Marlé Hammond
Biographic Data
| ID | 5012230 |
|---|---|
| NAME | Marlé Hammond |
| GIVEN NAMES | Marlé |
| FAMILY NAME | Hammond |
| SIGNATURE | HAMMOND M |
| AFFILIATIONS | SOAS University of London |
| ORCID | 0000-0001-8439-9589 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Al-Sakhāwī
Arab World Cinemas
Celebrates the variety and richness of Arabic-language cinema, from The White Rose (Egypt, 1933/4) to Casablanca Beats (Morocco, 2021) Analyses 28 films released between 1933 and 2021 including Muhammad Khan’s Dreams of Hind and Camilia (1989), Moufida Tlatli’s Silences of the Palace (1994) and Elia Suleiman’s Divine Intervention (2002) Dedicates a short chapter to each film, looking at the content and form with analysis grounded in cinematic tec…
Rayḥāna “The Mad”
This article on the intriguing second-/eighth-century Iraqi Muslim ascetic poet Rayḥāna al-Majnūna, or Rayḥāna “The Mad,” consists of two parts: (1) a study contextualizing her persona and corpus and arguing that her historical and folkloric identity as a black woman poet situates her at a creative nexus of wisdom, madness, and worship, and (2) appendices including translations of her poems and their anecdotal frameworks as they are preserved in …
The Poetry of Arab Women from the Pre-Islamic Age to Andalusia, written by Wessam Elmeligi
Warrior Women of Islam
The Warrior Women of Islam: Female Empowerment in Arabic Popular Literature. By Remke Kruk. London: I. B. Tauris, 2014. Pp. xxv + 272. £62 (cloth); £15.99 (paper
The Language of the Eyes”
The script of a short film from 1932 by the cabaret star Badīʿah Maṣābnī features the voice of a woman holding forth on the subject of women’s eyes and the effects they have on male onlookers. The characteristics of the text, a monologue entitled “Lughat al-ʿuyūn,” or “The Language of the Eyes,” are analysed in the light of speech act theory, with a view toward understanding the dynamics of gender and subjective agency that permeate it. Special a…
Beyond Elegy
Other| March 01 2013 Beyond Elegy: Classical Arabic Women’s Poetry in Context Marlé Hammond Marlé Hammond Search for other works by this author on: This Site Google Journal of Middle East Women's Studies (2013) 9 (1): 126. https://doi.org/10.2979/jmiddeastwomstud.9.1.126 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Marlé Hammond; Beyond Elegy: Classical Arabic Women’s Poetry in Context. Journal of Middle East Women's S…
Remembering Cosmopolitan Egypt
This monograph about the way Egypt's unique brand of pre– and post– WWII cosmopolitanism has been represented in Arabic and Hebrew fictional narratives is divided into three parts. The first, “Colonial Anxieties and Cosmopolitan Desires,” focuses on readings of Alexandrian novelists Edwar al-Kharrat and Ibrahim Abdel Meguid; the second, “Counterpoint New York,” analyses the autobiographical fictional films of the late Alexandrian filmmaker Yousse…
Arab Women Writers
Radwa Ashour, Ferial J. Ghazoul and Hasna Reda-Mekdashi (eds.), Mandy McClure (trans.) Cairo: American University in Cairo Press, 2008, Pp. xiii + 526, bibliographies, £52.00/$59.50 (hardback), ISB
Subsuming the Feminine Other
Arab Women Writers
Radwa Ashour, Ferial J. Ghazoul and Hasna Reda-Mekdashi (eds.), Mandy McClure (trans.) Cairo: American University in Cairo Press, 2008, Pp. xiii + 526, bibliographies, £52.00/$59.50 (hardback), ISB
Subsuming the Feminine Other
Arab Women Writers
Radwa Ashour, Ferial J. Ghazoul and Hasna Reda-Mekdashi (eds.), Mandy McClure (trans.) Cairo: American University in Cairo Press, 2008, Pp. xiii + 526, bibliographies, £52.00/$59.50 (hardback), ISB
Beyond Elegy
Other| March 01 2013 Beyond Elegy: Classical Arabic Women’s Poetry in Context Marlé Hammond Marlé Hammond Search for other works by this author on: This Site Google Journal of Middle East Women's Studies (2013) 9 (1): 126. https://doi.org/10.2979/jmiddeastwomstud.9.1.126 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Marlé Hammond; Beyond Elegy: Classical Arabic Women’s Poetry in Context. Journal of Middle East Women's S…
Remembering Cosmopolitan Egypt
This monograph about the way Egypt's unique brand of pre– and post– WWII cosmopolitanism has been represented in Arabic and Hebrew fictional narratives is divided into three parts. The first, “Colonial Anxieties and Cosmopolitan Desires,” focuses on readings of Alexandrian novelists Edwar al-Kharrat and Ibrahim Abdel Meguid; the second, “Counterpoint New York,” analyses the autobiographical fictional films of the late Alexandrian filmmaker Yousse…
The Language of the Eyes”
The script of a short film from 1932 by the cabaret star Badīʿah Maṣābnī features the voice of a woman holding forth on the subject of women’s eyes and the effects they have on male onlookers. The characteristics of the text, a monologue entitled “Lughat al-ʿuyūn,” or “The Language of the Eyes,” are analysed in the light of speech act theory, with a view toward understanding the dynamics of gender and subjective agency that permeate it. Special a…
Warrior Women of Islam
The Warrior Women of Islam: Female Empowerment in Arabic Popular Literature. By Remke Kruk. London: I. B. Tauris, 2014. Pp. xxv + 272. £62 (cloth); £15.99 (paper
The Poetry of Arab Women from the Pre-Islamic Age to Andalusia, written by Wessam Elmeligi
Arab World Cinemas
Celebrates the variety and richness of Arabic-language cinema, from The White Rose (Egypt, 1933/4) to Casablanca Beats (Morocco, 2021) Analyses 28 films released between 1933 and 2021 including Muhammad Khan’s Dreams of Hind and Camilia (1989), Moufida Tlatli’s Silences of the Palace (1994) and Elia Suleiman’s Divine Intervention (2002) Dedicates a short chapter to each film, looking at the content and form with analysis grounded in cinematic tec…
Rayḥāna “The Mad”
This article on the intriguing second-/eighth-century Iraqi Muslim ascetic poet Rayḥāna al-Majnūna, or Rayḥāna “The Mad,” consists of two parts: (1) a study contextualizing her persona and corpus and arguing that her historical and folkloric identity as a black woman poet situates her at a creative nexus of wisdom, madness, and worship, and (2) appendices including translations of her poems and their anecdotal frameworks as they are preserved in …
Al-Sakhāwī
Art (7 works) · Islamic Studies and History (7 works) · History (6 works) · Literature (6 works) · History (4 works) · Poetry (4 works) · Education and Islamic Studies (3 works) · Jewish and Middle Eastern Studies (3 works) · Philosophy (3 works) · Aesthetics (2 works)