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Peter Manuel Peter Manuel

Biographic Data

ID5075527
NAMEPeter Manuel Peter Manuel
GIVEN NAMESPeter Manuel Peter
FAMILY NAMEManuel
SIGNATUREMANUEL P M P
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS1
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2009
LATEST PUBLICATION YEAR2009
H-INDEX1
  • La música y el Atlántico

    Peter Manuel, Peter Manuel Peter Manuel•ARTICLE•Latin American Music Review•2009

    Reviewed by: La música y el Atlántico: Relaciones musicales entre España y Latinoamérica Peter Manuel Edited by Maria Gembero Ustárroz and Emilio Ros-Fabregas. La música y el Atlántico: Relaciones musicales entre España y Latinoamérica [Music and the Atlantic: Musical Relations between Spain and Latin America]. Granada: The University of Granada. 2007. 605 pp. In La música y el Atlántico, editors María Gembero Ustárroz and Emilio Ros-Fabregas pre…

  • Diccionario enciclopédico de la música en Cuba (review)

    Peter Manuel, Peter Manuel Peter Manuel•ARTICLE•Latin American Music Review•2009

  • From Contradanza to Son

    Peter Manuel, Peter Manuel Peter Manuel•ARTICLE•Latin American Music Review•2009•Cited by: 1

    While it is often claimed that the Cuban son emerged from rural Oriente and "invaded" Havana in the early 20th century, serious Cuban musicologists have clarified that the true consolidation of the genre took place in Havana after around 1910–1920. Examination of 19th-century sources can help us trace with greater specificity the origins of the particular musical features that distinguished the traditional son. Editions and descriptions of 1850s–…

  • From Contradanza to Son

    Peter Manuel, Peter Manuel Peter Manuel•ARTICLE•Latin American Music Review•2009•Cited by: 1

    While it is often claimed that the Cuban son emerged from rural Oriente and "invaded" Havana in the early 20th century, serious Cuban musicologists have clarified that the true consolidation of the genre took place in Havana after around 1910–1920. Examination of 19th-century sources can help us trace with greater specificity the origins of the particular musical features that distinguished the traditional son. Editions and descriptions of 1850s–…

  • La música y el Atlántico

    Peter Manuel, Peter Manuel Peter Manuel•ARTICLE•Latin American Music Review•2009

    Reviewed by: La música y el Atlántico: Relaciones musicales entre España y Latinoamérica Peter Manuel Edited by Maria Gembero Ustárroz and Emilio Ros-Fabregas. La música y el Atlántico: Relaciones musicales entre España y Latinoamérica [Music and the Atlantic: Musical Relations between Spain and Latin America]. Granada: The University of Granada. 2007. 605 pp. In La música y el Atlántico, editors María Gembero Ustárroz and Emilio Ros-Fabregas pre…

  • Diccionario enciclopédico de la música en Cuba (review)

    Peter Manuel, Peter Manuel Peter Manuel•ARTICLE•Latin American Music Review•2009

  • From Contradanza to Son

    Peter Manuel, Peter Manuel Peter Manuel•ARTICLE•Latin American Music Review•2009•Cited by: 1

    While it is often claimed that the Cuban son emerged from rural Oriente and "invaded" Havana in the early 20th century, serious Cuban musicologists have clarified that the true consolidation of the genre took place in Havana after around 1910–1920. Examination of 19th-century sources can help us trace with greater specificity the origins of the particular musical features that distinguished the traditional son. Editions and descriptions of 1850s–…

Art (3 works) · Cuban History and Society (2 works) · History (2 works) · Humanities (2 works) · Literature (2 works) · Musical (2 works) · Philosophy (2 works) · Aesthetics (1 work) · Art history (1 work) · Baroque (1 work)

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