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Lewis Rarm

Biographic Data

ID5079128
NAMELewis Rarm
GIVEN NAMESLewis
FAMILY NAMERarm
SIGNATURERARM L
AFFILIATIONSVictoria University of Wellington
ORCID0000-0002-2594-2999
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS0
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2023
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Compliance, innocence, resistance

    Open Access•Lewis Rarm•ARTICLE•Crime Media Culture An…•2026

    The use of bodyworn cameras (BWCs) by police has intensified in the last decade. Commonsense understandings of BWCs see them as objectifying relations with the public such that the behavior of both police and citizens is mitigated. Research on their use, however, has netted varying results, ranging from reductions in police and public misconduct, to no change at all. While the availability of police BWC footage on YouTube appears to provide publi…

  • The discourse of terror

    Open Access•Lewis Rarm, Alisa Ikenaga•ARTICLE•Critical Studies on Terrorism•2024•References: 20

    The discursive construction of terrorism in the media allows and limits possible policy responses. These constructions help set the precedent for modes of intervention and regularisation by the state by locating potential terrorists within the logic of security. Such a logic was a trademark of the so-called War on Terror and continues to be deployed around the world. This article examines the normative carceral discourse at play in the constructi…

  • AANZCA2023 conference special issue

    Open Access•Lewis Rarm, Valerie A Cooper•ARTICLE•Media International Australia•2024•References: 3

    The Māori whakataukī, ‘ka mura, ka muri’ loosely translates as ‘walk backward into the future’ (This whakataukī is derived from a longer version: ‘Kia whakatōmuri te haere whakamua’ which translates to ‘I walk backwards into the future with my eyes fixed on my past’). It foregrounds a Māori perspective on time where the past is in front of us and can be observed and interpreted as we walk backwards into an unseen and uncertain future. This whakat…

  • Terror

    Open Access•Lewis Rarm•ARTICLE•Continuum•2023•References: 7

    To what extent can the immediacy of live-streaming bring distant spectators into proximity with an event?In an article analysing the aesthetico-political stakes of terrorist-produced media, Lilie Chouliaraki and Andreas Kissas, drawing from Adriana Cavarero, differentiate between terrorism and horrorism in digitally mediated contexts: terror(ism) 'is associated with proximity and addresses the eyewitness of violent death, horror is associated wit…

No prominent works on this page.

  • Terror

    Open Access•Lewis Rarm•ARTICLE•Continuum•2023•References: 7

    To what extent can the immediacy of live-streaming bring distant spectators into proximity with an event?In an article analysing the aesthetico-political stakes of terrorist-produced media, Lilie Chouliaraki and Andreas Kissas, drawing from Adriana Cavarero, differentiate between terrorism and horrorism in digitally mediated contexts: terror(ism) 'is associated with proximity and addresses the eyewitness of violent death, horror is associated wit…

  • The discourse of terror

    Open Access•Lewis Rarm, Alisa Ikenaga•ARTICLE•Critical Studies on Terrorism•2024•References: 20

    The discursive construction of terrorism in the media allows and limits possible policy responses. These constructions help set the precedent for modes of intervention and regularisation by the state by locating potential terrorists within the logic of security. Such a logic was a trademark of the so-called War on Terror and continues to be deployed around the world. This article examines the normative carceral discourse at play in the constructi…

  • AANZCA2023 conference special issue

    Open Access•Lewis Rarm, Valerie A Cooper•ARTICLE•Media International Australia•2024•References: 3

    The Māori whakataukī, ‘ka mura, ka muri’ loosely translates as ‘walk backward into the future’ (This whakataukī is derived from a longer version: ‘Kia whakatōmuri te haere whakamua’ which translates to ‘I walk backwards into the future with my eyes fixed on my past’). It foregrounds a Māori perspective on time where the past is in front of us and can be observed and interpreted as we walk backwards into an unseen and uncertain future. This whakat…

  • Compliance, innocence, resistance

    Open Access•Lewis Rarm•ARTICLE•Crime Media Culture An…•2026

    The use of bodyworn cameras (BWCs) by police has intensified in the last decade. Commonsense understandings of BWCs see them as objectifying relations with the public such that the behavior of both police and citizens is mitigated. Research on their use, however, has netted varying results, ranging from reductions in police and public misconduct, to no change at all. While the availability of police BWC footage on YouTube appears to provide publi…

Political science (3 works) · Law (2 works) · Media studies (2 works) · Policing Practices and Perceptions (2 works) · Sociology (2 works) · Affect (linguistics) (1 work) · Aotearoa (1 work) · Criminology (1 work) · Cultural Heritage Management and Preservation (1 work) · Economics (1 work)

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