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Javier Ortiz-Echagüe

Biographic Data

ID5109246
NAMEJavier Ortiz-Echagüe
GIVEN NAMESJavier
FAMILY NAMEOrtiz-Echagüe
SIGNATUREORTIZ-ECHAGÜE J
AFFILIATIONSUniversidad Rey Juan Carlos
ORCID0000-0003-2471-0560
VERIFIEDYes
TOTAL WORKS10
TOTAL CITATIONS0
WORKS AS AUTHOR10
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2011
LATEST PUBLICATION YEAR2025
H-INDEX0
  • Une modernité sans avant-gardes

    Open Access•Javier Ortiz-Echagüe, Celia Vega Pérez et al.•ARTICLE•Perspective•2025

    Cet article se propose d’analyser la « photopeinture », que les romans d’anticipation publiés par Albert Robida à la fin du xixe siècle présentent comme l’art du futur. Cette technique incarne le progrès dans les arts, car elle permet de créer des images en couleurs, de n’importe quel format et support. Dans le même temps, elle regarde vers le passé sur le plan esthétique. Dans le monde de Robida, les artistes se spécialisent dans la reproduction…

  • A Romantic in the Cold War

    Javier Ortiz-Echagüe•ARTICLE•Art In Translation•2024

    In 1967 Jonas Mekas traveled to Ávila in search of the places where Saint Teresa once lived. The outcome of this trip was The Song of Avila, a short film that provides a brief account of his visit to the city and the connection Mekas felt with the saint. This paper aims to analyze the film, linking it to other references to the Spanish mystics in Mekas’ own work and drawing connections with the output of other experimental New York filmmakers, in…

  • Introduction

    Open Access•Claudia Hopkins, Javier Ortiz-Echagüe•ARTICLE•Art In Translation•2024

    In September 1983, Andy Warhol attended the singer-songwriter Julio Iglesias’s 40th birthday party in New York. There were a lot of cameras, but that was irrelevant, because, as Warhol put it, “eve

  • Capítulo 6. Turismo es democracia. Henri Cartier-Bresson y la imagen de Europa en la revista Holiday

    Open Access•Javier Ortiz-Echagüe, Araceli Rodríguez Mateos•ARTICLE•Espejo de Monografías de…•2022

    En la década de los años cincuenta y sesenta, una Europa dividida en el contexto geopolítico de la Guerra Fría trata de recuperarse del desastre provocado por la contienda mundial. En este contexto, el desarrollo de la industria turística representa un papel importante, no solo desde el punto de vista económico, sino también como medio para fomentar el entendimiento entre los diversos países.Este artículo trata de analizar la imagen de Europa que…

  • Mission Impossible

    Javier Ortiz-Echagüe•ARTICLE•Art In Translation•2022

    During the Cold War Picasso’s Guernica was on loan at the Museum of Modern Art in New York. Throughout this period, its interpretation was the subject of much debate. The museum was interested in situating the painting within its own narrative of twentieth-century art history, while, at the same time, the painting functioned as an icon in contemporary political struggles in the form of reproductions and pictorial versions. This article reviews so…

  • Auge y crisis del “sueño europeo

    Open Access•Javier Ortiz-Echagüe, Araceli Rodríguez Mateos•ARTICLE•Fotocinema Revista científica de…•2020

    Los fotolibros constituyen uno de los soportes fundamentales para la difusión de la fotografía y su estudio en tiempos recientes se ha considerado como una recuperación de la “otra historia” del medio. Este artículo trata sobre cinco publicaciones de Henri Cartier-Bresson, Paul Graham, Carlos Spottorno, Roger Grasas y Federico Clavarino, cuyo tema fundamental es la idea de Europa. El análisis de la obra de estos autores muestra cómo se ha tratado…

  • The Most Beautiful Painting in the World

    Open Access•Fernando Echarri, Javier Ortiz-Echagüe•ARTICLE•Arte individuo y sociedad•2019

    The work of the artist Antoni Tàpies (1923-2012) has been widely studied from different disciplines, including his analytical and syncretic vision. This article tries to analyze one of its aesthetic keys: in particular, the conceptualization of its idea process, using the synthesis that appears in the graphic story "The most beautiful painting in the world" published by Ralph Herrmanns in 1970, in which Tàpies is represented as a character-artist…

  • Mundo Hispanico versus Life

    Open Access•Javier Ortiz-Echagüe•ARTICLE•Communication & Society•2019•References: 3

    Around 1950 there was an intense debate about U.S. aid to Francoist Spain. American magazines such as Look and Life devoted attention to the Spanish issue, and used photo essays to visually argue their positions. This article seeks to examine how this controversy was created through these photo essays that appeared in American magazines, the reaction of the Spanish public, and the response to American critics by magazines such as Mundo Hispánico …

  • Imágenes de paz y de guerra

    Open Access•Javier Ortiz-Echagüe•ARTICLE•El Argonauta español•2015

    L'Histoire de la photographie a été étudiée généralement du même point de vue que l'Histoire de l'art qui privilégie le rôle de l'auteur et conçoit les images comme des objets autonomes. Cet article présente trois cas de circulation d'images dans la presse et les livres, entre les années vingt et la Guerre Civile espagnole. Vérifier comment la même illustration peut être interprétée de diverses manières dans des contextes différents montre la vie…

  • Documentary Uses of Artistic Photography

    Javier Ortiz-Echagüe, Julio Montero Díaz•ARTICLE•History of Photography•2011

    The photographs of José Ortiz Echagüe are often read in terms of artistic and documentary values, with the two poles in tension within his work. Echagüe's project Spain. Types and Costumes was an attempt to document systematically traditional Spanish costumes. At the same time, Echagüe never abandoned pictorialist techniques, which are often considered contrary to documentary intentions. This article discusses the types and costumes series from a…

No prominent works on this page.

