Frederick Reece
Datos Biográficos
| ID | 5125467 |
|---|---|
| NOMBRE | Frederick Reece |
| NOMBRES | Frederick |
| APELLIDO | Reece |
| FIRMA | REECE F |
| ORCID | 0009-0002-8655-1809 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 2 |
| TOTAL DE CITAS | 1 |
| TOTAL COMO AUTOR | 2 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2018 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2021 |
| ÍNDICE H | 1 |
Dedicating Music, 1785–1850 , by Emily H. Green
At a casual glance, the period 1785–1850 might seem a surprising venue for a book-length study of musical dedication. In bird’s-eye historical surveys, the dedication generally appears as a form of print culture characteristic of sixteenth- and seventeenth-century economies of liturgical and aristocratic patronage, not the burgeoning commodity market associated with the decades following the American and French Revolutions. As Emily H. Green sugg…
Composing Authority in Six Forged “Haydn” Sonatas
In December 1993 news broke that six keyboard sonatas whose rediscovery was being hailed as “The Haydn Scoop of the Century” were, in fact, not by Haydn at all. It soon emerged that the compositions—initially believed to be the lost Hob. XVI:2a–e and 2g—were not simple misattributions, but rather something that has rarely been discussed in the music world: modern forgeries deliberately constructed to deceive scholars and listeners. Adapting philo…
Composing Authority in Six Forged “Haydn” Sonatas
In December 1993 news broke that six keyboard sonatas whose rediscovery was being hailed as “The Haydn Scoop of the Century” were, in fact, not by Haydn at all. It soon emerged that the compositions—initially believed to be the lost Hob. XVI:2a–e and 2g—were not simple misattributions, but rather something that has rarely been discussed in the music world: modern forgeries deliberately constructed to deceive scholars and listeners. Adapting philo…
Composing Authority in Six Forged “Haydn” Sonatas
In December 1993 news broke that six keyboard sonatas whose rediscovery was being hailed as “The Haydn Scoop of the Century” were, in fact, not by Haydn at all. It soon emerged that the compositions—initially believed to be the lost Hob. XVI:2a–e and 2g—were not simple misattributions, but rather something that has rarely been discussed in the music world: modern forgeries deliberately constructed to deceive scholars and listeners. Adapting philo…
Dedicating Music, 1785–1850 , by Emily H. Green
At a casual glance, the period 1785–1850 might seem a surprising venue for a book-length study of musical dedication. In bird’s-eye historical surveys, the dedication generally appears as a form of print culture characteristic of sixteenth- and seventeenth-century economies of liturgical and aristocratic patronage, not the burgeoning commodity market associated with the decades following the American and French Revolutions. As Emily H. Green sugg…
Art (2 obras) · Literature (2 obras) · Musical (2 obras) · Aesthetics (1 obras) · Art history (1 obras) · Citation (1 obras) · Computer Science (1 obras) · Context (archaeology (1 obras) · Diverse Musicological Studies (1 obras) · Historical Influence and Diplomacy (1 obras)