HUGH STEVENS
Biographic Data
| ID | 5079460 |
|---|---|
| NAME | HUGH STEVENS |
| GIVEN NAMES | HUGH |
| FAMILY NAME | STEVENS |
| SIGNATURE | STEVENS H |
| AFFILIATIONS | University of York |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1998 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 0 |
Sexual Politics Revisited
Kate Millett first became interested in the women's movement in the winter of 1964–5. In 1968, she gave a paper called ‘Sexual Politics’ at Cornell, and by 1970 that paper had become her doctoral d
From Genesis to the Ring
This article explores connections between D.H. Lawrence's 1915 novel The Rainbow and Richard Wagner's music drama The Ring of the Nibelung. It argues that Ursula, the novel's third-generational Brangwen, turns from Christianity to a comparative mythology that merges Christian, Hellenic, and Germanic tales of creation, destruction, and renewal. It suggests that the apocalyptic scenes of the novel's closing chapter draw both from the tetralogy as a…
Gay Male Fiction Since Stonewall
The Handbook of Crisis Communication
Dissident Voices
Love and Hate in D. H. Lawrence
Focusing on D. H. Lawrence's reaction to gay upper-class figures such as John Maynard Keynes, and his awkward relation to the writer John Middleton Murry, the article seeks to unravel the ostensibly “queer” or homoerotic aspects of Lawrence's writing by analyzing the ambivalent closeness of love and hate in his representations of male same-sex relationships. At the same time as his homophobic outbursts often exhibit the qualities of a homoerotic …
Writing Men
In Writing Men, Berthold Schoene-Harwood develops a trajectory of masculine emancipation from the monstrous imagery of nineteenth-century fiction to contemporary men writers' experimental new discourse of ecriture masculine. Looking at 13 individual case studies, Schoene-Harwood outlines the historical development of literary representations of masculinity from Mary Shelley's Frankenstein to Ian McEwan's The Child in Time. Subdivided into four pa…
Art and the Risks of Intimacy
Queer Henry In the Cage
Who is queer Henry, and how might he be described? The story of Henry James's sexuality has certainly held us sufficiently breathless round the fire, yet it remains as elusive and difficult (and as compelling and disturbing) as James's own Turn of the Screw, This tale's first (fictional) auditors aired what were to become unresolvable critical dilemmas even before they had heard the tale
The Cambridge Companion to Henry James
The Cambridge Companion to Henry James provides a critical introduction to James's work. Throughout the major critical shifts of the last fifty years, and despite suspicions of the traditional high literary culture which was James's milieu, he has retained a powerful hold on readers and critics alike. All essays are written at a level free from technical jargon, designed to promote accessibility to the study of James and his work
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Queer Henry In the Cage
Who is queer Henry, and how might he be described? The story of Henry James's sexuality has certainly held us sufficiently breathless round the fire, yet it remains as elusive and difficult (and as compelling and disturbing) as James's own Turn of the Screw, This tale's first (fictional) auditors aired what were to become unresolvable critical dilemmas even before they had heard the tale
The Cambridge Companion to Henry James
The Cambridge Companion to Henry James provides a critical introduction to James's work. Throughout the major critical shifts of the last fifty years, and despite suspicions of the traditional high literary culture which was James's milieu, he has retained a powerful hold on readers and critics alike. All essays are written at a level free from technical jargon, designed to promote accessibility to the study of James and his work
Art and the Risks of Intimacy
Writing Men
In Writing Men, Berthold Schoene-Harwood develops a trajectory of masculine emancipation from the monstrous imagery of nineteenth-century fiction to contemporary men writers' experimental new discourse of ecriture masculine. Looking at 13 individual case studies, Schoene-Harwood outlines the historical development of literary representations of masculinity from Mary Shelley's Frankenstein to Ian McEwan's The Child in Time. Subdivided into four pa…
Love and Hate in D. H. Lawrence
Focusing on D. H. Lawrence's reaction to gay upper-class figures such as John Maynard Keynes, and his awkward relation to the writer John Middleton Murry, the article seeks to unravel the ostensibly “queer” or homoerotic aspects of Lawrence's writing by analyzing the ambivalent closeness of love and hate in his representations of male same-sex relationships. At the same time as his homophobic outbursts often exhibit the qualities of a homoerotic …
Dissident Voices
The Handbook of Crisis Communication
Gay Male Fiction Since Stonewall
From Genesis to the Ring
This article explores connections between D.H. Lawrence's 1915 novel The Rainbow and Richard Wagner's music drama The Ring of the Nibelung. It argues that Ursula, the novel's third-generational Brangwen, turns from Christianity to a comparative mythology that merges Christian, Hellenic, and Germanic tales of creation, destruction, and renewal. It suggests that the apocalyptic scenes of the novel's closing chapter draw both from the tetralogy as a…
Sexual Politics Revisited
Kate Millett first became interested in the women's movement in the winter of 1964–5. In 1968, she gave a paper called ‘Sexual Politics’ at Cornell, and by 1970 that paper had become her doctoral d
Art (6 works) · History (4 works) · Political science (4 works) · Sociology (4 works) · Gender Studies (3 works) · Literature (3 works) · Psychology (3 works) · Aesthetics (2 works) · Art history (2 works) · Computer Science (2 works)