  • Documentary Uses of Artistic Photography

    Javier Ortiz-Echagüe, Julio Montero Díaz•ARTICLE•History of Photography•2011

    The photographs of José Ortiz Echagüe are often read in terms of artistic and documentary values, with the two poles in tension within his work. Echagüe's project Spain. Types and Costumes was an attempt to document systematically traditional Spanish costumes. At the same time, Echagüe never abandoned pictorialist techniques, which are often considered contrary to documentary intentions. This article discusses the types and costumes series from a…

  • Imágenes de paz y de guerra

    Open Access•Javier Ortiz-Echagüe•ARTICLE•El Argonauta español•2015

    L'Histoire de la photographie a été étudiée généralement du même point de vue que l'Histoire de l'art qui privilégie le rôle de l'auteur et conçoit les images comme des objets autonomes. Cet article présente trois cas de circulation d'images dans la presse et les livres, entre les années vingt et la Guerre Civile espagnole. Vérifier comment la même illustration peut être interprétée de diverses manières dans des contextes différents montre la vie…

  • The Most Beautiful Painting in the World

    Open Access•Fernando Echarri, Javier Ortiz-Echagüe•ARTICLE•Arte individuo y sociedad•2019

    The work of the artist Antoni Tàpies (1923-2012) has been widely studied from different disciplines, including his analytical and syncretic vision. This article tries to analyze one of its aesthetic keys: in particular, the conceptualization of its idea process, using the synthesis that appears in the graphic story "The most beautiful painting in the world" published by Ralph Herrmanns in 1970, in which Tàpies is represented as a character-artist…

  • Mundo Hispanico versus Life

    Open Access•Javier Ortiz-Echagüe•ARTICLE•Communication & Society•2019•References: 3

    Around 1950 there was an intense debate about U.S. aid to Francoist Spain. American magazines such as Look and Life devoted attention to the Spanish issue, and used photo essays to visually argue their positions. This article seeks to examine how this controversy was created through these photo essays that appeared in American magazines, the reaction of the Spanish public, and the response to American critics by magazines such as Mundo Hispánico …

  • Auge y crisis del “sueño europeo

    Open Access•Javier Ortiz-Echagüe, Araceli Rodríguez Mateos•ARTICLE•Fotocinema Revista científica de…•2020

    Los fotolibros constituyen uno de los soportes fundamentales para la difusión de la fotografía y su estudio en tiempos recientes se ha considerado como una recuperación de la “otra historia” del medio. Este artículo trata sobre cinco publicaciones de Henri Cartier-Bresson, Paul Graham, Carlos Spottorno, Roger Grasas y Federico Clavarino, cuyo tema fundamental es la idea de Europa. El análisis de la obra de estos autores muestra cómo se ha tratado…

  • Capítulo 6. Turismo es democracia. Henri Cartier-Bresson y la imagen de Europa en la revista Holiday

    Open Access•Javier Ortiz-Echagüe, Araceli Rodríguez Mateos•ARTICLE•Espejo de Monografías de…•2022

    En la década de los años cincuenta y sesenta, una Europa dividida en el contexto geopolítico de la Guerra Fría trata de recuperarse del desastre provocado por la contienda mundial. En este contexto, el desarrollo de la industria turística representa un papel importante, no solo desde el punto de vista económico, sino también como medio para fomentar el entendimiento entre los diversos países.Este artículo trata de analizar la imagen de Europa que…

  • Mission Impossible

    Javier Ortiz-Echagüe•ARTICLE•Art In Translation•2022

    During the Cold War Picasso’s Guernica was on loan at the Museum of Modern Art in New York. Throughout this period, its interpretation was the subject of much debate. The museum was interested in situating the painting within its own narrative of twentieth-century art history, while, at the same time, the painting functioned as an icon in contemporary political struggles in the form of reproductions and pictorial versions. This article reviews so…

  • A Romantic in the Cold War

    Javier Ortiz-Echagüe•ARTICLE•Art In Translation•2024

    In 1967 Jonas Mekas traveled to Ávila in search of the places where Saint Teresa once lived. The outcome of this trip was The Song of Avila, a short film that provides a brief account of his visit to the city and the connection Mekas felt with the saint. This paper aims to analyze the film, linking it to other references to the Spanish mystics in Mekas’ own work and drawing connections with the output of other experimental New York filmmakers, in…

  • Introduction

    Open Access•Claudia Hopkins, Javier Ortiz-Echagüe•ARTICLE•Art In Translation•2024

    In September 1983, Andy Warhol attended the singer-songwriter Julio Iglesias’s 40th birthday party in New York. There were a lot of cameras, but that was irrelevant, because, as Warhol put it, “eve

  • Une modernité sans avant-gardes

    Open Access•Javier Ortiz-Echagüe, Celia Vega Pérez et al.•ARTICLE•Perspective•2025

    Cet article se propose d’analyser la « photopeinture », que les romans d’anticipation publiés par Albert Robida à la fin du xixe siècle présentent comme l’art du futur. Cette technique incarne le progrès dans les arts, car elle permet de créer des images en couleurs, de n’importe quel format et support. Dans le même temps, elle regarde vers le passé sur le plan esthétique. Dans le monde de Robida, les artistes se spécialisent dans la reproduction…

Art (8 works) · Photographic and Visual Arts (5 works) · Art history (4 works) · History (4 works) · Political science (4 works) · Cold war (3 works) · Law (3 works) · Literature (3 works) · Visual arts (3 works) · Aesthetics (2 works)

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