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HUGH STEVENS

Biographic Data

ID5079460
NAMEHUGH STEVENS
GIVEN NAMESHUGH
FAMILY NAMESTEVENS
SIGNATURESTEVENS H
AFFILIATIONSUniversity of York
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS0
WORKS AS AUTHOR10
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1998
LATEST PUBLICATION YEAR2018
H-INDEX0
  • Sexual Politics Revisited

    HUGH STEVENS•ARTICLE•Women a Cultural Review•2018

    Kate Millett first became interested in the women's movement in the winter of 1964–5. In 1968, she gave a paper called ‘Sexual Politics’ at Cornell, and by 1970 that paper had become her doctoral d

  • From Genesis to the Ring

    HUGH STEVENS•ARTICLE•Textual Practice•2014

    This article explores connections between D.H. Lawrence's 1915 novel The Rainbow and Richard Wagner's music drama The Ring of the Nibelung. It argues that Ursula, the novel's third-generational Brangwen, turns from Christianity to a comparative mythology that merges Christian, Hellenic, and Germanic tales of creation, destruction, and renewal. It suggests that the apocalyptic scenes of the novel's closing chapter draw both from the tetralogy as a…

  • Gay Male Fiction Since Stonewall

    HUGH STEVENS•ARTICLE•Women a Cultural Review•2012

  • The Handbook of Crisis Communication

    Open Access•HUGH STEVENS, W Timothy Coombs et al.•BOOK•The Handbook of Crisis…•2010

  • Dissident Voices

    HUGH STEVENS•ARTICLE•Women a Cultural Review•2006

  • Love and Hate in D. H. Lawrence

    Open Access•HUGH STEVENS•ARTICLE•Men and Masculinities•2002•References: 1

    Focusing on D. H. Lawrence's reaction to gay upper-class figures such as John Maynard Keynes, and his awkward relation to the writer John Middleton Murry, the article seeks to unravel the ostensibly “queer” or homoerotic aspects of Lawrence's writing by analyzing the ambivalent closeness of love and hate in his representations of male same-sex relationships. At the same time as his homophobic outbursts often exhibit the qualities of a homoerotic …

  • Writing Men

    HUGH STEVENS, Berthold Schoene et al.•ARTICLE•South Atlantic Review•2001

    In Writing Men, Berthold Schoene-Harwood develops a trajectory of masculine emancipation from the monstrous imagery of nineteenth-century fiction to contemporary men writers' experimental new discourse of ecriture masculine. Looking at 13 individual case studies, Schoene-Harwood outlines the historical development of literary representations of masculinity from Mary Shelley's Frankenstein to Ian McEwan's The Child in Time. Subdivided into four pa…

  • Art and the Risks of Intimacy

    Linda Simon, Lyndall Gordon et al.•ARTICLE•The New England Quarterly•1999

  • Queer Henry In the Cage

    Open Access•HUGH STEVENS•CHAPTER•The Cambridge companion to Henry…•1998

    Who is queer Henry, and how might he be described? The story of Henry James's sexuality has certainly held us sufficiently breathless round the fire, yet it remains as elusive and difficult (and as compelling and disturbing) as James's own Turn of the Screw, This tale's first (fictional) auditors aired what were to become unresolvable critical dilemmas even before they had heard the tale

  • The Cambridge Companion to Henry James

    Open Access•Martha Banta, Frances Wilson et al.•BOOK•The Cambridge companion to Henry…•1998

    The Cambridge Companion to Henry James provides a critical introduction to James's work. Throughout the major critical shifts of the last fifty years, and despite suspicions of the traditional high literary culture which was James's milieu, he has retained a powerful hold on readers and critics alike. All essays are written at a level free from technical jargon, designed to promote accessibility to the study of James and his work

No prominent works on this page.

  • Queer Henry In the Cage

    Open Access•HUGH STEVENS•CHAPTER•The Cambridge companion to Henry…•1998

    Who is queer Henry, and how might he be described? The story of Henry James's sexuality has certainly held us sufficiently breathless round the fire, yet it remains as elusive and difficult (and as compelling and disturbing) as James's own Turn of the Screw, This tale's first (fictional) auditors aired what were to become unresolvable critical dilemmas even before they had heard the tale

  • The Cambridge Companion to Henry James

    Open Access•Martha Banta, Frances Wilson et al.•BOOK•The Cambridge companion to Henry…•1998

    The Cambridge Companion to Henry James provides a critical introduction to James's work. Throughout the major critical shifts of the last fifty years, and despite suspicions of the traditional high literary culture which was James's milieu, he has retained a powerful hold on readers and critics alike. All essays are written at a level free from technical jargon, designed to promote accessibility to the study of James and his work

  • Art and the Risks of Intimacy

    Linda Simon, Lyndall Gordon et al.•ARTICLE•The New England Quarterly•1999

  • Writing Men

    HUGH STEVENS, Berthold Schoene et al.•ARTICLE•South Atlantic Review•2001

    In Writing Men, Berthold Schoene-Harwood develops a trajectory of masculine emancipation from the monstrous imagery of nineteenth-century fiction to contemporary men writers' experimental new discourse of ecriture masculine. Looking at 13 individual case studies, Schoene-Harwood outlines the historical development of literary representations of masculinity from Mary Shelley's Frankenstein to Ian McEwan's The Child in Time. Subdivided into four pa…

  • Love and Hate in D. H. Lawrence

    Open Access•HUGH STEVENS•ARTICLE•Men and Masculinities•2002•References: 1

    Focusing on D. H. Lawrence's reaction to gay upper-class figures such as John Maynard Keynes, and his awkward relation to the writer John Middleton Murry, the article seeks to unravel the ostensibly “queer” or homoerotic aspects of Lawrence's writing by analyzing the ambivalent closeness of love and hate in his representations of male same-sex relationships. At the same time as his homophobic outbursts often exhibit the qualities of a homoerotic …

  • Dissident Voices

    HUGH STEVENS•ARTICLE•Women a Cultural Review•2006

  • The Handbook of Crisis Communication

    Open Access•HUGH STEVENS, W Timothy Coombs et al.•BOOK•The Handbook of Crisis…•2010

  • Gay Male Fiction Since Stonewall

    HUGH STEVENS•ARTICLE•Women a Cultural Review•2012

  • From Genesis to the Ring

    HUGH STEVENS•ARTICLE•Textual Practice•2014

    This article explores connections between D.H. Lawrence's 1915 novel The Rainbow and Richard Wagner's music drama The Ring of the Nibelung. It argues that Ursula, the novel's third-generational Brangwen, turns from Christianity to a comparative mythology that merges Christian, Hellenic, and Germanic tales of creation, destruction, and renewal. It suggests that the apocalyptic scenes of the novel's closing chapter draw both from the tetralogy as a…

  • Sexual Politics Revisited

    HUGH STEVENS•ARTICLE•Women a Cultural Review•2018

    Kate Millett first became interested in the women's movement in the winter of 1964–5. In 1968, she gave a paper called ‘Sexual Politics’ at Cornell, and by 1970 that paper had become her doctoral d

Art (6 works) · History (4 works) · Political science (4 works) · Sociology (4 works) · Gender Studies (3 works) · Literature (3 works) · Psychology (3 works) · Aesthetics (2 works) · Art history (2 works) · Computer Science (2 works)

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