Chris Kyriakakis
Biographic Data
| ID | 5120855 |
|---|---|
| NAME | Chris Kyriakakis |
| GIVEN NAMES | Chris |
| FAMILY NAME | Kyriakakis |
| SIGNATURE | KYRIAKAKIS C |
| AFFILIATIONS | University of Southern California |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 6 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Holy, Holy, Holy
Were Byzantine writings about the intermingling of human and angelic voices within ecclesiastical settings merely reflections of mystical theology, or were they actual observations about the movement of sound? Focusing on Thessaloniki, we consider how Byzantine writers described the voices of angels, how certain chants in the divine services animated the voices of celestial beings, and how and where painters represented angels, particularly withi…
Soundscapes of Byzantium
In 2014, an international team of scholars measured the acoustical properties of eight Byzantine churches in Thessaloniki. This article examines two of the tested churches, the Acheiropoietos basilica and the Cathedral of Hagia Sophia, in order to provide objective and phenomenological accounts of how sound—both chanted and spoken—was produced and received. Framing the soundscape of each church through an examination of its original shape, furnis…
Soundscapes of Byzantium
Previous articleNext article FreeSoundscapes of ByzantiumSpyridon Antonopoulos, Sharon E. J. Gerstel, Chris Kyriakakis, Konstantinos T. Raptis, and James DonahueSpyridon Antonopoulos, Sharon E. J. Gerstel, Chris Kyriakakis, Konstantinos T. Raptis, and James DonahueSpyridon Antonopoulos, University of London ([email protected])Sharon E. J. Gerstel, University of California, Los Angeles ([email protected])Chris Kyriakakis, University of Southern Ca…
Soundscapes of Byzantium
In 2014, an international team of scholars measured the acoustical properties of eight Byzantine churches in Thessaloniki. This article examines two of the tested churches, the Acheiropoietos basilica and the Cathedral of Hagia Sophia, in order to provide objective and phenomenological accounts of how sound—both chanted and spoken—was produced and received. Framing the soundscape of each church through an examination of its original shape, furnis…
Soundscapes of Byzantium
Previous articleNext article FreeSoundscapes of ByzantiumSpyridon Antonopoulos, Sharon E. J. Gerstel, Chris Kyriakakis, Konstantinos T. Raptis, and James DonahueSpyridon Antonopoulos, Sharon E. J. Gerstel, Chris Kyriakakis, Konstantinos T. Raptis, and James DonahueSpyridon Antonopoulos, University of London ([email protected])Sharon E. J. Gerstel, University of California, Los Angeles ([email protected])Chris Kyriakakis, University of Southern Ca…
Soundscapes of Byzantium
Previous articleNext article FreeSoundscapes of ByzantiumSpyridon Antonopoulos, Sharon E. J. Gerstel, Chris Kyriakakis, Konstantinos T. Raptis, and James DonahueSpyridon Antonopoulos, Sharon E. J. Gerstel, Chris Kyriakakis, Konstantinos T. Raptis, and James DonahueSpyridon Antonopoulos, University of London ([email protected])Sharon E. J. Gerstel, University of California, Los Angeles ([email protected])Chris Kyriakakis, University of Southern Ca…
Soundscapes of Byzantium
In 2014, an international team of scholars measured the acoustical properties of eight Byzantine churches in Thessaloniki. This article examines two of the tested churches, the Acheiropoietos basilica and the Cathedral of Hagia Sophia, in order to provide objective and phenomenological accounts of how sound—both chanted and spoken—was produced and received. Framing the soundscape of each church through an examination of its original shape, furnis…
Holy, Holy, Holy
Were Byzantine writings about the intermingling of human and angelic voices within ecclesiastical settings merely reflections of mystical theology, or were they actual observations about the movement of sound? Focusing on Thessaloniki, we consider how Byzantine writers described the voices of angels, how certain chants in the divine services animated the voices of celestial beings, and how and where painters represented angels, particularly withi…
History (3 works) · Ancient history (2 works) · Art (2 works) · Byzantine architecture (2 works) · Classics (2 works) · Diverse Musicological Studies (2 works) · History (2 works) · Sound (geography (2 works) · Soundscape (2 works) · Visual arts (2 works)