Stine Agnete Sand
Dados Biográficos
| ID | 5023974 |
|---|---|
| NOME | Stine Agnete Sand |
| PRENOMES | Stine Agnete |
| SOBRENOME | Sand |
| ASSINATURA | SAND S A |
| AFILIAÇÕES | UiT The Arctic University of Norway |
| ORCID | 0000-0002-8842-3272 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 7 |
| TOTAL DE CITAÇÕES | 8 |
| TOTAL COMO AUTOR | 7 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2016 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2026 |
| ÍNDICE H | 2 |
Covering tragedy in a small community
Accidents in small communities raise some ethical questions for local journalists. How to provide news and simultaneously be sensitive to community and victims? Inspired by research which indicates a shift towards an overall local journalism perspective that does not separate the watchdog role from the caring role, the article discusses journalism practice, tragedy, and ethical decision-making. Despite local journalism’s documented “closeness to …
Breaking colonial borders
This article explores how collaboration across Arctic borders has enabled the emergence of ultrasmall, Indigenous-led sectors, examining the development of Indigenous screen industries in Sápmi and Kalaallit Nunaat (Greenland). The Sámi film industry has experienced a notable rise, driven by strategic transnational collaborations and the establishment of institutions such as the International Sámi Film Institute, which prioritize narrative sovere…
How should the non-Indigenous speak? A discussion of decolonizing academia, positioning, and freedom of speech
How can we engage in Indigenous research that allows multiple perspectives and knowledge production that is open to epistemic diversity? Answering calls for decolonization of the academy and the need for researchers to do their homework, I use my position as an ‘inbetweener’ in a Sámi, Indigenous context, experiences with peer reviewers as gatekeepers, and theoretical and methodological discussions about Indigenous research, to reflect upon this …
Dealing with racism
This article explores how Sami Blood (2016), as an Indigenous film, addresses colonialism and its consequences. Sami Blood documents historical injustice, shame and how colonialism is internalized by the colonized, and mechanisms of systemic and individual racism. Based on analyses of the film, reviews and perspectives on colonialism and cinema, it is argued that Sami Blood contributes to reconciliation processes in contemporary society because i…
Creative Clusters – Urban Utopia or Regional Remedy
The creative industries have had a major impact on cultural policy, and it is often argued that these industries can be a vehicle for regional growth. Using regional film production in Norway as a case, I discuss the creative industries, the cluster concept and its impact on policy. I analyse two film policy documents from 2007 and 2015 in order to show how the issue of size and critical mass is an unsettled topic within the creative industries, …
Indigenous Television for the Majority
This article asks, “How can indigenous media fulfill its obligations toward the indigenous population while also connecting with the majority?” In the entertainment television series Muitte mu , produced by the indigenous public service broadcaster NRK Sápmi in Norway, famous Norwegian artists learn to joik , a Sámi form of music. Muitte mu triggered a discussion concerning cultural appropriation and commercialization, as well as the traditionali…
Supporting ‘Film Cultural Peripheries’? The dilemmas of regional film policy in Norway
Public funding is crucial for the small Norwegian film industry. Based on an analysis of policy documents and interviews with regional film workers, this article discusses the implementation of regional film policy in Norway, and the tensions it has caused between center and periphery with respect to the allocation of funding. The creative industries discourse and the cluster concept are important for understanding this implementation; despite th…
Indigenous Television for the Majority
This article asks, “How can indigenous media fulfill its obligations toward the indigenous population while also connecting with the majority?” In the entertainment television series Muitte mu , produced by the indigenous public service broadcaster NRK Sápmi in Norway, famous Norwegian artists learn to joik , a Sámi form of music. Muitte mu triggered a discussion concerning cultural appropriation and commercialization, as well as the traditionali…
Dealing with racism
This article explores how Sami Blood (2016), as an Indigenous film, addresses colonialism and its consequences. Sami Blood documents historical injustice, shame and how colonialism is internalized by the colonized, and mechanisms of systemic and individual racism. Based on analyses of the film, reviews and perspectives on colonialism and cinema, it is argued that Sami Blood contributes to reconciliation processes in contemporary society because i…
