax Murray (1849–1919), a leading expert in Italian Renaissance attribution, influential art collector and primary copyist for John Ruskin. Using a multidisciplinary approach combining MA‐XRF, single‐point XRF and XRD, FORS and advanced imaging techniques, this research identifies the materials Murray employed while replicating works by Italian…

Art (2 works) · Art history (2 works) · American Environmental and Regional History (1 work) · Classics (1 work) · Fifteenth (1 work) · Heaven (1 work) · Historical and Religious Studies of Rome (1 work) · Historical Studies of British Isles (1 work) · History (1 work) · Literature (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae