Muhammad Afaf Hasyimy
Biographic Data
| ID | 5078878 |
|---|---|
| NAME | Muhammad Afaf Hasyimy |
| GIVEN NAMES | Muhammad Afaf |
| FAMILY NAME | Hasyimy |
| SIGNATURE | HASYIMY M A |
| AFFILIATIONS | Srinakharinwirot University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Commodification of Kecak Ramayana as Tourism Art in Melasti Beach, Ungasan Village, District of Kuta Selatan, Badung, Bali
This research examines the integration of Kecak Ramayana into Balinese traditional tourism art, focusing on the tourism art industry in the Beach of Melasti, Ungasan, Bali. The central theme explores the commodification of art’s role in attracting tourists and enhancing their imaginative experiences, delving into its impact on the ritual values and spiritual aspects of Kecak Ramayana. Utilizing a qualitative approach with interviews, observation …
Aesthetical Transformation of Ramayana Performing Arts in Indonesia and Thailand
Over the years, the methods of preserving traditional performing arts have undergone a transformation in many states of Southeast Asia. In that, the performing art societies in Indonesia and Thailand have also made a shift in their conservation strategy from organizing the performing arts as a sacred rite with few participants to massive shows to entertain bigger audiences. This research intended to review the role of Maecenas (art protector) in …
The Aesthetics of the Hanoman Character in the Performing Arts of the Indonesia-Thailand Ramayana Stories
This article explains the aesthetics of the Hanoman character in the performing arts of the Indonesia-Thailand Ramayana stories. Ramayana stories are written by Valmiki from India, and Hanoman is described as a “white monkey” in these stories. Indonesia and Thailand are two states in Southeast Asia where the characters in the Ramayana stories undergo the so-called adaptation process. Hanoman is one of the characters. Therefore, the objective of t…
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Aesthetical Transformation of Ramayana Performing Arts in Indonesia and Thailand
Over the years, the methods of preserving traditional performing arts have undergone a transformation in many states of Southeast Asia. In that, the performing art societies in Indonesia and Thailand have also made a shift in their conservation strategy from organizing the performing arts as a sacred rite with few participants to massive shows to entertain bigger audiences. This research intended to review the role of Maecenas (art protector) in …
The Aesthetics of the Hanoman Character in the Performing Arts of the Indonesia-Thailand Ramayana Stories
This article explains the aesthetics of the Hanoman character in the performing arts of the Indonesia-Thailand Ramayana stories. Ramayana stories are written by Valmiki from India, and Hanoman is described as a “white monkey” in these stories. Indonesia and Thailand are two states in Southeast Asia where the characters in the Ramayana stories undergo the so-called adaptation process. Hanoman is one of the characters. Therefore, the objective of t…
Commodification of Kecak Ramayana as Tourism Art in Melasti Beach, Ungasan Village, District of Kuta Selatan, Badung, Bali
This research examines the integration of Kecak Ramayana into Balinese traditional tourism art, focusing on the tourism art industry in the Beach of Melasti, Ungasan, Bali. The central theme explores the commodification of art’s role in attracting tourists and enhancing their imaginative experiences, delving into its impact on the ritual values and spiritual aspects of Kecak Ramayana. Utilizing a qualitative approach with interviews, observation …
Cultural and Artistic Studies (3 works) · Archaeology (2 works) · Art (2 works) · Community-based Tourism Development and Sustainability (2 works) · The arts (2 works) · Tourism (2 works) · Visual arts (2 works) · Aesthetics (1 work) · Child Development and Education (1 work) · Commodification (1 work)