Sven Oliver Müller
Biographic Data
| ID | 5109887 |
|---|---|
| NAME | Sven Oliver Müller |
| GIVEN NAMES | Sven Oliver |
| FAMILY NAME | Müller |
| SIGNATURE | MÜLLER S O |
| AFFILIATIONS | Max-Planck-Institut für Bildungsforschung, Lentzeallee 94, D-14195 Berlin |
| VERIFIED | No |
| TOTAL WORKS | 14 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 10 |
| WORKS AS EDITOR | 4 |
| FIRST PUBLICATION YEAR | 2002 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 1 |
Kommunikation im Musikleben
Kommunikation Im Musikleben
Kommunikation im Musikleben
Vergemeinschaftung, Pluralisierung, Fragmentierung
Das Publikum macht die Musik
Geschichtswissenschaft und Musik
Die Politik des Schweigens
From the historian’s point of view, it is important to acknowledge that audiences make the performance of music meaningful and relevant. This article argues that the impact of concert performances depends less on their musical content than on the power of the social relations involved in musical reception. The reception of music by audiences establishes a link between musical production and society. One section deals with the change of cultural p…
Imperial Germany Revisited
The German Empire, its structure, its dynamic development between 1871 and 1918, and its legacy, have been the focus of lively international debate that is showing signs of further intensification as we approach the centenary of the outbreak of World War I. Based on recent work and scholarly arguments about continuities and discontinuities in modern German history from Bismarck to Hitler, well-known experts broadly explore four themes: the positi…
Imperial Germany revisited
"The German Empire, its structure, its dynamic development between 1871 and 1918, and its legacy, have been the focus of lively international debate that is showing signs of further intensification as we approach the centenary of the outbreak of World War I. Based on recent work and scholarly arguments about continuities and discontinuities in modern German history from Bismarck to Hitler, well-known experts broadly explore four themes: the posit…
Analysing musical culture in nineteenth-century Europe
The aim of this article is to establish the extent to which the history of music can offer new perspectives on the modern period. We need a change of perspective, moving away from the aesthetic debates on music to an investigation of actual experiences and practices of participants. Audience behaviour provides a link between musical production and society. In order to make opera houses and concert halls visible as social spheres, this article dra…
Einleitung
Introduction: Music as a National and Transnational Practice in 19th Century History During the 19th Century serious music was increasingly assessed in national terms. «National» music was created to fulfil political needs and to express cultural aspirations. People in all major European capitals tried to establish national schools of music and national opera traditions. The rise of «national» music meant to exchange, to communicate and to imitat…
Die Politik der Nation
Die Nation ist eine kulturelle Konstruktion, der deutsche Nationalismus ein modernes politisches Phänomen: So lautet der gemeinsame Ausgangspunkt der Beiträge, die den Bogen über 200 Jahre deutscher Geschichte spannen. Renommierte Historikerinnen und Historiker zeigen für die Zeit zwischen dem Siebenjährigen Krieg und der Nachkriegszeit nach 1945, wie die deutsche Nation unter den jeweiligen Bedingungen entworfen wurde und welche unterschiedliche…
Die Nation als Waffe und Vorstellung
Who Is the Enemy? The Nationalist Dilemma of Inclusion and Exclusion in Britain During the First World War
The First World War polarised British society. The British 'nation' needed a definition of the external enemy to generate internal cohesion as much as the production of modern hostility presupposed the existence of nationalism. Apparently, hostility which is nationalistically motivated is of functional importance for the cohesion of a society in war. But the construction of the nation along the lines of the dialectic structure of exclusion and in…
Analysing musical culture in nineteenth-century Europe
The aim of this article is to establish the extent to which the history of music can offer new perspectives on the modern period. We need a change of perspective, moving away from the aesthetic debates on music to an investigation of actual experiences and practices of participants. Audience behaviour provides a link between musical production and society. In order to make opera houses and concert halls visible as social spheres, this article dra…
Who Is the Enemy? The Nationalist Dilemma of Inclusion and Exclusion in Britain During the First World War
The First World War polarised British society. The British 'nation' needed a definition of the external enemy to generate internal cohesion as much as the production of modern hostility presupposed the existence of nationalism. Apparently, hostility which is nationalistically motivated is of functional importance for the cohesion of a society in war. But the construction of the nation along the lines of the dialectic structure of exclusion and in…
Die Politik der Nation
Die Nation ist eine kulturelle Konstruktion, der deutsche Nationalismus ein modernes politisches Phänomen: So lautet der gemeinsame Ausgangspunkt der Beiträge, die den Bogen über 200 Jahre deutscher Geschichte spannen. Renommierte Historikerinnen und Historiker zeigen für die Zeit zwischen dem Siebenjährigen Krieg und der Nachkriegszeit nach 1945, wie die deutsche Nation unter den jeweiligen Bedingungen entworfen wurde und welche unterschiedliche…
Die Nation als Waffe und Vorstellung
Who Is the Enemy? The Nationalist Dilemma of Inclusion and Exclusion in Britain During the First World War
The First World War polarised British society. The British 'nation' needed a definition of the external enemy to generate internal cohesion as much as the production of modern hostility presupposed the existence of nationalism. Apparently, hostility which is nationalistically motivated is of functional importance for the cohesion of a society in war. But the construction of the nation along the lines of the dialectic structure of exclusion and in…
Einleitung
Introduction: Music as a National and Transnational Practice in 19th Century History During the 19th Century serious music was increasingly assessed in national terms. «National» music was created to fulfil political needs and to express cultural aspirations. People in all major European capitals tried to establish national schools of music and national opera traditions. The rise of «national» music meant to exchange, to communicate and to imitat…
Analysing musical culture in nineteenth-century Europe
The aim of this article is to establish the extent to which the history of music can offer new perspectives on the modern period. We need a change of perspective, moving away from the aesthetic debates on music to an investigation of actual experiences and practices of participants. Audience behaviour provides a link between musical production and society. In order to make opera houses and concert halls visible as social spheres, this article dra…
Imperial Germany Revisited
The German Empire, its structure, its dynamic development between 1871 and 1918, and its legacy, have been the focus of lively international debate that is showing signs of further intensification as we approach the centenary of the outbreak of World War I. Based on recent work and scholarly arguments about continuities and discontinuities in modern German history from Bismarck to Hitler, well-known experts broadly explore four themes: the positi…
Imperial Germany revisited
"The German Empire, its structure, its dynamic development between 1871 and 1918, and its legacy, have been the focus of lively international debate that is showing signs of further intensification as we approach the centenary of the outbreak of World War I. Based on recent work and scholarly arguments about continuities and discontinuities in modern German history from Bismarck to Hitler, well-known experts broadly explore four themes: the posit…
Geschichtswissenschaft und Musik
Die Politik des Schweigens
From the historian’s point of view, it is important to acknowledge that audiences make the performance of music meaningful and relevant. This article argues that the impact of concert performances depends less on their musical content than on the power of the social relations involved in musical reception. The reception of music by audiences establishes a link between musical production and society. One section deals with the change of cultural p…
Das Publikum macht die Musik
Kommunikation im Musikleben
Kommunikation Im Musikleben
Kommunikation im Musikleben
Vergemeinschaftung, Pluralisierung, Fragmentierung
Political science (7 works) · Art (5 works) · Historical Influence and Diplomacy (4 works) · Arts, Culture, and Music Studies (3 works) · European history and politics (3 works) · Germany (3 works) · History (3 works) · History (3 works) · History and criticism (3 works) · Law (3 works)