Denise Nicole Green
Biographic Data
| ID | 5035932 |
|---|---|
| NAME | Denise Nicole Green |
| GIVEN NAMES | Denise Nicole |
| FAMILY NAME | Green |
| SIGNATURE | GREEN D N |
| AFFILIATIONS | Cornell University |
| ORCID | 0000-0003-2522-7650 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Unconventional Fashion Archiving as Memory Work
Histories of Black women are often overlooked and excluded from conventional museums, study collections, and archives. This article presents two cases of unconventional fashion archival practices where Black women challenge conventions of documentation and preservation through collecting, making, and wearing clothing: (1) the home as a fashion archive and (2) archiving through making fashion. By challenging conventional archival practices, these …
Style Narrative Geographies
Stella Blum Grant Research Article
The Iroquois Indian Groups, a series of six life-size dioramas intended to represent different aspects of Hodinǫhsǫ́:nih (Haudenosaunee, formerly referred to as Iroquois in previous literature) lifeways, were installed at the New York State Museum (NYSM) from 1906 to 1917. The museum’s chief archaeologist and Hodinǫhsǫ́:nih descendant, Arthur C. Parker, supervised the development of the dioramas, but they were in actuality the result of a collabo…
Silk Mania in the Auburn Prison, 1841–44
From 1841 to 1844, the Auburn Prison in New York State, now the Auburn Correctional Facility, was the location of an early experiment in the manufacture of sewing silk, a type of thread used in garment production. Incarcerated men worked in throwing mills to transform cocoons into sewing silk; they reeled, combed, and dyed silk filaments, added twist, and wound the thread onto bobbins. The Auburn Prison agent solicited cocoons from silk farmers a…
An Archival Ethnography of Edward Sapir’s Nootka (Nuu-chah-nulth) Texts, Correspondence, and Fieldwork through the Douglas Thomas Drawings
The practice of using drawing and image rendering to declare rights and histories is long-standing among Nuu-chah-nulth people on the west coast of Vancouver Island. This article analyzes a collection of images created in 1916 by Douglas Thomas, a Nuu-chah-nulth man from the Tseshaht First Nation. His eldest son, Alex Thomas, sold these drawings to linguistic anthropologist Edward Sapir, who was at the time in charge of the anthropology division …
Producing Place and Declaring Rights Through Thliitsapilthim (Nuu-chah-nulth First Nations’ Ceremonial Curtains)
Thliitsapilthim (designed ceremonial partitions) are textiles used by Nuu-chah-nulth First Nations families to display their crests, which declare rights, responsibilities, and prestige. These large painted murals adorn and transform spaces, from secular to ceremonial, during potlatches and other significant events. This paper combines nearly a decade of ethnographic fieldwork with archival- and museum-based research to argue that thliitsapilthim…
Fashion and Appropriation
No prominent works on this page.
Fashion and Appropriation
Producing Place and Declaring Rights Through Thliitsapilthim (Nuu-chah-nulth First Nations’ Ceremonial Curtains)
Thliitsapilthim (designed ceremonial partitions) are textiles used by Nuu-chah-nulth First Nations families to display their crests, which declare rights, responsibilities, and prestige. These large painted murals adorn and transform spaces, from secular to ceremonial, during potlatches and other significant events. This paper combines nearly a decade of ethnographic fieldwork with archival- and museum-based research to argue that thliitsapilthim…
An Archival Ethnography of Edward Sapir’s Nootka (Nuu-chah-nulth) Texts, Correspondence, and Fieldwork through the Douglas Thomas Drawings
The practice of using drawing and image rendering to declare rights and histories is long-standing among Nuu-chah-nulth people on the west coast of Vancouver Island. This article analyzes a collection of images created in 1916 by Douglas Thomas, a Nuu-chah-nulth man from the Tseshaht First Nation. His eldest son, Alex Thomas, sold these drawings to linguistic anthropologist Edward Sapir, who was at the time in charge of the anthropology division …
Silk Mania in the Auburn Prison, 1841–44
From 1841 to 1844, the Auburn Prison in New York State, now the Auburn Correctional Facility, was the location of an early experiment in the manufacture of sewing silk, a type of thread used in garment production. Incarcerated men worked in throwing mills to transform cocoons into sewing silk; they reeled, combed, and dyed silk filaments, added twist, and wound the thread onto bobbins. The Auburn Prison agent solicited cocoons from silk farmers a…
Stella Blum Grant Research Article
The Iroquois Indian Groups, a series of six life-size dioramas intended to represent different aspects of Hodinǫhsǫ́:nih (Haudenosaunee, formerly referred to as Iroquois in previous literature) lifeways, were installed at the New York State Museum (NYSM) from 1906 to 1917. The museum’s chief archaeologist and Hodinǫhsǫ́:nih descendant, Arthur C. Parker, supervised the development of the dioramas, but they were in actuality the result of a collabo…
Style Narrative Geographies
Unconventional Fashion Archiving as Memory Work
Histories of Black women are often overlooked and excluded from conventional museums, study collections, and archives. This article presents two cases of unconventional fashion archival practices where Black women challenge conventions of documentation and preservation through collecting, making, and wearing clothing: (1) the home as a fashion archive and (2) archiving through making fashion. By challenging conventional archival practices, these …
Fashion and Cultural Textiles (4 works) · History (4 works) · Sociology (4 works) · Art (2 works) · Art history (2 works) · Engineering (2 works) · Ethnography (2 works) · History (2 works) · Philosophy (2 works) · Visual arts (2 works)