Tobias Ålöw
Biographic Data
| ID | 5070932 |
|---|---|
| NAME | Tobias Ålöw |
| GIVEN NAMES | Tobias |
| FAMILY NAME | Ålöw |
| SIGNATURE | ÅLÖW T |
| AFFILIATIONS | University of Oslo |
| ORCID | 0000-0002-1424-4343 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
“Clawing at the Eyes of God”
This article analyzes the palimpsestuous interplay between the Book of Job and the cover-art of Slayer’s 2001 album, God Hates Us All . The album’s cover features digital manipulation of pages from the Book of Job, where certain biblical excerpts remain visible amidst a backdrop of blacked-out sections and overlaid with lyrics and annotations. This fusion lends Slayer’s lyrics a dual theological and exegetical dimension, encouraging listeners/rea…
Whose House? Revisiting the Referent of αὐτοῦ in Mark 2.15
The referent of αὐτοῦ in Mk 2.15 is grammatically ambiguous and remains a point of scholarly debate. Does Mark say that Jesus attended a banquet in Levi’s house, or that Jesus hosted one in his own home, with Levi and others as his guests? The current status quaestionis is basically undecided and timeworn arguments keep being rehearsed. Accordingly, this article attempts to move the conversation forward by revisiting some previously touched-upon …
Reverberations of Revelation
Though metal music forms part of the global reception history of John’s Apocalypse and influences the eschatological conceptions of millions of listeners, it has received limited attention in standard textbooks and previous studies. Drawing on L. Cushing Stahlberg’s analytical framework and terminology, this article examines the retellings of the book of Revelation in the lyrics of Metallica’s “The Four Horsemen,” Megadeth’s “Blessed be the Dead,…
Strack, Hermann L. och Paul Billerbeck, A Commentary on the New Testament from the Talmud & Midrash
Bibelvetenskaplig forskarutbildning i Sverige
Med utgångspunkt i Svenska Exegetiska Sällskapets Exegetiska Dagar 2022 diskuterar denna artikel forskarutbildning i bibelvetenskap i Sverige idag. Efter en kort rapport från konferensen redogör artikeln först för relevanta delar av de styrdokument som reglerar forskarutbildningen. Därefter jämförs de olika lärosätenas utformning av utbildningen (Enskilda högskolan Stockholm, Göteborgs universitet, Lunds universitet, Umeå universitet samt Uppsala…
Olmstead, Wesley G., Matthew 1–14
Brad, Embry, Herms Ronald och Archie T. Wright (red.), Early Jewish Literature
No prominent works on this page.
Olmstead, Wesley G., Matthew 1–14
Brad, Embry, Herms Ronald och Archie T. Wright (red.), Early Jewish Literature
Bibelvetenskaplig forskarutbildning i Sverige
Med utgångspunkt i Svenska Exegetiska Sällskapets Exegetiska Dagar 2022 diskuterar denna artikel forskarutbildning i bibelvetenskap i Sverige idag. Efter en kort rapport från konferensen redogör artikeln först för relevanta delar av de styrdokument som reglerar forskarutbildningen. Därefter jämförs de olika lärosätenas utformning av utbildningen (Enskilda högskolan Stockholm, Göteborgs universitet, Lunds universitet, Umeå universitet samt Uppsala…
Strack, Hermann L. och Paul Billerbeck, A Commentary on the New Testament from the Talmud & Midrash
Reverberations of Revelation
Though metal music forms part of the global reception history of John’s Apocalypse and influences the eschatological conceptions of millions of listeners, it has received limited attention in standard textbooks and previous studies. Drawing on L. Cushing Stahlberg’s analytical framework and terminology, this article examines the retellings of the book of Revelation in the lyrics of Metallica’s “The Four Horsemen,” Megadeth’s “Blessed be the Dead,…
“Clawing at the Eyes of God”
This article analyzes the palimpsestuous interplay between the Book of Job and the cover-art of Slayer’s 2001 album, God Hates Us All . The album’s cover features digital manipulation of pages from the Book of Job, where certain biblical excerpts remain visible amidst a backdrop of blacked-out sections and overlaid with lyrics and annotations. This fusion lends Slayer’s lyrics a dual theological and exegetical dimension, encouraging listeners/rea…
Whose House? Revisiting the Referent of αὐτοῦ in Mark 2.15
The referent of αὐτοῦ in Mk 2.15 is grammatically ambiguous and remains a point of scholarly debate. Does Mark say that Jesus attended a banquet in Levi’s house, or that Jesus hosted one in his own home, with Levi and others as his guests? The current status quaestionis is basically undecided and timeworn arguments keep being rehearsed. Accordingly, this article attempts to move the conversation forward by revisiting some previously touched-upon …
Biblical Studies and Interpretation (5 works) · Philosophy (4 works) · Judaism (3 works) · Art (2 works) · Historical and Linguistic Studies (2 works) · Historical Jesus (2 works) · History (2 works) · Theology (2 works) · Archaeology and Historical Studies (1 work) · Art history (1 work)