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Marie‐Louise Coolahan

Biographic Data

ID5120966
NAMEMarie‐Louise Coolahan
GIVEN NAMESMarie‐Louise
FAMILY NAMECoolahan
SIGNATURECOOLAHAN M L
AFFILIATIONSOllscoil na Gaillimhe – University of Galway
ORCID0000-0003-2105-1715
VERIFIEDYes
TOTAL WORKS11
TOTAL CITATIONS0
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR2007
LATEST PUBLICATION YEAR2022
H-INDEX0
  • Patterns, Outliers, and Teasers: Questions and Challenges for the Reception of Early Modern Women’s Writing

    Marie‐Louise Coolahan, MARIE-LOUISE COOLAHAN•ARTICLE•Early Modern Women An Interdiscipli…•2022

  • The textual terrain: Developments and directions in women's writing, 1500–1700

    Open Access•Marie‐Louise Coolahan, MARIE-LOUISE COOLAHAN•ARTICLE•Irish Historical Studies•2022•References: 5

    This article assesses our much-expanded view of the texts produced by early modern women in Ireland, surveying what is available to present-day researchers and considering emerging methodologies for the analysis of early modern female voices. The range of genres with which we now know early modern women engaged owes much to feminist literary historians’ capacious approach to defining literature, expanding beyond traditionally elite genres (drama,…

  • The Cultural Dynamics of Reception

    Open Access•Marie‐Louise Coolahan, MARIE-LOUISE COOLAHAN•ARTICLE•Journal of Medieval and Early…•2020

    The cultural dynamics of reception are best understood as a reiterative process of reshaping and reframing. Reception as an object of critical study embraces first the history of how texts were read, disseminated, and consumed across media, languages, and geographical regions. But if this is the first port of call, such analysis quickly draws in questions about the relationship between reception and production, audience and agency, about contempo…

  • Nuns’ Writing: Translation, Textual Mobility and Transnational Networks

    Marie‐Louise Coolahan, MARIE-LOUISE COOLAHAN•CHAPTER•History of Early Modern Women's…•2018

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • Whither the archipelago? Stops, starts, and hurdles on the four nations front

    Open Access•Marie‐Louise Coolahan•ARTICLE•Literature Compass•2018•References: 7

    This article assesses the impact of “the new British,” or “three kingdoms,” “four nations,” “archipelagic” history, and literary criticism. First advocated in the 1970s by J.G.A. Pocock, and co‐opted by historians and scholars of early modern literature as a means to frame and address the interactions of the four nations of Britain, the take‐up on the ground has been fitful. Richard Bourke has recently argued that Pocock's original call was misun…

  • Single-Author Manuscripts, Poems (1664), and the Editing of Katherine Philips

    Open Access•Marie‐Louise Coolahan, MARIE-LOUISE COOLAHAN•CHAPTER•Editing Early Modern Women•2016

  • Renaissance Cultural Crossroads: Translation, Print and Culture in Britain, 1473–1640

    Open Access•Marie‐Louise Coolahan, MARIE-LOUISE COOLAHAN•ARTICLE•Renaissance Quarterly•2014

    S. K. Barker and Brenda M. Hosington, eds. Renaissance Cultural Crossroads: Translation, Print and Culture in Britain, 1473–1640. Library of the Written Word 21; The Handpress World 15. Leiden: Brill, 2013. xxix + 254 pp. $146. ISBN: 978-90-04-24184-8. - Volume 67 Issue 3

  • Reception, reputation, and early modern women's missing texts

    Open Access•Marie‐Louise Coolahan•ARTICLE•Critical Quarterly•2013

  • Women’s Writing in Seventeenth‐Century Ireland

    Open Access•Marie‐Louise Coolahan•ARTICLE•Literature Compass•2010•References: 4

    This essay offers a survey of the current state of scholarship in the field of women’s writing in seventeenth‐century Ireland. It begins by charting advances made in the past decade in rendering primary texts available, primarily via anthologies. It then delineates the historical, ethnic and linguistic contexts for women’s textual production in Ireland. The essay argues that genre is an apposite category of analysis for this material. It discusse…

  • Identity Politics and Nuns’ Writing

    Marie‐Louise Coolahan, MARIE-LOUISE COOLAHAN•ARTICLE•Women s Writing•2007

    This article focuses on the texts produced in the seventeenth century by the English and Irish nuns of the Order of St Clare in order to explore questions of individual and collective authorship, the expression of identity, and the exercise of political agency. It examines the conditions of exile, persecution, and internal controversy, arguing that translation, in particular, is the vehicle for asserting a range of competing positions pertaining …

  • Redeeming Parcels of Time: Aesthetics and Practice of Occasional Meditation

    Marie‐Louise Coolahan, MARIE-LOUISE COOLAHAN•ARTICLE•The Seventeenth Century•2007•References: 1

    The Elizabethan Richard Rogers repeatedly expresses in his diary a deep anxiety about the dangers of wandering thoughts. His constant struggle for spiritual well-being is framed in terms of the 'sober course' of meditation and prayer, and the 'wandring, uncertaine, and frutless course' of unregimented time. Cheerfulness is maintained only by holy exercises, which suppress 'idle wandringes after the world, frowardnes, or such other boisterous corr…

No prominent works on this page.

