Gloria Medina-Sancho
Biographic Data
| ID | 5075601 |
|---|---|
| NAME | Gloria Medina-Sancho |
| GIVEN NAMES | Gloria |
| FAMILY NAME | Medina-Sancho |
| SIGNATURE | MEDINA-SANCHO G |
| VERIFIED | No |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 1 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 1 |
Spaces Recovered by Memory
The Chilean documentary Estadio Nacional (Carmen Luz Parot, 2001) conflates present and past by testifying, through different voices and images, to the National Stadium’s conversion into a concentration camp immediately after the September 11, 1973, coup d’état. Analysis of the way in which the stadium is critically revisited by victims of the dictatorship who were tortured there calls attention to the importance of the representation of space as…
Spaces Recovered by Memory
The Chilean documentary Estadio Nacional (Carmen Luz Parot, 2001) conflates present and past by testifying, through different voices and images, to the National Stadium’s conversion into a concentration camp immediately after the September 11, 1973, coup d’état. Analysis of the way in which the stadium is critically revisited by victims of the dictatorship who were tortured there calls attention to the importance of the representation of space as…
Spaces Recovered by Memory
The Chilean documentary Estadio Nacional (Carmen Luz Parot, 2001) conflates present and past by testifying, through different voices and images, to the National Stadium’s conversion into a concentration camp immediately after the September 11, 1973, coup d’état. Analysis of the way in which the stadium is critically revisited by victims of the dictatorship who were tortured there calls attention to the importance of the representation of space as…
Memory, Trauma, and Commemoration (1 work) · Political science (1 work)