Anne Ruth Hansen
Biographic Data
| ID | 5123632 |
|---|---|
| NAME | Anne Ruth Hansen |
| GIVEN NAMES | Anne Ruth |
| FAMILY NAME | Hansen |
| SIGNATURE | HANSEN A R |
| AFFILIATIONS | University of Wisconsin–Milwaukee |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
Khmer Identity and Theraväda Buddhism
Painting Ethics
This essay draws on Kenneth George's ethnographic study of the Indonesian painter Abdul Djalil Pirous and his art, as well as Pirous's own characterizations of his paintings as “spiritual notes,” to theorize and examine how paintings serve as ethical media. The essay offers a provisional definition of and methodology for “visual ethics” and considers how pictures and language (such as scriptural texts) can function quite differently as sites for …
Modern Buddhism in Southeast Asia
At the Edge of the Forest
Inspired by David Chandler's groundbreaking work on Cambodian attempts to find order in the aftermath of turmoil, these essays explore Cambodian history using a rich variety of sources that cast light on Khmer perceptions of violence, wildness, and order, examining the "forest" and cultured space, and the fraught "edge" where they meet
The Image of an Orphan
Much of the work in the relatively new field of Theravāda Buddhist ethics has been directed toward critiquing the Weberian characterization of Buddhism as primarily "mystical" and oriented away from social, political, and domestic attention toward the world. Ancient Buddhism, Max Weber wrote, "is a specifically unpolitical and anti-political-status religion, more precisely, a religious 'technology' of wandering and of intellectually-schooled mend…
The Image of an Orphan
Much of the work in the relatively new field of Theravāda Buddhist ethics has been directed toward critiquing the Weberian characterization of Buddhism as primarily "mystical" and oriented away from social, political, and domestic attention toward the world. Ancient Buddhism, Max Weber wrote, "is a specifically unpolitical and anti-political-status religion, more precisely, a religious 'technology' of wandering and of intellectually-schooled mend…
The Image of an Orphan
Much of the work in the relatively new field of Theravāda Buddhist ethics has been directed toward critiquing the Weberian characterization of Buddhism as primarily "mystical" and oriented away from social, political, and domestic attention toward the world. Ancient Buddhism, Max Weber wrote, "is a specifically unpolitical and anti-political-status religion, more precisely, a religious 'technology' of wandering and of intellectually-schooled mend…
At the Edge of the Forest
Inspired by David Chandler's groundbreaking work on Cambodian attempts to find order in the aftermath of turmoil, these essays explore Cambodian history using a rich variety of sources that cast light on Khmer perceptions of violence, wildness, and order, examining the "forest" and cultured space, and the fraught "edge" where they meet
Modern Buddhism in Southeast Asia
Painting Ethics
This essay draws on Kenneth George's ethnographic study of the Indonesian painter Abdul Djalil Pirous and his art, as well as Pirous's own characterizations of his paintings as “spiritual notes,” to theorize and examine how paintings serve as ethical media. The essay offers a provisional definition of and methodology for “visual ethics” and considers how pictures and language (such as scriptural texts) can function quite differently as sites for …
Khmer Identity and Theraväda Buddhism
Buddhism (4 works) · Cambodian History and Society (4 works) · Aesthetics (3 works) · Art (3 works) · Asian Geopolitics and Ethnography (3 works) · Philosophy (3 works) · Theology (3 works) · Art history (2 works) · History (2 works) · Indian and Buddhist Studies (2 works)