Christina Stead
Biographic Data
| ID | 5125943 |
|---|---|
| NAME | Christina Stead |
| GIVEN NAMES | Christina |
| FAMILY NAME | Stead |
| SIGNATURE | STEAD C |
| AFFILIATIONS | University of Auckland |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 6 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1964 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
Christina Stead’s Student Publications
This selection of Christina Stead's student publications was edited by Margaret Harris to accompany her essay, 'Christina Stead's Earliest Publications
Pound, Yeats, Eliot and the Modernist Movement
Part 1 1900-1925 rise of Modernism: Yeats and Pound - modern and Modernist Yeats, Eliot, Pound - Symbolist inheritance Pound, Eliot, Yeats - three post-war poems Eliot, Pound and the longest poems and English language interlude, 1898-1928 some reflections on poetry of Hardy and Yeats. Part 2 1925-1950 - Modernism and politics: Auden and revolutionary left Eliot and revolutionary right Pound and revolutionary economics Pound - out of ruins postcri…
Authors’ Statements [Christina Stead]
Ocean of Story
Christina Stead discusses her approach to short fiction and the childhood experiences that inform her writing
Interview with Christina Stead
To W. H. Auden on his 60th birthday (21st February, 1967)
Poetry, and the Criticism of Poetry
Classical Authority’ and ‘The Dark Embryo’
IN 1923 T. S. Eliot wrote that the difference between Classicism and Romanticism was 'the difference between the complete and the fragmentary. the adult and the immature. the orderly and the chaotic'.l Five years later he described his 'general point of view' as 'Classicist in literature'.2 And for at least two decades after that, Eliot's critics obediently referred to him as a 'Classicist'. As late as 1954 we find D. E. S. Maxwell speaking of El…
Pound, Yeats, Eliot and the Modernist Movement
Part 1 1900-1925 rise of Modernism: Yeats and Pound - modern and Modernist Yeats, Eliot, Pound - Symbolist inheritance Pound, Eliot, Yeats - three post-war poems Eliot, Pound and the longest poems and English language interlude, 1898-1928 some reflections on poetry of Hardy and Yeats. Part 2 1925-1950 - Modernism and politics: Auden and revolutionary left Eliot and revolutionary right Pound and revolutionary economics Pound - out of ruins postcri…
Interview with Christina Stead
Classical Authority’ and ‘The Dark Embryo’
IN 1923 T. S. Eliot wrote that the difference between Classicism and Romanticism was 'the difference between the complete and the fragmentary. the adult and the immature. the orderly and the chaotic'.l Five years later he described his 'general point of view' as 'Classicist in literature'.2 And for at least two decades after that, Eliot's critics obediently referred to him as a 'Classicist'. As late as 1954 we find D. E. S. Maxwell speaking of El…
Poetry, and the Criticism of Poetry
To W. H. Auden on his 60th birthday (21st February, 1967)
Interview with Christina Stead
Authors’ Statements [Christina Stead]
Ocean of Story
Christina Stead discusses her approach to short fiction and the childhood experiences that inform her writing
Pound, Yeats, Eliot and the Modernist Movement
Part 1 1900-1925 rise of Modernism: Yeats and Pound - modern and Modernist Yeats, Eliot, Pound - Symbolist inheritance Pound, Eliot, Yeats - three post-war poems Eliot, Pound and the longest poems and English language interlude, 1898-1928 some reflections on poetry of Hardy and Yeats. Part 2 1925-1950 - Modernism and politics: Auden and revolutionary left Eliot and revolutionary right Pound and revolutionary economics Pound - out of ruins postcri…
Christina Stead’s Student Publications
This selection of Christina Stead's student publications was edited by Margaret Harris to accompany her essay, 'Christina Stead's Earliest Publications
Art (7 works) · Literature (6 works) · Computer Science (4 works) · Media studies (4 works) · Sociology (4 works) · Art history (3 works) · Irish and British Studies (3 works) · Project commissioning (3 works) · Publishing (3 works) · Citation (2 works)