Ann-Marie Einhaus
Biographic Data
| ID | 5084326 |
|---|---|
| NAME | Ann-Marie Einhaus |
| GIVEN NAMES | Ann-Marie |
| FAMILY NAME | Einhaus |
| SIGNATURE | EINHAUS A |
| AFFILIATIONS | Northumbria University |
| ORCID | 0000-0002-1401-2892 |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Introduction: Ephemera, war, and the humanities
This introduction lays out the case for Humanities scholars approaching the study of modern war through the lens of ephemera. Noting a range of pertinent scholarship published in the last two decades that draws on ephemera as sources, it explores the twentieth century as a coinciding of mass-produced ephemera and mass-participation warfare that generated its own ephemera in vast numbers. The special issue editors argue that by expanding our defin…
Introduction: Teaching the First World War for the Twenty-First Century – Pedagogies in Dialogue
The centenary of the First World War offered unprecedented opportunities for academics to engage with each other and the public. In symposiums, conferences, talks, and publications across the globe
Challenging the Colonial Archive of Conflict in Kamila Shamsie’s A God in Every Stone
This article reads Kamila Shamsie’s novel A God in Every Stone (2014) as postcolonial historical fiction that seeks to question and complicate colonial archives of conflict – specifically, the British archives documenting the experiences of Indian sepoys in the First World War and inter-war colonial conflict in the Punjab. Taking my cue from the work of scholars such as Karin Barber, Santanu Das and others, I show the value of reading the novel w…
‘All I have are fragments’: Ephemera and cultural memory in contemporary historical fiction about the First World War
More than a century after its end, the First World War continues to loom large in cultural memory, particularly in contemporary fiction in the United Kingdom but also elsewhere. However, both commemorative practice and literary representation remain overwhelmingly dominated by a narrowly conceived narrative of the war as fought by white, middle-class men on the Western Front. This article explores the role played by ephemera – defined broadly as …
Writers and Intellectuals on Britain and Europe, 1918-2018: An Introduction
Introducing a Special Collection focused on exploring the engagement of artists, writers and intellectuals with Britain’s relationship to Europe, this short essay reflects on common strands and recurring themes in such engagement across a turbulent century. It draws out parallels between three time periods covered by articles included in the collection: the inter-war period, the immediate aftermath of the Second World War, and the period from the…
Horizon Magazine and European Culture, 1940–1945
For the first four and a half years of its life, from 1940 to 1945, Cyril Connolly’s cosmopolitan, British-based magazine Horizon operated under wartime conditions. This not only entailed dealing with shortages of paper and the absence of many potential domestic contributors on active service, but also difficulties obtaining new material from abroad and engaging in exchange with foreign periodicals. Yet during its wartime existence, Horizon never…
The Edinburgh Companion to the First World War and the Arts
A new exploration of literary and artistic responses to WW1 from 1914 to the present This authoritative reference work examines literary and artistic responses to the war’s upheavals across a wide range of media and genres, from poetry to pamphlets, sculpture to television documentary, and requiems to war reporting. Rather than looking at particular forms of artistic expression in isolation and focusing only on the war and inter-war period, the 2…
Women's War Poetry Revisited
The First World War centenary has already sparked lively engagement with the poetry of the conflict: major conferences and new online resources, such as the English Association's Discover War Poets
Modernism, Truth, and the Canon of First World War Literature
The First World War is a prominent point of convergence for modernist studies and early twentieth-century cultural studies. Both disciplines have scrutinised the impact of the First World War on literary and cultural production, with an increasing willingness to extend their scope to hitherto neglected sources. The academic canon was subject to an ongoing process of revision begun by feminist, queer and Marxist critics in the 1980s. In the wake o…
Horizon Magazine and European Culture, 1940–1945
For the first four and a half years of its life, from 1940 to 1945, Cyril Connolly’s cosmopolitan, British-based magazine Horizon operated under wartime conditions. This not only entailed dealing with shortages of paper and the absence of many potential domestic contributors on active service, but also difficulties obtaining new material from abroad and engaging in exchange with foreign periodicals. Yet during its wartime existence, Horizon never…
