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Maria Rika Maniates

Biographic Data

ID5082872
NAMEMaria Rika Maniates
GIVEN NAMESMaria Rika
FAMILY NAMEManiates
SIGNATUREMANIATES M R
AFFILIATIONSUniversity of Toronto
VERIFIEDNo
TOTAL WORKS15
TOTAL CITATIONS4
AUTHOR COUNT15
EDITOR COUNT0
FIRST PUBLICATION YEAR1966
LATEST PUBLICATION YEAR2017
H-INDEX1
  • The Other Feminists

    Susan M Hartmann, Maria Rika Maniates et al.•BOOK•Other Feminists•2017

    This intriguing book enriches our understanding of the women’s movement in the United States by showing how feminists captured a place for their goals on the agendas of four male-dominated liberal organizations in the 1960s and 1970s: the American Civil Liberties Union, the National Council of Churches, the Ford Foundation, and the International Union of Electrical Workers. Susan M. Hartmann examines the efforts of women and men who had few ties …

  • Humanism in Italian Renaissance Musical Thought

    Claude V Palisca, Maria Rika Maniates•ARTICLE•Renaissance and Reformation•2009

    Elizabethan law, courtesy and behavior handbooks, and fine distinctions between professional terms.Unfortunately, her coordination of articles written over decades is occasionally arbitrary, as Ranald struggles to integrate materials as diverse as imagery in tragedy, "plaints" in Lucrèce, and the nature of powerlessness.Inevitably, an imbalance occurs, for Part One occupies almost half the text, moving eclectically through the comedies, especiall…

  • The Politicized Muse: Music for Medici Festivals, 1512-1537

    Anthony M Cummings, Maria Rika Maniates•ARTICLE•Renaissance and Reformation•2009

    In many respects an impressive study, in others this book disappoints the reader.The treatment of extant music offers Httle that is not known to the speciahst or available elsewhere to the non-specialist.Cummings' work helps music historians understand the relative importance of visual as opposed to musical elements in the festivals.However, the uneven treatment of the actual music creates a pitfall for the unwary: it falls short of meticulous "s…

  • Quodlibet

    Maria Rika Maniates, Peter Branscombe et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Ancient Music Adapted to Modern Practice

    Open Access•Stefano Mengozzi, Nicola Vicentino et al.•ARTICLE•Notes•1997

  • The Reception of New Music Today: A Response

    Maria Rika Maniates•ARTICLE•New Literary History•1986

    rovic raises many provocative questions about the generally negative response to contemporary He thus addresses the major reception problem in our century.1 Although modern technology has the capability of disseminating music to everyone, it is not astonishing that these gadgets should fail to make everyone receptive to contemporary Glenn Gould's idealism notwithstanding,2 this technology seems to foster not the active listening to which Velimiro…

  • Cultura e società nel Rinascimento tra riforme e manierismi

    Open Access•Maria Rika Maniates•ARTICLE•Renaissance Quarterly•1985

    Vittore Branca and Carlo Ossola, ed. Cultura e società nel Rinascimento tra riforme e manierismi. (Civiltà Veneziana; Saggi, 32). Firenze: Leo S. Olschki Editore, 1984. 123 pls. + xiv + 530 pp. L.85,000. - Volume 38 Issue 3

  • Music and Civilization: Essays in Honor of Paul Henry Lang

    Open Access•Mark Germer, Edmond Strainchamps et al.•ARTICLE•Notes•1985•Cited by: 4

  • Musicology in Canada 1963-1979

    Maria Rika Maniates•ARTICLE•Acta Musicologica•1981

  • Josquin des Prez: Proceedings of the International Josquin Festival-Conference held at the Juillard School at Lincoln Center in New York City, 21-25 June 1971

    Open Access•Maria Rika Maniates•ARTICLE•Renaissance Quarterly•1978

    Edward E. Lowinsky, ed., in collaboration with Bonnie J. Blackburn. Josquin des Prez: Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, 1976. 787 pp.; 3 seven-inch discs. $55. - Volume 31 Issue 2

  • Francisco Correa de Arauxo

    Charles Jacobs, Maria Rika Maniates•ARTICLE•Renaissance and Reformation•1969

    Scant biographical information comes down to us on Francisco Correa de Arauxo. Such as it is, it proceeds from two principal sources, the composer’s monumental Facultad Orgainica and a lawsuit in which he was involved, in 1630

  • Mannerism in Italian Music and Culture

    Maria Rika Maniates, J Evan Kreider•ARTICLE•Renaissance and Reformation•1969

  • Musical Treatises in the Renaissance

    Maria Rika Maniates•ARTICLE•Renaissance and Reformation•1969

  • The Age of Humanism, 1540-1630

    Gerald Abraham, Maria Rika Maniates•ARTICLE•Renaissance and Reformation•1969

    For the Renaissance scholar, the fourth volume of the NOH offers a mixed bag of highly polished gems and somewhat flawed stones.Perhaps this state of affairs is inevitable in a project that involves different contributors whose articles vary in quality.The editor ad- mits to a considerable gap (in some cases as much as 16 years!) between the preparation of the book and its publication.As a result, some of the articles are severely limited in that…

  • Quodlibet Revisum

    Maria Rika Maniates•ARTICLE•Acta Musicologica•1966

  • Music and Civilization: Essays in Honor of Paul Henry Lang

    Open Access•Mark Germer, Edmond Strainchamps et al.•ARTICLE•Notes•1985•Cited by: 4