  • Identity Politics and Nuns’ Writing

    Marie‐Louise Coolahan, MARIE-LOUISE COOLAHAN•ARTICLE•Women s Writing•2007

    This article focuses on the texts produced in the seventeenth century by the English and Irish nuns of the Order of St Clare in order to explore questions of individual and collective authorship, the expression of identity, and the exercise of political agency. It examines the conditions of exile, persecution, and internal controversy, arguing that translation, in particular, is the vehicle for asserting a range of competing positions pertaining …

  • Redeeming Parcels of Time: Aesthetics and Practice of Occasional Meditation

    Marie‐Louise Coolahan, MARIE-LOUISE COOLAHAN•ARTICLE•The Seventeenth Century•2007•References: 1

    The Elizabethan Richard Rogers repeatedly expresses in his diary a deep anxiety about the dangers of wandering thoughts. His constant struggle for spiritual well-being is framed in terms of the 'sober course' of meditation and prayer, and the 'wandring, uncertaine, and frutless course' of unregimented time. Cheerfulness is maintained only by holy exercises, which suppress 'idle wandringes after the world, frowardnes, or such other boisterous corr…

  • Women’s Writing in Seventeenth‐Century Ireland

    Open Access•Marie‐Louise Coolahan•ARTICLE•Literature Compass•2010•References: 4

    This essay offers a survey of the current state of scholarship in the field of women’s writing in seventeenth‐century Ireland. It begins by charting advances made in the past decade in rendering primary texts available, primarily via anthologies. It then delineates the historical, ethnic and linguistic contexts for women’s textual production in Ireland. The essay argues that genre is an apposite category of analysis for this material. It discusse…

  • Reception, reputation, and early modern women's missing texts

    Open Access•Marie‐Louise Coolahan•ARTICLE•Critical Quarterly•2013

  • Renaissance Cultural Crossroads: Translation, Print and Culture in Britain, 1473–1640

    Open Access•Marie‐Louise Coolahan, MARIE-LOUISE COOLAHAN•ARTICLE•Renaissance Quarterly•2014

    S. K. Barker and Brenda M. Hosington, eds. Renaissance Cultural Crossroads: Translation, Print and Culture in Britain, 1473–1640. Library of the Written Word 21; The Handpress World 15. Leiden: Brill, 2013. xxix + 254 pp. $146. ISBN: 978-90-04-24184-8. - Volume 67 Issue 3

  • Single-Author Manuscripts, Poems (1664), and the Editing of Katherine Philips

    Open Access•Marie‐Louise Coolahan, MARIE-LOUISE COOLAHAN•CHAPTER•Editing Early Modern Women•2016

  • Nuns’ Writing: Translation, Textual Mobility and Transnational Networks

    Marie‐Louise Coolahan, MARIE-LOUISE COOLAHAN•CHAPTER•History of Early Modern Women's…•2018

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • Whither the archipelago? Stops, starts, and hurdles on the four nations front

    Open Access•Marie‐Louise Coolahan•ARTICLE•Literature Compass•2018•References: 7

    This article assesses the impact of “the new British,” or “three kingdoms,” “four nations,” “archipelagic” history, and literary criticism. First advocated in the 1970s by J.G.A. Pocock, and co‐opted by historians and scholars of early modern literature as a means to frame and address the interactions of the four nations of Britain, the take‐up on the ground has been fitful. Richard Bourke has recently argued that Pocock's original call was misun…

  • The Cultural Dynamics of Reception

    Open Access•Marie‐Louise Coolahan, MARIE-LOUISE COOLAHAN•ARTICLE•Journal of Medieval and Early…•2020

    The cultural dynamics of reception are best understood as a reiterative process of reshaping and reframing. Reception as an object of critical study embraces first the history of how texts were read, disseminated, and consumed across media, languages, and geographical regions. But if this is the first port of call, such analysis quickly draws in questions about the relationship between reception and production, audience and agency, about contempo…

  • Patterns, Outliers, and Teasers: Questions and Challenges for the Reception of Early Modern Women’s Writing

    Marie‐Louise Coolahan, MARIE-LOUISE COOLAHAN•ARTICLE•Early Modern Women An Interdiscipli…•2022

  • The textual terrain: Developments and directions in women's writing, 1500–1700

    Open Access•Marie‐Louise Coolahan, MARIE-LOUISE COOLAHAN•ARTICLE•Irish Historical Studies•2022•References: 5

    This article assesses our much-expanded view of the texts produced by early modern women in Ireland, surveying what is available to present-day researchers and considering emerging methodologies for the analysis of early modern female voices. The range of genres with which we now know early modern women engaged owes much to feminist literary historians’ capacious approach to defining literature, expanding beyond traditionally elite genres (drama,…

Art (9 works) · History (8 works) · Law (6 works) · History (5 works) · Literature (5 works) · Political science (5 works) · Reformation and Early Modern Christianity (5 works) · Early Modern Women Writers (4 works) · Law (4 works) · Sociology (4 works)

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