Hanna Vorholt
Biographic Data
| ID | 5044203 |
|---|---|
| NAME | Hanna Vorholt |
| GIVEN NAMES | Hanna |
| FAMILY NAME | Vorholt |
| SIGNATURE | VORHOLT H |
| AFFILIATIONS | Russian State Agrarian Correspondence University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 1 |
Looking Beyond Jerusalem
Critical image comparison is a widespread art-historical practice. This essay explores why a Brabantine artist encouraged viewers to exercise it in the late fifteenth century. At the time, northern European artists tested out how images could be means of transcending the visible world while simultaneously showcasing their very constructedness. The self-reflexivity that characterises such images has engendered a particularly rich field of art-hist…
Imagining Jerusalem in the Medieval West
Jerusalem was the object of intense study and devotion throughout the Middle Ages. This book illuminates ways in which the city was represented by Christians in Western Europe, from the 600s the 1500s. Focusing on maps in illuminated manuscripts and early printed books, it also considers views and architectural replicas, and treats depictions of the Temple and the Church of the Holy Sepulchre alongside those of Jerusalem as a whole. The chapters …
Touching the Tomb of Christ
Der „Guernica Cover-Up“ vom Februar 2003
Der „Guernica Cover-Up“ vom Februar 2003
Touching the Tomb of Christ
Imagining Jerusalem in the Medieval West
Jerusalem was the object of intense study and devotion throughout the Middle Ages. This book illuminates ways in which the city was represented by Christians in Western Europe, from the 600s the 1500s. Focusing on maps in illuminated manuscripts and early printed books, it also considers views and architectural replicas, and treats depictions of the Temple and the Church of the Holy Sepulchre alongside those of Jerusalem as a whole. The chapters …
Looking Beyond Jerusalem
Critical image comparison is a widespread art-historical practice. This essay explores why a Brabantine artist encouraged viewers to exercise it in the late fifteenth century. At the time, northern European artists tested out how images could be means of transcending the visible world while simultaneously showcasing their very constructedness. The self-reflexivity that characterises such images has engendered a particularly rich field of art-hist…
Art (4 works) · Archaeology and Historical Studies (3 works) · History (3 works) · Medieval History and Crusades (3 works) · Ancient history (2 works) · Archaeology (2 works) · Classics (2 works) · Computer Science (2 works) · Historical and Linguistic Studies (2 works) · Visual arts (2 works)