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J A Strub

Biographic Data

ID5123204
NAMEJ A Strub
GIVEN NAMESJ A
FAMILY NAMEStrub
SIGNATURESTRUB J A
AFFILIATIONSThe University of Texas at Austin
ORCID0000-0002-4447-8511
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS3
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2021
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Buscando Guaguancó

    J A Strub•ARTICLE•American Music•2024

    Muchos discuten de rumbaY ni siquiera sabenQue cosa es columbiaO guaguancó(Many argue about rumbaAnd yet they don't even knowWhat columbia isNor guaguancó)—“Oiga mi guaguancó,” Arsenio Rodríguez1In this article, I explore the uses of the term guaguancó as a lexical signifier of Afro-Latin identity in popular dance music styles with roots in the Hispanic Caribbean. I chart how the term “guaguancó” has been used to denote styles, approaches, and me…

  • Portraits-in-Place from the Sotavento

    Open Access•J A Strub, Abraham Ávila Quintero•ARTICLE•eTropic electronic journal of…•2022

    Resulting from a series of conversations between its co-contributors, this photo-dialogue considers themes of nature-culture entanglements through the photographic work of Abraham Bosque, a documentary filmmaker and photojournalist who has lived in the Sotavento region of Mexico since 2017. Bosque’s work deals with the challenges implicit in portraying a tropical landscape whose vitality is the impetus for its extractivistic plunder. Through thei…

  • Music Community, Improvisation, and Social Technologies in Covid-Era Música Huasteca

    Open Access•Daniel S Margolies, J A Strub•ARTICLE•Frontiers in Psychology•2021•Cited by: 3•References: 6

    This article examines two interrelated aspects of Mexican regional music response to the coronavirus crisis in the música huasteca community: the growth of interactive huapango livestreams as a preexisting but newly significant space for informal community gathering and cultural participation at the onset of the coronavirus pandemic, and the composition of original verses by son huasteco performers addressing the pandemic. Both the livestreams an…

  • Music Community, Improvisation, and Social Technologies in Covid-Era Música Huasteca

    Open Access•Daniel S Margolies, J A Strub•ARTICLE•Frontiers in Psychology•2021•Cited by: 3•References: 6

    This article examines two interrelated aspects of Mexican regional music response to the coronavirus crisis in the música huasteca community: the growth of interactive huapango livestreams as a preexisting but newly significant space for informal community gathering and cultural participation at the onset of the coronavirus pandemic, and the composition of original verses by son huasteco performers addressing the pandemic. Both the livestreams an…

  • Music Community, Improvisation, and Social Technologies in Covid-Era Música Huasteca

    Open Access•Daniel S Margolies, J A Strub•ARTICLE•Frontiers in Psychology•2021•Cited by: 3•References: 6

    This article examines two interrelated aspects of Mexican regional music response to the coronavirus crisis in the música huasteca community: the growth of interactive huapango livestreams as a preexisting but newly significant space for informal community gathering and cultural participation at the onset of the coronavirus pandemic, and the composition of original verses by son huasteco performers addressing the pandemic. Both the livestreams an…

  • Portraits-in-Place from the Sotavento

    Open Access•J A Strub, Abraham Ávila Quintero•ARTICLE•eTropic electronic journal of…•2022

    Resulting from a series of conversations between its co-contributors, this photo-dialogue considers themes of nature-culture entanglements through the photographic work of Abraham Bosque, a documentary filmmaker and photojournalist who has lived in the Sotavento region of Mexico since 2017. Bosque’s work deals with the challenges implicit in portraying a tropical landscape whose vitality is the impetus for its extractivistic plunder. Through thei…

  • Buscando Guaguancó

    J A Strub•ARTICLE•American Music•2024

    Muchos discuten de rumbaY ni siquiera sabenQue cosa es columbiaO guaguancó(Many argue about rumbaAnd yet they don't even knowWhat columbia isNor guaguancó)—“Oiga mi guaguancó,” Arsenio Rodríguez1In this article, I explore the uses of the term guaguancó as a lexical signifier of Afro-Latin identity in popular dance music styles with roots in the Hispanic Caribbean. I chart how the term “guaguancó” has been used to denote styles, approaches, and me…

Art (2 works) · 2019-20 coronavirus outbreak (1 works) · Aesthetics (1 works) · Archaeology (1 works) · Art history (1 works) · Beauty (1 works) · Caribbean history, culture, and politics (1 works) · Communication (1 works) · Consciousness (1 works) · Context (archaeology (1 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae