Raymond A Patton
Biographic Data
| ID | 5101202 |
|---|---|
| NAME | Raymond A Patton |
| GIVEN NAMES | Raymond A |
| FAMILY NAME | Patton |
| SIGNATURE | PATTON R A |
| AFFILIATIONS | Drury University |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
The “Vanishing Indian” and the Vanishing Pole
This article examines the use of the “Vanishing Indian” and “Doomed Race” extinction narratives in the writings of Henryk Sienkiewicz, Paul Edmund Strzelecki, and Sygurd Wiśniowski with respect to the Indigenous peoples of North America, Australia, and New Zealand. It locates these writers in the context of mid-late nineteenth century Poland, at the periphery of Europe and of empire, arguing that they demonstrated an ability to detect and critiqu…
The Communist Culture Industry
In the midst of authoritarian rule by the Communist Party, Poland saw rock music reach astounding popularity in the 1980s. This article uses the production of rock music in the People’s Republic of Poland as a lens to examine the tangled web of culture, economics, and politics that comprised the dynamic last decade of communist rule in Eastern Europe. It discusses how rock emerged amidst the contradictory forces at work in 1980s Poland – reform v…
The Communist Culture Industry
In the midst of authoritarian rule by the Communist Party, Poland saw rock music reach astounding popularity in the 1980s. This article uses the production of rock music in the People’s Republic of Poland as a lens to examine the tangled web of culture, economics, and politics that comprised the dynamic last decade of communist rule in Eastern Europe. It discusses how rock emerged amidst the contradictory forces at work in 1980s Poland – reform v…
The “Vanishing Indian” and the Vanishing Pole
This article examines the use of the “Vanishing Indian” and “Doomed Race” extinction narratives in the writings of Henryk Sienkiewicz, Paul Edmund Strzelecki, and Sygurd Wiśniowski with respect to the Indigenous peoples of North America, Australia, and New Zealand. It locates these writers in the context of mid-late nineteenth century Poland, at the periphery of Europe and of empire, arguing that they demonstrated an ability to detect and critiqu…
The Communist Culture Industry
In the midst of authoritarian rule by the Communist Party, Poland saw rock music reach astounding popularity in the 1980s. This article uses the production of rock music in the People’s Republic of Poland as a lens to examine the tangled web of culture, economics, and politics that comprised the dynamic last decade of communist rule in Eastern Europe. It discusses how rock emerged amidst the contradictory forces at work in 1980s Poland – reform v…
The “Vanishing Indian” and the Vanishing Pole
This article examines the use of the “Vanishing Indian” and “Doomed Race” extinction narratives in the writings of Henryk Sienkiewicz, Paul Edmund Strzelecki, and Sygurd Wiśniowski with respect to the Indigenous peoples of North America, Australia, and New Zealand. It locates these writers in the context of mid-late nineteenth century Poland, at the periphery of Europe and of empire, arguing that they demonstrated an ability to detect and critiqu…
Context (archaeology (2 works) · History (2 works) · History (2 works) · Sociology (2 works) · Ancient history (1 work) · Archaeology (1 work) · Art (1 work) · Bureaucracy (1 work) · Canadian Identity and History (1 work) · Capitalism (1 work)