  • Quodlibet Revisum

    Maria Rika Maniates•ARTICLE•Acta Musicologica•1966

  • Francisco Correa de Arauxo

    Charles Jacobs, Maria Rika Maniates•ARTICLE•Renaissance and Reformation•1969

    Scant biographical information comes down to us on Francisco Correa de Arauxo. Such as it is, it proceeds from two principal sources, the composer’s monumental Facultad Orgainica and a lawsuit in which he was involved, in 1630

  • Mannerism in Italian Music and Culture

    Maria Rika Maniates, J Evan Kreider•ARTICLE•Renaissance and Reformation•1969

  • Musical Treatises in the Renaissance

    Maria Rika Maniates•ARTICLE•Renaissance and Reformation•1969

  • The Age of Humanism, 1540-1630

    Gerald Abraham, Maria Rika Maniates•ARTICLE•Renaissance and Reformation•1969

    For the Renaissance scholar, the fourth volume of the NOH offers a mixed bag of highly polished gems and somewhat flawed stones.Perhaps this state of affairs is inevitable in a project that involves different contributors whose articles vary in quality.The editor ad- mits to a considerable gap (in some cases as much as 16 years!) between the preparation of the book and its publication.As a result, some of the articles are severely limited in that…

  • Josquin des Prez: Proceedings of the International Josquin Festival-Conference held at the Juillard School at Lincoln Center in New York City, 21-25 June 1971

    Open Access•Maria Rika Maniates•ARTICLE•Renaissance Quarterly•1978

    Edward E. Lowinsky, ed., in collaboration with Bonnie J. Blackburn. Josquin des Prez: Proceedings of the International Josquin Festival-Conference held at the Juilliard School at Lincoln Center in New York City, 21-25 June 1971. London: Oxford University Press, 1976. 787 pp.; 3 seven-inch discs. $55. - Volume 31 Issue 2

  • Musicology in Canada 1963-1979

    Maria Rika Maniates•ARTICLE•Acta Musicologica•1981

  • Cultura e società nel Rinascimento tra riforme e manierismi

    Open Access•Maria Rika Maniates•ARTICLE•Renaissance Quarterly•1985

    Vittore Branca and Carlo Ossola, ed. Cultura e società nel Rinascimento tra riforme e manierismi. (Civiltà Veneziana; Saggi, 32). Firenze: Leo S. Olschki Editore, 1984. 123 pls. + xiv + 530 pp. L.85,000. - Volume 38 Issue 3

  • Music and Civilization: Essays in Honor of Paul Henry Lang

    Open Access•Mark Germer, Edmond Strainchamps et al.•ARTICLE•Notes•1985•Cited by: 4

  • The Reception of New Music Today: A Response

    Maria Rika Maniates•ARTICLE•New Literary History•1986

    rovic raises many provocative questions about the generally negative response to contemporary He thus addresses the major reception problem in our century.1 Although modern technology has the capability of disseminating music to everyone, it is not astonishing that these gadgets should fail to make everyone receptive to contemporary Glenn Gould's idealism notwithstanding,2 this technology seems to foster not the active listening to which Velimiro…

  • Ancient Music Adapted to Modern Practice

    Open Access•Stefano Mengozzi, Nicola Vicentino et al.•ARTICLE•Notes•1997

  • Quodlibet

    Maria Rika Maniates, Peter Branscombe et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Humanism in Italian Renaissance Musical Thought

    Claude V Palisca, Maria Rika Maniates•ARTICLE•Renaissance and Reformation•2009

    Elizabethan law, courtesy and behavior handbooks, and fine distinctions between professional terms.Unfortunately, her coordination of articles written over decades is occasionally arbitrary, as Ranald struggles to integrate materials as diverse as imagery in tragedy, "plaints" in Lucrèce, and the nature of powerlessness.Inevitably, an imbalance occurs, for Part One occupies almost half the text, moving eclectically through the comedies, especiall…

  • The Politicized Muse: Music for Medici Festivals, 1512-1537

    Anthony M Cummings, Maria Rika Maniates•ARTICLE•Renaissance and Reformation•2009

    In many respects an impressive study, in others this book disappoints the reader.The treatment of extant music offers Httle that is not known to the speciahst or available elsewhere to the non-specialist.Cummings' work helps music historians understand the relative importance of visual as opposed to musical elements in the festivals.However, the uneven treatment of the actual music creates a pitfall for the unwary: it falls short of meticulous "s…

  • The Other Feminists

    Susan M Hartmann, Maria Rika Maniates et al.•BOOK•Other Feminists•2017

    This intriguing book enriches our understanding of the women’s movement in the United States by showing how feminists captured a place for their goals on the agendas of four male-dominated liberal organizations in the 1960s and 1970s: the American Civil Liberties Union, the National Council of Churches, the Ford Foundation, and the International Union of Electrical Workers. Susan M. Hartmann examines the efforts of women and men who had few ties …

Art (13 works) · Musicology and Musical Analysis (9 works) · Art history (5 works) · Diverse Musicological Studies (5 works) · History (5 works) · Computer Science (4 works) · Literature (4 works) · Visual arts (4 works) · Historical Influence and Diplomacy (3 works) · History (3 works)

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