Modernism, Truth, and the Canon of First World War Literature
The First World War is a prominent point of convergence for modernist studies and early twentieth-century cultural studies. Both disciplines have scrutinised the impact of the First World War on literary and cultural production, with an increasing willingness to extend their scope to hitherto neglected sources. The academic canon was subject to an ongoing process of revision begun by feminist, queer and Marxist critics in the 1980s. In the wake o…
Modernism, Truth, and the Canon of First World War Literature
The First World War is a prominent point of convergence for modernist studies and early twentieth-century cultural studies. Both disciplines have scrutinised the impact of the First World War on literary and cultural production, with an increasing willingness to extend their scope to hitherto neglected sources. The academic canon was subject to an ongoing process of revision begun by feminist, queer and Marxist critics in the 1980s. In the wake o…
Women's War Poetry Revisited
The First World War centenary has already sparked lively engagement with the poetry of the conflict: major conferences and new online resources, such as the English Association's Discover War Poets
The Edinburgh Companion to the First World War and the Arts
A new exploration of literary and artistic responses to WW1 from 1914 to the present This authoritative reference work examines literary and artistic responses to the war’s upheavals across a wide range of media and genres, from poetry to pamphlets, sculpture to television documentary, and requiems to war reporting. Rather than looking at particular forms of artistic expression in isolation and focusing only on the war and inter-war period, the 2…
Horizon Magazine and European Culture, 1940–1945
For the first four and a half years of its life, from 1940 to 1945, Cyril Connolly’s cosmopolitan, British-based magazine Horizon operated under wartime conditions. This not only entailed dealing with shortages of paper and the absence of many potential domestic contributors on active service, but also difficulties obtaining new material from abroad and engaging in exchange with foreign periodicals. Yet during its wartime existence, Horizon never…
Writers and Intellectuals on Britain and Europe, 1918-2018: An Introduction
Introducing a Special Collection focused on exploring the engagement of artists, writers and intellectuals with Britain’s relationship to Europe, this short essay reflects on common strands and recurring themes in such engagement across a turbulent century. It draws out parallels between three time periods covered by articles included in the collection: the inter-war period, the immediate aftermath of the Second World War, and the period from the…
‘All I have are fragments’: Ephemera and cultural memory in contemporary historical fiction about the First World War
More than a century after its end, the First World War continues to loom large in cultural memory, particularly in contemporary fiction in the United Kingdom but also elsewhere. However, both commemorative practice and literary representation remain overwhelmingly dominated by a narrowly conceived narrative of the war as fought by white, middle-class men on the Western Front. This article explores the role played by ephemera – defined broadly as …
Introduction: Ephemera, war, and the humanities
This introduction lays out the case for Humanities scholars approaching the study of modern war through the lens of ephemera. Noting a range of pertinent scholarship published in the last two decades that draws on ephemera as sources, it explores the twentieth century as a coinciding of mass-produced ephemera and mass-participation warfare that generated its own ephemera in vast numbers. The special issue editors argue that by expanding our defin…
Introduction: Teaching the First World War for the Twenty-First Century – Pedagogies in Dialogue
The centenary of the First World War offered unprecedented opportunities for academics to engage with each other and the public. In symposiums, conferences, talks, and publications across the globe
Challenging the Colonial Archive of Conflict in Kamila Shamsie’s A God in Every Stone
This article reads Kamila Shamsie’s novel A God in Every Stone (2014) as postcolonial historical fiction that seeks to question and complicate colonial archives of conflict – specifically, the British archives documenting the experiences of Indian sepoys in the First World War and inter-war colonial conflict in the Punjab. Taking my cue from the work of scholars such as Karin Barber, Santanu Das and others, I show the value of reading the novel w…
History (5 works) · World War II (5 works) · World Wars: History, Literature, and Impact (5 works) · Art (4 works) · First world war (4 works) · Law (4 works) · Political science (4 works) · Sociology (4 works) · Spanish Civil War (4 works) · Aesthetics (3 works)