Sabina Fazli
Biographic Data
| ID | 5009678 |
|---|---|
| NAME | Sabina Fazli |
| GIVEN NAMES | Sabina |
| FAMILY NAME | Fazli |
| SIGNATURE | FAZLI S |
| AFFILIATIONS | Johannes Gutenberg University Mainz |
| ORCID | 0000-0002-4349-1546 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Like magazines – but different! Fanzines as bricolaged media
This article is an English translation of a chapter originally published in 2017 by zine scholar Christian Schmidt (†), written as part of an edited volume examining the outcomes of a research project on youth cultures and bricolage. In this contribution, Schmidt offers a critical introduction to the fanzine as a distinct medium. He challenges definitions that position fanzines primarily as oppositional and utopian, arguing instead that such char…
Between vulnerability and categorisation
Emerging from conversations at two symposiums, ‘Zines Revisited’ (2022) and ‘Selfing and Shelving’ (2024), held at Johannes Gutenberg University in Mainz, this special issue reflects on the tension between zines’ alternative media identities and their increasing institutionalisation, represented by the growing number of institutions, including public and university libraries, building their zine archives. In the introduction, the editors propose …
Unfolding History
The foldout, also called a gatefold, is a double-page spread which expands through additional panels into a length that exceeds the format of the magazine. This changes the dimensions of the magazine page, requiring more space to unfold and read, as well as a different orientation of the reader's gaze and body. In this paper, we propose to read the fold-out page as a mode of materializing history in anniversary issues of fashion magazines. In doi…
Convergence Culture Reconsidered
The conference was the third in a series of transatlantic conferences initially funded by the German Academic Exchange Service (DAAD). It thus formed a follow-up to the conferences on Transmedial Approaches to Space and Gender (organized by Susan Ingram and Markus Reisenleitner, York University of Toronto, in 2011) and Mediation and Mediatization (organized by Jutta Ernst, Johannes-Gutenberg-Universitt Mainz/ Germersheim, in 2012
No prominent works on this page.
Convergence Culture Reconsidered
The conference was the third in a series of transatlantic conferences initially funded by the German Academic Exchange Service (DAAD). It thus formed a follow-up to the conferences on Transmedial Approaches to Space and Gender (organized by Susan Ingram and Markus Reisenleitner, York University of Toronto, in 2011) and Mediation and Mediatization (organized by Jutta Ernst, Johannes-Gutenberg-Universitt Mainz/ Germersheim, in 2012
Unfolding History
The foldout, also called a gatefold, is a double-page spread which expands through additional panels into a length that exceeds the format of the magazine. This changes the dimensions of the magazine page, requiring more space to unfold and read, as well as a different orientation of the reader's gaze and body. In this paper, we propose to read the fold-out page as a mode of materializing history in anniversary issues of fashion magazines. In doi…
Like magazines – but different! Fanzines as bricolaged media
This article is an English translation of a chapter originally published in 2017 by zine scholar Christian Schmidt (†), written as part of an edited volume examining the outcomes of a research project on youth cultures and bricolage. In this contribution, Schmidt offers a critical introduction to the fanzine as a distinct medium. He challenges definitions that position fanzines primarily as oppositional and utopian, arguing instead that such char…
Between vulnerability and categorisation
Emerging from conversations at two symposiums, ‘Zines Revisited’ (2022) and ‘Selfing and Shelving’ (2024), held at Johannes Gutenberg University in Mainz, this special issue reflects on the tension between zines’ alternative media identities and their increasing institutionalisation, represented by the growing number of institutions, including public and university libraries, building their zine archives. In the introduction, the editors propose …
Art history (2 works) · Alternative media (1 work) · Anthropology (1 work) · Appeal (1 work) · Archaeology (1 work) · Art (1 work) · Autobiographical and Biographical Writing (1 work) · Comics and Graphic Narratives (1 work) · Computer Science (1 work) · Convergence (economics) (1 work)