Supporting ‘Film Cultural Peripheries’? The dilemmas of regional film policy in Norway
Public funding is crucial for the small Norwegian film industry. Based on an analysis of policy documents and interviews with regional film workers, this article discusses the implementation of regional film policy in Norway, and the tensions it has caused between center and periphery with respect to the allocation of funding. The creative industries discourse and the cluster concept are important for understanding this implementation; despite th…
How should the non-Indigenous speak? A discussion of decolonizing academia, positioning, and freedom of speech
How can we engage in Indigenous research that allows multiple perspectives and knowledge production that is open to epistemic diversity? Answering calls for decolonization of the academy and the need for researchers to do their homework, I use my position as an ‘inbetweener’ in a Sámi, Indigenous context, experiences with peer reviewers as gatekeepers, and theoretical and methodological discussions about Indigenous research, to reflect upon this …
Supporting ‘Film Cultural Peripheries’? The dilemmas of regional film policy in Norway
Public funding is crucial for the small Norwegian film industry. Based on an analysis of policy documents and interviews with regional film workers, this article discusses the implementation of regional film policy in Norway, and the tensions it has caused between center and periphery with respect to the allocation of funding. The creative industries discourse and the cluster concept are important for understanding this implementation; despite th…
Indigenous Television for the Majority
This article asks, “How can indigenous media fulfill its obligations toward the indigenous population while also connecting with the majority?” In the entertainment television series Muitte mu , produced by the indigenous public service broadcaster NRK Sápmi in Norway, famous Norwegian artists learn to joik , a Sámi form of music. Muitte mu triggered a discussion concerning cultural appropriation and commercialization, as well as the traditionali…
Creative Clusters – Urban Utopia or Regional Remedy
The creative industries have had a major impact on cultural policy, and it is often argued that these industries can be a vehicle for regional growth. Using regional film production in Norway as a case, I discuss the creative industries, the cluster concept and its impact on policy. I analyse two film policy documents from 2007 and 2015 in order to show how the issue of size and critical mass is an unsettled topic within the creative industries, …
Dealing with racism
This article explores how Sami Blood (2016), as an Indigenous film, addresses colonialism and its consequences. Sami Blood documents historical injustice, shame and how colonialism is internalized by the colonized, and mechanisms of systemic and individual racism. Based on analyses of the film, reviews and perspectives on colonialism and cinema, it is argued that Sami Blood contributes to reconciliation processes in contemporary society because i…
How should the non-Indigenous speak? A discussion of decolonizing academia, positioning, and freedom of speech
How can we engage in Indigenous research that allows multiple perspectives and knowledge production that is open to epistemic diversity? Answering calls for decolonization of the academy and the need for researchers to do their homework, I use my position as an ‘inbetweener’ in a Sámi, Indigenous context, experiences with peer reviewers as gatekeepers, and theoretical and methodological discussions about Indigenous research, to reflect upon this …
Covering tragedy in a small community
Accidents in small communities raise some ethical questions for local journalists. How to provide news and simultaneously be sensitive to community and victims? Inspired by research which indicates a shift towards an overall local journalism perspective that does not separate the watchdog role from the caring role, the article discusses journalism practice, tragedy, and ethical decision-making. Despite local journalism’s documented “closeness to …
Breaking colonial borders
This article explores how collaboration across Arctic borders has enabled the emergence of ultrasmall, Indigenous-led sectors, examining the development of Indigenous screen industries in Sápmi and Kalaallit Nunaat (Greenland). The Sámi film industry has experienced a notable rise, driven by strategic transnational collaborations and the establishment of institutions such as the International Sámi Film Institute, which prioritize narrative sovere…
Political science (5 obras) · Sociology (5 obras) · Indigenous (4 obras) · Law (4 obras) · Colonialism (3 obras) · Cultural Industries and Urban Development (3 obras) · Indigenous Health, Education, and Rights (3 obras) · Indigenous Studies and Ecology (3 obras) · Law (3 obras) · Movie theater (3 obras)