Audrey Linkman
Biographic Data
| ID | 5044699 |
|---|---|
| NAME | Audrey Linkman |
| GIVEN NAMES | Audrey |
| FAMILY NAME | Linkman |
| SIGNATURE | LINKMAN A |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1979 |
| LATEST PUBLICATION YEAR | 2006 |
| H-INDEX | 1 |
Taken from life
Only a tiny minority of the family photograph collections assembled in Britain between 1860 and 1910 includes post-mortem portraits. These could have been acquired through private commission by relatives of the deceased or purchased as part of the retail trade in commercial portraits of celebrities. The very small number of articles devoted to the subject in the photographic press confirms that photographers consciously attempted to portray the d…
The itinerant photographer in Britain 1850–1880
'For many years most of the early daguerreotypists were birds of passage frequently on the wing' according to John Werge, who began his lifelong photographic career as a daguerreotypist. Werge himself was 'driven to adopt the nomadic mode of life peculiar to the itinerant photographer'.1 His autobiographical account of the early years of photography records two excursions in the north of England early in the 1850s. Clearly, itinerancy was associa…
Recovering the People's Past
Audrey Linkman, Bill Williams; Recovering the People's Past: the archive rescue programme of Manchester Studies*, History Workshop Journal, Volume 8, Issue
Recovering the People's Past
Audrey Linkman, Bill Williams; Recovering the People's Past: the archive rescue programme of Manchester Studies*, History Workshop Journal, Volume 8, Issue
Recovering the People's Past
Audrey Linkman, Bill Williams; Recovering the People's Past: the archive rescue programme of Manchester Studies*, History Workshop Journal, Volume 8, Issue
The itinerant photographer in Britain 1850–1880
'For many years most of the early daguerreotypists were birds of passage frequently on the wing' according to John Werge, who began his lifelong photographic career as a daguerreotypist. Werge himself was 'driven to adopt the nomadic mode of life peculiar to the itinerant photographer'.1 His autobiographical account of the early years of photography records two excursions in the north of England early in the 1850s. Clearly, itinerancy was associa…
Taken from life
Only a tiny minority of the family photograph collections assembled in Britain between 1860 and 1910 includes post-mortem portraits. These could have been acquired through private commission by relatives of the deceased or purchased as part of the retail trade in commercial portraits of celebrities. The very small number of articles devoted to the subject in the photographic press confirms that photographers consciously attempted to portray the d…
Art (2 works) · Art history (2 works) · Data Analysis and Archiving (2 works) · History (2 works) · Visual arts (2 works) · Aesthetics (1 work) · Computer Science (1 work) · Digital and Traditional Archives Management (1 work) · Historical Art and Culture Studies (1 work) · Historical Psychiatry and Medical Practices (1 work)