Agnė Veisaitė
Biographic Data
| ID | 5087300 |
|---|---|
| NAME | Agnė Veisaitė |
| GIVEN NAMES | Agnė |
| FAMILY NAME | Veisaitė |
| SIGNATURE | VEISAITĖ A |
| AFFILIATIONS | Chinese University of Hong Kong |
| ORCID | 0009-0002-3918-5500 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2025 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Environmentalism From a Confucian Perspective
The 四海为学 “Collaborative Learning” is an online academic forum that hosts a range of lectures, book discussions and roundtables each year, creating a space for collaboration, as well as bringing different opinions into a conversation. The roundtable on “Environmentalism” aligned with the forum's aims, bringing together three prominent scholars into a conversation that was rich in shared insights yet divergent in opinions. Yumi Suzuki opened the di…
Tool Usage and Self-Carving in the Zhuangzi
This paper examines tool-usage in the Zhuangzi through the lens of Heidegger’s philosophy of technology. Drawing on the ideography of wo 我 – commonly translated as “I” or “self”– I interpret wo as constitutive through its doings, particularly via the use of tools or equipment. The character wo 我 is derived from the radical for “hand” 手holding a dagger-axe 戈, which I address as a broader metaphor for tools. I argue that wo-self, like Heidegger’s D…
Animal Images in the Zhuangzi
Non-humans in the Zhuangzi are not mere allegories but portray themselves and their animalistic standpoints as participatory images (xiang 象). Although the Zhuangzi is often described as a text rich in imagination, the notion of xiang as a derivative for imaginative thinking has not been addressed through its linkage with animal standpoints. While xiang is commonly translated as “image”, it cannot be reduced to its English equivalent. Rather than…
No prominent works on this page.
Environmentalism From a Confucian Perspective
The 四海为学 “Collaborative Learning” is an online academic forum that hosts a range of lectures, book discussions and roundtables each year, creating a space for collaboration, as well as bringing different opinions into a conversation. The roundtable on “Environmentalism” aligned with the forum's aims, bringing together three prominent scholars into a conversation that was rich in shared insights yet divergent in opinions. Yumi Suzuki opened the di…
Tool Usage and Self-Carving in the Zhuangzi
This paper examines tool-usage in the Zhuangzi through the lens of Heidegger’s philosophy of technology. Drawing on the ideography of wo 我 – commonly translated as “I” or “self”– I interpret wo as constitutive through its doings, particularly via the use of tools or equipment. The character wo 我 is derived from the radical for “hand” 手holding a dagger-axe 戈, which I address as a broader metaphor for tools. I argue that wo-self, like Heidegger’s D…
Animal Images in the Zhuangzi
Non-humans in the Zhuangzi are not mere allegories but portray themselves and their animalistic standpoints as participatory images (xiang 象). Although the Zhuangzi is often described as a text rich in imagination, the notion of xiang as a derivative for imaginative thinking has not been addressed through its linkage with animal standpoints. While xiang is commonly translated as “image”, it cannot be reduced to its English equivalent. Rather than…
Chinese history and philosophy (2 works) · Aesthetics (1 work) · Cognitive psychology (1 work) · Environmental and Cultural Studies in Latin America and Beyond (1 work) · Epistemology (1 work) · Interpretation (philosophy) (1 work) · Ontology (1 work) · Perspective (graphical) (1 work) · Phenomenology (philosophy) (1 work) · Phenomenology and Existential Philosophy (1 work)