Kendall Kendall
Biographic Data
| ID | 5106456 |
|---|---|
| NAME | Kendall Kendall |
| GIVEN NAMES | Kendall |
| FAMILY NAME | Kendall |
| SIGNATURE | KENDALL K |
| AFFILIATIONS | Right to Care |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1988 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
“When a Woman Loves a Woman” in Lesotho
Cannes 2015
Cannes 2015:Where Is Africa? Olivier Barlet Translated by Nzingha Kendall and Julie Le Hégarat We’re reading everywhere that Africa will be almost absent at this year’s edition of Cannes. But which Africa do we mean? With the last-minute addition of Lamb (2015, Ethiopia), by the Ethiopian filmmaker Yared Zeleke in the official selection of Un Certain Regard, African cinemas are present in the most prestigious international competition, the event …
News from the Black Film Center/Archive
Commentary
I an ontological sense, the motion picture is an amalgamation of still images that becomes animated as the filmstrip moves through the machinery of the projector. The act of film projection creates ethereal images on the screen as it revives the ghosts of a frozen past; film is haunting and haunted. Ghanaian/Ameri can filmmaker Akosua Adoma Owusu exploits such aesthetics and more through her use of experimental forms.1 In this commentary I reflec…
Everything Must Come to Light
The Role of Izangoma in Bringing the Zulu Goddess Back to Her People
June 01 1999 The Role of Izangoma in Bringing the Zulu Goddess Back to Her People Kendall Kendall Search for other works by this author on: This Site Google Scholar Author and Article Information Kendall Kendall taught at Smith College from 1986 to 1992 and was a Fulbright Scholar in Lesotho from 1992 to 1994. From 1995 to 1998, she taught at the University of Natal in Pietermaritzburg, which generously financed her research on the Nomkhubulwane …
His and Hers
No prominent works on this page.
His and Hers
The Role of Izangoma in Bringing the Zulu Goddess Back to Her People
June 01 1999 The Role of Izangoma in Bringing the Zulu Goddess Back to Her People Kendall Kendall Search for other works by this author on: This Site Google Scholar Author and Article Information Kendall Kendall taught at Smith College from 1986 to 1992 and was a Fulbright Scholar in Lesotho from 1992 to 1994. From 1995 to 1998, she taught at the University of Natal in Pietermaritzburg, which generously financed her research on the Nomkhubulwane …
Everything Must Come to Light
Commentary
I an ontological sense, the motion picture is an amalgamation of still images that becomes animated as the filmstrip moves through the machinery of the projector. The act of film projection creates ethereal images on the screen as it revives the ghosts of a frozen past; film is haunting and haunted. Ghanaian/Ameri can filmmaker Akosua Adoma Owusu exploits such aesthetics and more through her use of experimental forms.1 In this commentary I reflec…
News from the Black Film Center/Archive
Cannes 2015
Cannes 2015:Where Is Africa? Olivier Barlet Translated by Nzingha Kendall and Julie Le Hégarat We’re reading everywhere that Africa will be almost absent at this year’s edition of Cannes. But which Africa do we mean? With the last-minute addition of Lamb (2015, Ethiopia), by the Ethiopian filmmaker Yared Zeleke in the official selection of Un Certain Regard, African cinemas are present in the most prestigious international competition, the event …
“When a Woman Loves a Woman” in Lesotho
Art (5 works) · Art history (4 works) · History (4 works) · African history and culture studies (3 works) · History (3 works) · Cinema and Media Studies (2 works) · Film director (2 works) · Media studies (2 works) · Movie theater (2 works) · Sociology (2 works)